Alongside titles reduced down in our sales, we also try to seek out less expensive titles in the wider back catalogues we have access to. Other than the price, nothing else changes - they are all new, all sealed and sound great!
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Second only to Kind of Blue by Miles and Jazz Samba by Stan Getz, as the most commercially successful jazz record of all time (it even contained a single for the pop charts, Paul Desmond's magnificent Take Five'), Brubeck brilliantly popularised jazz and offered it as a palatable alternative to Bobby Vee

In 1958 Random House published Breakfast At Tiffany’s, a novella by Truman Capote regarding the exploits of a young writer who makes the acquaintance of a remarkable, free-style living neighbour named Holly Golightly. When Blake Edwards opted to film the story, Henry Mancini was brought in to provide a soundtrack for the film. He then approached lyricist Johnny Mercer about providing the lyrics.

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What We Say / What We Do is nothing short of a triumph, it will make you dance, you will play it on repeat, and after every couple of listens your favourite song will change, just like a good record should, right? And this is a great record. The synths on The Unknown dance around a creeping rhyth...

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Two years after the Dave Brubeck Quartet’s ground- and time-signature breaking Time Out (1959), this classic quartet (Brubeck, piano, Paul Desmond, alto sax, Eugene Wright, bass, and Joe Morello, drums) would continue its jazz experiments in a series that was often inspired by abstract paintings. Time Further Out: Miró Reflections was the group’s attempt at a “jazz interpretation” of Miró’s 1925, a visually kinetic work featuring a prominent string of numerals descending from the upper edge of the canvas.

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