New to the Shop
Whilst this is the place to see all the new releases that have landed in the store this week, we don't just rely on new releases or reissues to keep the stock fresh, we spend hours researching and unearthing the hidden gems and future favourites that might otherwise get overlooked. Spanning our favourite genres, these are the records that have recently arrived in store for the first time - new or old.
110 products
Gary Bartz and new London ensemble Your Brother‘s Keeper collaborate on Where Rivers Meet, a deeply intuitive new studio album capturing a rare meeting between generations of jazz musicians. The record brings together Bartz’s jazz lineage and a new collective emerging from London’s vibrant jazz scene. The result is music that unfolds with openness and intensity, guided by deep listening and collective improvisation.
Four years on from her acclaimed debut International Love Affair, Tigerbalm (Rose Robinson) returns to Ubiquity Records with the thrillingly kaleidoscopic Bubblegum Discos. Painted in vivid sonic colours, Bubblegum Discos showcases Tigerbalm's two great musical loves: Brazilian musical culture and vintage dancefloor workouts from the African continent, infused with nods to Italo-disco, proto-house and soca
Cosmic exploration. Spiritual transformation. Unbridled spontaneity. These are the guiding principles of Pigeon, a psychedelic five-piece rooted in the English seaside town of Margate, yet making music that transcends borders. A new orange vinyl edition of their debut album OUTTANATIONAL limited to 500.
Freddie McGregor's debut album Mr. McGregor was released in 1979. The album opens with "We Got Love" featuring a Tower of Power influenced horn section underneath McGregor's tale of love conquering all. The classic "Rastaman Camp" combines muted horn and an earthy, Nyahbinghi-like chorus for one of producer Niney's deeper constructions, but the lightweight fare is equally welcome as the easy strolling and not too sugary version of "Brandy" displays.
Recorded in New York in 1967, Silk & Soul is Nina Simone’s second album for RCA. The album features "I Wish I Knew How It Would Feel to Be Free", which would become a Civil Rights anthem, "It Be’s That Way Sometimes", written by her brother Sam Waymon, and "The Turning Point", a song that seems to be about a child making a new friend, but turns out to question the origins of racism
Visit Malphino is a 17-track epic that provides the soundboard to years of imaginative cultivation. With clues in the titles, each track represents a different element to the island. It embodies the growth of the Malphino concept from an abstract idea within the minds of a few friends to a more complex fantasy at the centre of a small community of musicians and artists. Speculation is open-ended.
Behind Karen’s pulsating spectral voice lies vulnerability, contemplation and longing. Chameleon-like foundations explore cumbia in its many forms, crossing the continent with Norteño airs, pitched-down rebajados, psychedelia and even traditional Peruvian music, taking in ballads, Afro-Latin percussion, reggaeton and the more electronic sounds of dream-pop, trip hop and downtempo.
Acclaimed London collective Kokoroko'sbrand new remix EP reimagines standout tracks from their 2025 album Tuff Times Never Last, offering fresh perspectives on three fan favourites through a carefully curated selection of producers. The EP brings together a dynamic trio of remixers: IG Culture, IZCO, and Musclecars, each delivering a distinct sonic interpretation rooted in club culture, soul, and rhythm-forward experimentation.
In the early 1970s, Roy Ayers formed his own band: Roy Ayers Ubiquity. Its line-up included artists well known to funk and soul fans such as Bernard Purdie, James Mason, and Edwin Birdsong. This 1973 album presents Roy Ayers in the midst of a creative evolution toward a sound increasingly influenced by soul and funk, moving beyond the early phase of his musical career, which was more rooted in orthodox jazz.
New 10th anniversary, fully remastered special Silver vinyl edition of Soul Jazz Records’ ground-breaking ‘Venezuela 70’ featuring Vytas Brenner, Pablo Schneider, Angel Rada, Miguel Angel Fuster and many more.‘Venezuela 70’ was the first ever compilation of its kind to take a look at the fascinating music scene created in Venezuela in the 1970s, a stunning blend of funk, Latin rock, European electronic experimentalism, jazz and more.
Newly remastered and repackaged, Soul Jazz Records’ ‘Gipsy Rhumba’ was first released to much-critical acclaim around the world in 2012. The album is a stunning mix of Latin, funk, flamenco and rhumba rhythms, remaining the first album ever outside of Spain to seriously focus on the history of gipsy rhumba, one of the most interesting musical culture clashes ever that first took place in the early 1960s.
"Hey boys, the show's about to start, this girl's got a voice that will rip out your heart", coos Eve Quartermain with complete justification on 'Avenging Angel’, the opening track to Late Transmissions' debut album, ‘The Heart Wants What It Wants.’ The show that follows across the next ten tracks is a cinematic adventure, evocative of classic widescreen soundtracks and sixties orchestrated pop, with a pinch of jazz and processed 90s noir beats. A potent cocktail!
Originally released in 1968 on the budget Saga label, The Soul of The Matter has become a genuine cult favourite of the British late-sixties soul-pop underground. Long overlooked and pressed in modest quantities, the album quietly built a reputation among collectors as one of those rare low-budget releases where the artistry far outweighed the resources behind it.
8-Tracks features eight essential classics selected from the Pink Floyd’s 1971 – 1979 era. The track list includes instantly recognisable hits alongside earlier cuts in ‘One Of These Days’ and ‘Wot’s… Uh The Deal’, as well as an exclusive full version of ‘Pigs On The Wing’, previously available only on the 1977 Animals 8-Track cartridge release
Remastered for vinyl and expanded with new incarnations - live cuts from NPR's Tiny Desk and the band’s landmark Royal Albert Hall performance - Ezra Collective’s ‘Chapter 7 (10th Anniversary Edition)’ reissue presents ‘Chapter 7’ not simply as an early document, but a living manifesto: rhythm as ritual, youth culture as sanctuary and jazz as an open invitation.
A unique and brilliant collaboration between legendary dub / reggae pioneer Lee “Scratch” Perry and German electronic production duo Mouse on Mars. ‘Spatial, No Problem.’ finds the artists breaking new ground - the one thing Lee was sure of was that this shouldn’t be just another reggae album. It covers everything from Krautrock, ambient, dub, jazz, New Orleans brass and much more.
Lithic’ is Laura Misch’s immersive new album, a sonic journey through stone, water, wind and lightning. Misch conjures music from caves, quarries, rock pools and coastal edges, merging field recordings with saxophone, voice, electronics, strings, and percussion. ‘Lithic’ is a meditation on nature, aging and connection, offering listeners a profound, elemental listening experience that is at once visceral, meditative and electrifying.
We Dream’ is the new studio album by New York-based alto saxophonist, composer and bandleader Lakecia Benjamin. Conceived as a deeply band-driven project, her sixth album and
Artwork Records debut centres on Benjamin’s frequent collaborators in pianists Oscar Pérez and Miki Hayama and bassist Elias Bailey - along with new associates in trumpeter Sean Jones and drummer Jonathan Barber - alongside an expansive cast of guest collaborators drawn from across jazz, R&B, hip-hop and experimental music.
BBE Music’s celebrated J Jazz compilation series reaches its fifth and final volume in early 2026. This final volume features a selection of tracks that is as diverse as it is deep, reflecting the rich and varied Japanese jazz scene that spanned from the late 1960s to the late 1980s, a golden era of innovation and creativity.
With his highly accomplished third album ‘If This Is It’, DJ Seinfeld (Armand Jakobsson) evolves further into the artist he always set out to be, refining his emotional, club-leaning sound across nostalgic house, UKG and 2000s-tinged trance.
The 12-track album - featuring SG Lewis, Confidence Man, TS Graye, Dan Whitlam, ARY, ‘Norwegian pop witch’ Moyka and Barry Can’t Swim affiliate just lil - explores letting go in a world that can often feel overwhelming.
Rock and Roll Hall of Fame inductees Earth, Wind & Fire have notched seven Top 10 hits on the Hot 100, topped the Hot R&B/Hip-Hop Song chart eight times, and sold more than 90 million records worldwide. Greatest Hits features all of the hits from one of music’s best-selling bands with certified classics such as as “September,” “Let’s Groove,” and many more
Originally conceived as a dual EP cycle, the project unfolds across two contrasting sonic worlds. ‘as night falls’ explores nocturnal electro-jazz, midnight funk and introspective, groove-led textures, while ‘as day breaks’ shifts toward warmth, clarity and forward motion, capturing the quiet optimism of first light.
Superstar Jalen Ngonda returns with his second long playing masterpiece. Within a few seconds of track one 'Anyone in Love' you know you are in the presence of greatness. Doctrine Of Love blends pop sensibility and soulful melodies with raw grit and groove, expanding on the orchestral arrangements of Come Around and Love Me with flourishes of horns and gospel-kissed backing vocals, creating a highly stylish example of modern soul artistry.
Kronstad 23 returns with Dødehavet, the Norwegian quartet’s third album and first release on Batov Records. Continuing their instinctive, analogue-led approach, the record sits between cinematic jazz and psychedelic rock, threaded with Scandinavian folk and wider global influences. Recorded live to tape with minimal preparation and no modern studio intervention, Dødehavet captures a band working on feel, interaction and momentum rather than polish or precision.
Back in 1999 when David Byrne originally compiled this retrospective—making it the first in our critically acclaimed World Psychedelic Classics series—the idea of doing a psychedelic album from outside the U.S. or Europe was a total surprise. More than twenty years since this anthology first hit the shelves, the mutants are back in stock— with their electric guitars, cans of bug spray, and deviant, freaky psychedelia.
In the early 1970s, Milan was a city defined by a restless, creative energy. Its recording studios hummed with activity day and night, populated by an elite circle of jazz-trained session musicians who split their time between tracking dates in the studio and jam sessions in the city’s clubs. Among them was Giancarlo Barigozzi, one of the most revered flautists and saxophonists of the scene, who was just then beginning to navigate the enigmatic world of library music.
In 2026, the sample alchemist returns to his first love with his 11th album, Endless Smile 2. A 16-track project conceived as a tribute to his landmark 2015 album Endless Smile, which featured his iconic tracks “Betty” and “Qu’attendez-vous de moi”. Born from a desire to return to the essentials, Endless Smile 2 focuses on instrumental compositions enriched with samples and organic textures inspired by the 70s.
Following the jazzy library vibes of 2023’s collaborative Dolphin LP with Greg Foat and Moses Boyd, the venetian maestro Gigi Masin returns to the ambience for which he is renowned, with Movement — his first solo full-length since 2020’s Calypso, and his Sacred Bones Records debut. Fuelled by creative reinvention and rhythmic motion, he moves seamlessly between melancholy MIDI notes, technoid robotics, groovy liminal cloudscapes, and fathoms-deep ambient aquatics.
When funk music exploded onto the global pop scene in the late sixties, many of Jamaica's leading music-makers were inspired to incorporate elements of the exciting sound into their work. The result was the fascinating and compelling funky reggae style that proved immensely popular with record buyers on both sides of the Atlantic throughout the early ‘70s.
The Endless Dance’ is the first collaborative album from Northern Irish producer and composer Hannah Peel and Chinese percussionist Beibei Wang. The record is grounded in the strength of ancient concepts but comes alive with the joy and freedom of play as together, Peel and Wang travel through the 24 solar terms of the Chinese calendar with a cornucopia of sound in tow - synths and prepared piano alongside traditional and unconventional percussion.
At Source finds two acclaimed composer-musicians building a world together in self-contained collaboration between analogue synthesis and an extended approach to the saxophone that conjures its own universe of sound. It is at once intimate and cosmic, drawing on the challenges and possibilities of their artistic exchange, tearing down technique to access all the expansive possibilities of their sonic meeting point.
Compiled by Argentinian Djs and producers Ric Piccolo and Ariel Harari, Danza Secreta: Lost and Hidden Grooves From Argentina (1970-1980) is an emotional archive made up of music that never belonged to a single, unified scene, but shared a common spirit: a desire to experiment, to make people dance, to break away from dominant genres
Dexter Gordon’s second Blue Note album Dexter Calling… recorded in 1961 solidified the tenor saxophonist’s career rebirth with a joyous return to form. Dexter holds forth at the helm of a quartet with Kenny Drew, Paul Chambers, and Philly Joe Jones moving nimbly from hard-charging swing to stunning balladry.
The Bolbec duo return with their sophomore album Foutu Félin, a richly cinematic collection of instrumental music that unfolds like an imaginary soundtrack, melodic, tactile and transportive. The record is inspired as much by the cut-and-paste production techniques of Portishead and the Beastie Boys as by the legendary composers of le cinéma français and il cinema italiano.
