New to the Shop
Whilst this is the place to see all the new releases that have landed in the store this week, we don't just rely on new releases or reissues to keep the stock fresh, we spend hours researching and unearthing the hidden gems and future favourites that might otherwise get overlooked. Spanning our favourite genres, these are the records that have recently arrived in store for the first time - new or old.
115 products
The Bolbec duo return with their sophomore album Foutu Félin, a richly cinematic collection of instrumental music that unfolds like an imaginary soundtrack, melodic, tactile and transportive. The record is inspired as much by the cut-and-paste production techniques of Portishead and the Beastie Boys as by the legendary composers of le cinéma français and il cinema italiano.
Moving Images is a collaborative album by composers Frank Maston and Greg Foat, and marks the inaugural release on Magic Hollow, the new imprint founded by Daniel O'Sullivan. Rooted firmly in the tradition of classic library music, the album draws from the deep, elegant end of the form: vintage keyboards, analogue synthesis, drum machines, and melodic economy, realised with clarity, warmth, and restraint.
When The Lights Gone is the new Album from Nostalgia 77.
A set of simple songs in primary colours it explores Lamdin’s familiar themes of memory, time, truth and identity. After a hiatus of several years from releasing personal work Producer Benedic Lamdin has two albums set for release this year of which ‘When The Lights Gone’ is the first.
Coming almost two decades after the release of the original Grammy-winning, self-titled LP, the new album is a collection of previously unreleased tracks - some of which were recorded during the original album's sessions in Havana and others from the years that followed. The studio tracks on Lost and Found were recorded at the 1996 Egrem studio sessions in Havana and during a period of rich and prolific creativity stretching into the early 2000s following the recording of the original album.
For the last few years, Acid Jazz have been the proud custodians of the Albarika Store legacy. Hailing from the small but culturally-significant state of Benin, the label was operational from the late-1960s until the early 1980s, and was home to some of the finest, deepest, rawest West African cuts ever. A fount of local and regional music, infused with contemporary Western influences, the beating heart of the Albarika sound were the mighty T.P. Orchestre Poly-Rythmo, who in various guises released dozens of recordings for the label, under the leadership of Mêlomé Clément.
Following the strong reception of their second album, Totem of Quiet Mystic (2023), Jiyu have earned praises from outlets such as Jazzwise, Enlace Funk and The Chillout Tent, as well as worldwide support from a wide range of iconic DJ's. The singles from Jiyu's new album, Wild Things, have immediately been embraced—drawing glowing reactions and airplay from dj's like, Patrick Forge, Chris Coco, Phil Cooper, Dj Vadim, Fred Everything, David Patterson, Jon Kennedy and many more.
Charles Stepney gained worldwide success as the producer for Earth Wind & Fire and Deniece Williams but the producer and arranger’s earlier work at Chess is now regarded as some of the most original ever laid to tape, and in the past 20 years has become a primary influence on scores of producers and arrangers, with his records being sought after by DJs and collectors. Despite a couple of attempts, his most important work has never been compiled on one volume until now. This compilation gathers up his most famous productions for the likes of Rotary Connection - and their singer Minnie Riperton, Ramsey Lewis, Terry Callier, Marlena Shaw and the Dells.
One of Blue Note's greatest mainstream hard bop dates, Song for My Father is Horace Silver's signature LP and the peak of a discography already studded with classics. Silver was always a master at balancing jumping rhythms with complex harmonies for a unique blend of earthiness and sophistication, and Song for My Father has perhaps the most sophisticated air of all his albums
A rhythm-driven, analog-leaning record built from hypnotic basslines, warm synth textures, and layered percussion, “Simulacra” is the debut LP from Venetian bassist and producer Eric Demuro, a fully realized studio statement that brings his compositional voice into focus. The album moves through hazy jazz-funk, ambient passages, library psychedelia, and Brazilian rhythmic language without settling into revivalism. Fender Rhodes figures, hand percussion, and vintage keyboards drift through spacious arrangements that favor tone and movement over density, creating a sound that feels tactile, patient, and quietly
Tropical rhythms, smooth melodies, and a voice as warm as a Cuban sunset, Compay Segundo's "Las Flores De La Vida" is a musical masterpiece that will transport you to the vibrant streets of Havana with just one listen. The legendary musician's latest offering is a delightful blend of traditional Cuban son with a contemporary twist, showcasing his unparalleled talent and enduring charm.
The record – first released in April 1996 by UK alt-pop duo Tracey Thorn and Ben Watt – debuted at #4 on the UK Album Chart and contains four UK Top 40 singles, including the Top 10 hits “Walking Wounded” and “Wrong,” and set new a benchmark for the intersection of contemporary electronic music and smart pop songwriting.
After a nearly five-decade (and counting) career as one of his generation’s defining rock bassists, Flea releases his first full-length solo album, Honora, on Nonesuch Records. Time and space have finally allowed him to return to his first musical loves: jazz and playing the trumpet. The album features the track ‘Traffic Lights’, co-written with Thom Yorke and Josh Johnson, as well as the previously released ‘A Plea’.
Southern Nights is the GRAMMY-winning album by acclaimed pianist - composer Sullivan Fortner. Recorded live during a weeklong residency at New York’s Village Vanguard in Summer 2023, the album captures Fortner in peak form alongside bassist Peter Washington and drummer Marcus Gilmore, with no edits or retakes, preserving the raw immediacy and electricity of their performances.
An essential collection showcasing some of the finest and most sought-after reggae interpretations of r&b classics from the 1970s, performed by some of Jamaica’s most celebrated artists. Includes numerous long-standing classics alongside long-forgotten rarities that have remained unavailable on vinyl for decades.
