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‘The Universe Smiles Upon You’ was recorded at their spiritual home, a remote barn deep in the Texas countryside where their first rehearsals took place. The band listened to a lot of different types of music on the long drives out to the country but their favourites were 60s and 70s Thai cassettes gleaned from the cult Monrakplengthai blog and compilations of southeast Asian pop, rock and funk. This had a heavy impact on the direction of the band, the scales they used and the inflection of the melodies; which coupled with the spaciousness of the Texan countryside culminated in Khruangbin forming their exotic, individual sound.

Madlib wanted to record with Doom. The label found the guy, brought him out to the house in the east Los Angeles hills where they were based at the time. Most of the tracks were written and recorded there, Madlib making beats in a former bomb shelter downstairs, Doom writing on the back porch and recording in a bedroom.

In a career of myriad highlights Nightclubbing remains the high water mark of Grace Jones's imperial years with Island Records. It is indisputably the album on which her musical legacy rests, and rightly considered one of the greatest albums of all time. A sophisticated melee of sound, blending post-punk cool with a hot Caribbean vibe and a catwalk Studio 54 sensibility, it's a perfect example of artist and musicians working in complete accord. It contains the all-time Grace classics in 'Pull Up To The Bumper', 'Walking In The Rain', 'Demolition Man' (written by Sting) and of course the Bowie / Iggy Pop-penned title track. There is magic in its every groove. In keeping with its reputation as one of the best sonically sounding albums of the '80s and for the first time since its debut on CD in 1987, 'Nightclubbing' has been comprehensively remastered using the latest studio technology.

Mezzanine is like no other album that has come before, or since. It's timeless and genre-defying, yet it's also the best example of late 90's trip-hop any British music act could have produced. Massive Attack's use of samples and the sheer mix of musical genres they spanned was visionary, peerless and inspirational.

Tim Maia was born in 1942 in the suburbs of Rio de Janeiro and started his musical career at an early age, along with close friends such as Roberto Carlos or Jorge Ben. Carlos would eventually help him to get a deal for his first single at CBS. During the 70s Maia started to incorporate soul and funk elements into his style.

Sly and the Family Stone might have psychedelicised soul music, but Marvin Gaye personalised it. Although the powers-that-were Motown didn't even want to release the record, the unexpected success of What's Going On, issued in 1971, inspired Stevie Wonder, Curtis Mayfield, and just about every other black artist on the planet to take greater responsibility for their music and its meaning.
