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Following the already classic Wamono A to Z trilogy, we are delighted to present an exceptional collection of jazz funk / rare groove tunes recorded in the mid-seventies at the Nippon Columbia studios by three giants of Japanese music: arranger Kiyoshi Yamaya, koto legend Toshiko Yonekawa and shakuhachi master Kifu Mitsuhashi.
Over the course of her lush, expansive, defiantly sprawling new album, Sometimes I Might Be Introvert, released on Age 101, the Ivor Novello award-winning, Mercury nominated Little Simz delivers an undeniable modern classic, effortlessly condensing any number of disparate styles and genres into music which thrillingly broaches the gap between urgent modern treatise and hip hop.
Mezzanine is like no other album that has come before, or since. It's timeless and genre-defying, yet it's also the best example of late 90's trip-hop any British music act could have produced. Massive Attack's use of samples and the sheer mix of musical genres they spanned was visionary, peerless and inspirational.
Madlib wanted to record with Doom. The label found the guy, brought him out to the house in the east Los Angeles hills where they were based at the time. Most of the tracks were written and recorded there, Madlib making beats in a former bomb shelter downstairs, Doom writing on the back porch and recording in a bedroom.
‘The Universe Smiles Upon You’ was recorded at their spiritual home, a remote barn deep in the Texas countryside where their first rehearsals took place. The band listened to a lot of different types of music on the long drives out to the country but their favourites were 60s and 70s Thai cassettes gleaned from the cult Monrakplengthai blog and compilations of southeast Asian pop, rock and funk. This had a heavy impact on the direction of the band, the scales they used and the inflection of the melodies; which coupled with the spaciousness of the Texan countryside culminated in Khruangbin forming their exotic, individual sound.
Tim Maia was born in 1942 in the suburbs of Rio de Janeiro and started his musical career at an early age, along with close friends such as Roberto Carlos or Jorge Ben. Carlos would eventually help him to get a deal for his first single at CBS. During the 70s Maia started to incorporate soul and funk elements into his style.