Here is everything we currently have in stock for you to explore. The default sort setting is 'bestselling' but you can play with that. Use the filters to narrow things down or the search function at the top to look for your favourite artists or labels.
If you still unsure or can’t see what you’re looking for, come on down to the shop for a coffee and let us do the hard work for you!
Proper deep house, boogie, funk and soul is mixed with modern electronic pop then sprinkled liberally with disco dust. Confident, sophisticated and stylish yet playful and adventurous, it finds Crazy P in an empowered new purple patch – both comfortable in their own skin and unafraid to try new things.
Way before the rise in prominence of disco, house and soulful pop from the likes of Todd Terje, Disclosure or Jessie Ware, Crazy P have spearheaded the revival (and perpetuation) of these sounds since 1997. Their status as respected, vital players has maintained throughout nearly 20 years, and with the bright future of ‘Walk Talk Dance Sing’, they remain leading lights worthy of yet more recognition.
New 10th anniversary, fully remastered special Silver vinyl edition of Soul Jazz Records’ ground-breaking ‘Venezuela 70’ featuring Vytas Brenner, Pablo Schneider, Angel Rada, Miguel Angel Fuster and many more.‘Venezuela 70’ was the first ever compilation of its kind to take a look at the fascinating music scene created in Venezuela in the 1970s, a stunning blend of funk, Latin rock, European electronic experimentalism, jazz and more.
Five years after the first volume, Analog Africa returns with a second compilation highlighting Ranil y Su Conjunto Tropical, one of the greatest practitioners of Peruvian Cumbia Amazonica - 'Galaxia Tropical' features 14 songs with a guitar groove you won't forget, underlying Ranil's extraordinary output as singer, bandleader, record-label entrepreneur and larger-than-life personality.
Gil Evans to Miles Davis…. Holger Czukay to the ensemble known as Can….Jean Claude Vannier to Serge Gainsbourg on Histoire de Melody Nelson. That’s the only way to explain the specificity of Four Tet and Madlib’s collaboration, in this special album that showcases a two-decade long friendship that has resulted in an album that follows Madlib’s classics like Quasimoto’s The Unseen, Madvillainy and his Pinata and Bandana albums with Freddie Gibbs.
Recorded in 1975 at the Köln Opera House and released the same year, nothing on this program was considered before he sat down to play. All of the gestures, intricate droning harmonies, skittering and shimmering melodic lines, and whoops and sighs from the man are spontaneous. Although it was one continuous concert, the piece is divided into four sections, largely because it had to be divided for double LP. But from the moment Jarrett blushes his opening chords and begins meditating on harmonic invention, melodic figure construction, glissando combinations, and occasional ostinato phrasing, music changed. For some listeners it changed forever in that moment. For others it was a momentary flush of excitement, but it was change, something so sorely needed and begged for by the record-buying public. Jarrett's intimate meditation on the inner workings of not only his pianism, but also the instrument itself and the nature of sound and how it stacks up against silence, involved listeners in its search for beauty, truth, and meaning. The concert swings with liberation from cynicism or the need to prove anything to anyone ever again. With this album, Jarrett put himself in his own league, and you can feel the inspiration coming off him in waves. This may have been the album every stoner wanted in his collection "because the chicks dug it." Yet it speaks volumes about a musician and a music that opened up the world of jazz to so many who had been excluded, and offered the possibility -- if only briefly -- of a cultural, aesthetic optimism, no matter how brief that interval actually was. This is a true and lasting masterpiece of melodic, spontaneous composition and improvisation that set the standard.
A hypnotic voyage through modern and classical composition, experimental electronics, jazz, dub techno, soundtracks and soul; Frahm's Late Night Tales haunts and beguiles. It’s not mixing, so much as gently layering, like a particularly fluffy goose-down duvet folding in on itself, the folds part of the attraction, the layers part of the overall picture being painted.
Love Makes Magic, the debut LP by Jim - aka Jim Baron of Crazy P and Ron Basejam notoriety - was released in June 2023 and the album has connected with an ever growing number of fans; lured in by great songs, Laurel Canyon singer-songwriter acoustics, 60’s psychedelic folk-rock, a dash of Balearic, discoid funk and a healthy dose of yacht-rock.
Congo's turbulent and exhilarating '70s: Nightclubs and dancefloors were packed to the brim in the capital, Kinshasa. Exuberant crowds, still giddy from independence a decade prior, grooved to the sounds of the country`s classics. In fact the whole continent was submerged into the Congolese Rumba craze.
It’s a special, but also a strange sensation to be releasing an album of one of your early musical heroes. I first discovered The Movers on my very first “record safari” in 1996. My destination was Bulawayo, in southern Zimbabwe, and to get there I had to travel via Jo’burg. While in town I stopped at a store called Kohinoor, in search of Mbaqanga – also known as Township Jive – and found a few tapes which I listened to non-stop on the bus that carried me to the land of Chimurenga Music. One of these cassettes included the songs “Hot Coffee” and “Phukeng Special” which instantly became part of my daily life. Twenty-five years later I’m still grooving to them.
Delicious Vinyl presents this key material from Jay Dee’s output in a never before issued and not to be repeated random coloured vinyl assortment. Shortly after Jay Dee’s younger brother Illa J’s solo debut was issued on Delicious Vinyl, the label and the artist knew the next step in honouring Jay Dee’s legacy was to issue the complete instrumentals from Yancey Boys as a stand-alone release. This mother lode of previously untouched (at the time) beats dates as far back as Jay Dee’s time working on the Pharcyde’s sophomore album, 1995’s Labcabincalifornia. As Delicious Vinyl owner Michael Ross explains, “From ‘95 through ’98 Jay Dee was my go-to guy for hot beats and remixes. He was always making beats, always. So there was a select amount of tracks that he composed for me during that time, tracks as good as anything he’d done, only they never got used.” Once these beats were used for Illa J’s Yancey Boys they were presented to the public on Yancey Boys Instrumentals.
