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Seminal album from cult Ghanaian musician Alhaji K. Frimpong, recorded in 1976 and considered to be one of the best highlife albums ever recorded. Features the masterpiece Kyenkyen Bi Adi M’awu (come back my love) - universally known in Ghana, covered and sampled by artists such as Chronnix, Gnarls Barkley and many more. Backed by Vis a Vis - one of the most influential bands to come out of the Ghana Highlife / Afro Rock movement. Unique avant garde sound that blends traditional highlife percussion and horns with synthesizers. Original copies of the album are extremely rare. The album was reissued in limited quantities in 2011 and has been unavailable since - even reissue copies sell for high prices on the second hand market. Record Store Day exclusive pressing comes on Blue vinyl with heavyweight sleeve.
Newly remastered and repackaged, Soul Jazz Records’ ‘Gipsy Rhumba’ was first released to much-critical acclaim around the world in 2012. The album is a stunning mix of Latin, funk, flamenco and rhumba rhythms, remaining the first album ever outside of Spain to seriously focus on the history of gipsy rhumba, one of the most interesting musical culture clashes ever that first took place in the early 1960s.
Live On Tour was recorded at the Agora in Cleveland on December 18, 1978 and published as promo LP for radio broadcast in 1979. Recorded on the More Songs About Buildings and Food tour, the promo release was never officially released for the public. This is the first official release of the full show, fully remastered from the original analogue tapes and features one previously unreleased track. 2LP set cut at 45rpm.
Restoring, reissuing and contextualising iconic tracks from Ousmane Kouyate & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystere Jazz de Tombouctou and many more, the second compilation in this series dives ever further into the richness of post- independence music emanating out of Mali. One in which traditional foundations and instrumentation, blended with modern musical advances and influence.
A few years after recording Straight, No Chaser, Thelonious Monk disappeared from the public eye. But as the years passed, more people became aware of the seminal role he played in the development in jazz as both pianist and composer, creating a standard of excellence that many musicians after him aspire to.
The Cape Verdean masterpiece returns—remastered, restored, and ready to set dancefloors alight once again. This Record Store Day, vinyl lovers and world music fans can finally get their hands on Caminho De Esperança Coladance 80 by Cabo Verde Show. First released in 1980 and long out of print, or...
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When musicians are on tour conversations naturally turn to music. Two years ago, whilst exploring the jazz kissas and record stores of Tokyo, woodwind maestro Chip Whickham and ATA mastermind and bassist Neil Innes discussed their shared influences of Yusef Lateef, David Axelrod and Alice Coltrane. The seeds for a new project were sown and soon seven tracks of deep, spiritual, groove driven jazz were laid down and on tape.
One of the few albums cut by singer Vi Velasco - and a great vocal follow-up to the Zoot Sims bossa albums.
Zoot plays tenor on this record too -- mixing his solos with Vi's vocals in a style that's rather like the interplay between Stan Getz and Astrud Gilberto -- with a similar blend of America...
n this mix we wanted to create a world of music that in its entirety you wouldn’t expect to hear within the walls of fabric, but would reflect the hours spent before heading to the club; drinks at a friend’s house, the journey into London, travelling on the underground and the anticipation in the build-up beforehand.
With her third album, composer and bandleader Jasmine Myra has stepped confidently into the next stage of her unique musical explorations. Where Light Settles is a cohesive artistic statement from a distinctive and confident voice in UK music, and a significant evolution from the critically acclaimed Horizons (2022) and Rising (2024).
During a long and uncommonly productive career, Brazilian guitarist Laurindo Almeida achieved a ubiquity in popular music that has yet to be fully recognized. Largely responsible for the Brazilian/North American "samba jazz" that would eventually catch on in the form of a musical trend known as bossa nova, he played behind dozens of well-known pop vocalists and improved the overall texture of many a studio production ensemble.