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For this classic encounter, the only collaboration ever between Duke Ellington and John Coltrane, Duke sat in with the John Coltrane Quartet for a set dominated by Ellington's songs

Females have never figured strongly in the ranks of blues and rock guitar players, but the woman featured on this LP can claim to be one of the formative influences on modern rock ‘n’ roll guitar.

Recorded live at the Village Vanguard on June 25, 1961, the same night as Sunday At The Village Vanguard, this set rounded out what became known as an early "full" portrait of Bill Evans.

Mercurial bassist and bandleader Charles Mingus was signed to Columbia records for the briefest of time during 1959.

Second only to Kind of Blue by Miles and Jazz Samba by Stan Getz, as the most commercially successful jazz record of all time (it even contained a single for the pop charts, Paul Desmond's magnificent Take Five'), Brubeck brilliantly popularised jazz and offered it as a palatable alternative to Bobby Vee

"Backed By Jimmy Bond And Albert 'Tootie' Heath, This Album Showcases Her (Nina Simone) Ballad Voice As One Of Mystery And Sensuality And Her Up-Tempo Jazz Style With Authority And An Enigmatic Down- Home Feel That Is Nonetheless Elegant. The Album Also Introduced A Fine Jazz Pianist. Simone Was A Solid Improviser Who Never Strayed Far From The Blues." - Thom Jurek, AllMusic

A tripped- out, cosmic, Spanish language version of Jamie Principle & Frankie Knuckles' all-time classic 'Your Love', complete with an extended club re-edit from Luke Una & Luke Solomon.

Many great singers passed through the hands of late great soul/R&B producer Jerry Wexler, from Aretha Franklin to Dusty Springfield, but Etta James was a singer he willingly waited 20 long years to work with.

“The enchanted chemistry of these late 1940’s sessions has lost none of its unalterable magic.” JAZZ MAGAZINE

Djangology is a compilation album by Django Reinhardt and Stephane Grappelli, released in 1961

Reissue of herbie hancock's essential 1962 debut album on blue note. the lp features quality sound taken from the original master tapes, 180g vinyl, heavy cardboard sleeve and original artwork.

With Ballads Coltrane looks into the warmer side of things, a path he would take with both Johnny Hartman and with Duke Ellington.

Son House was one of the musicians to play a profound role in the development of both successive black and white blues players.

Much about Beat Bop is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length?

Chet Baker had a long and complicated relationship with Italy. It was a country where he was both imprisoned and adored. 

This debut track from Hip Hop collective MNEA features production from Conbel Evrence, co-production and vocals from Dweller, guest vocals from Scrabble and cuts from DJ Simon C (Get it Together).

Presented here is Bland's outstanding debut LP for Duke Records

Chip's back for more, partnering with Lovemonk once again to enchant and heal with his cosmic, spiritual jazz.

Translated from Spanish as 'The Shade', Chip Wickham's debut album La Sombra drops after a 25-year career touring, recording and experimenting across three decades of jazz, funk, soul, hip-hop, Latin and electronica.

First Word Records are very proud to bring you a new album from Don Leisure with Amanda Whiting.

Nina Simone made her first trip into the studio in New York during 1957 to record her debut album Little Girl Blue.

Ray Charles At Newport is a 1958 live album of Ray Charles' July 5, 1958 performance at the Newport Jazz Festival.

Celebrating the photography of Robert Doisneau, 25 years after his death.

First Word Records is very proud to bring you a brand new EP from Amanda Whiting, entitled 'Can You See Me Now?'

We are privileged to explore on this essential LP a plethora of Dr. John’s earliest and most satisfying recordings.

"On paper, a full collaborative album from NYC's notorious rap villain DOOM and space-age production from Jneiro Jarel can't fail. In practice, it's even better. DOOM is in the form of his life here." Mojo

Given that 'Round About Midnight was Miles Davis' debut Columbia recording, it was both a beginning and an ending. 

THE JAZZINVADERS "Last Summer in Rio" (feat. Alex Malheiros, Ivan Conti) 'Samba Doido (Crazy Samba)' is definitely the best term to describe the music of the Brazilian band Azymuth.

This release presents the complete original Mongo Santamaria LP Watermelon Man!

Propelled by Booker T. Jones' smoky organ and the funky guitar bursts of Steve Cropper, "Green Onions" — the first chart-topper by Booker T. and the MGs — slithered across the 1962 airwaves, followed immediately by an album every bit as savory.

Presented here is one of Luiz Bonfa greatest albums, Plays and Sings Bossa Nova, on which he collaborates with such stars as Leo Wright, Oscar Castro- Neves , and Lalo Schifrin.

After what seemed like ages we finally tracked Eko down in Cameroun and persuaded him that a re-issue was most definitely needed.

Duke Ellington surprised the jazz world in 1962 with his historic trio session featuring Charles Mingus and Max Roach.

One of London's most loved underground parties, Tangent, celebrates its 10th birthday this year with a new compilation on Mr Bongo.

Charlie Byrd (1925 -1999) was one of the first modern guitar players to reintroduce the unamplified Spanish guitar into jazz.

Brilliant Corners is Thelonius Monk's third disc for Riverside, and it's the first on the label to weigh in with such heavy original material.

All killers and no fillers on this fabulous 1969 Motown masperpiece. 

Research Records indicate their inclination for cosmic instrumentation and kraut pervaded polyrhythms once again with an introduction to newcomer Glass Beams.

Porgy And Bess’, recorded in late 1957, was the third album by Ella and Louis to be produced by Norman Granz.

Featuring a stellar band including Stanley Turrentine on tenor sax and Ray Barretto's work on congas which adds at times a Latin touch to this jazz blues masterpiece.

Originally issued in 1959 to capitalise on the crossover success of his single "Try Me", James Brown's debut album Please, Please, Please is a collection of sixteen of his A and B-sides recorded for the Federal label between 1956 and 1958. 

In 1958 Random House published Breakfast At Tiffany’s, a novella by Truman Capote regarding the exploits of a young writer who makes the acquaintance of a remarkable, free-style living neighbour named Holly Golightly. When Blake Edwards opted to film the story, Henry Mancini was brought in to provide a soundtrack for the film. He then approached lyricist Johnny Mercer about providing the lyrics.

This 1952 collection is one of bebop’s key artefacts and also represents two jazz milestones: the only and only time that pianist Thelonious Monk recorded with the dynamic duo, and the last time Gillespie and Parker appeared together in the studio.

Following the first in a series of his classic recordings reissued in collaboration with Awesome Tapes From Africa, Mergia assembled a band and began performing live again after many years driving a cab in Washington, DC.

Chet Baker in New York has Chet Baker playing with great East Coast musicians: Philly Joe Jones on drums, Al Haig on piano, the great Paul Chambers on bass, and tenor saxophonist Johnny Grifn added on three tracks.

Strut presents the new album from the modern day leader of Afrobeat, Seun Kuti. 

One of THE great jazz quartets of all time: Coltrane (tenor & soprano), McCoy Tyner (piano), the earth-shaking Elvin Jones (drums) and Steve Davis (bass, though 'Trane's band would most often feature Jimmy Garrison and sometimes Reggie Workman), playing a blues-inspired program of originals.

Big Dada are incredibly proud to partner with the Anticon label to release the Young Fathers album in Europe. The Edinburgh based trio consist of Liberian, Nigerian and Scottish heritage and make exactly the sort of music the label was founded to release.

In addition to being members of Miles Davis' band, John Coltrane, Red Garland and Paul Chambers recorded several projects together without the trumpeter, Soultranebeing one of them

In celebration of the 21st Anniversary of this popular Christmas double album, Jeepster and War Child are releasing It’s A Cool Cool Christmas on vinyl for the first time. Originally released on November 20th 2000 as a CD only release, it will now be available on vinyl on November 19th 2021.

Reissue, originally released in 1962. 

First released in 1989, Amandla is the third collaboration between Miles Davis and producer/bassist Marcus Miller, after Tutu (1986) and Music from Siesta (1987), and their final album together. 

Miles Davis’ first truly influential project as a leader—which produced a series of recordings between 1949 and 1951 that helped shift the course of improvised music—was publicly underappreciated for almost ten years.

Kalita are excited to announce the first ever reissue of student medical group the IgG Band’s highly sought-after 1980 soul, funk and disco grail ‘Ultra/Sound’.

What We Say / What We Do is nothing short of a triumph, it will make you dance, you will play it on repeat, and after every couple of listens your favourite song will change, just like a good record should, right? And this is a great record. The synths on The Unknown dance around a creeping rhyth...

“Her voice is gutsy, earthy and coarse, but at the same time there is a beauty, sensitivity and control to everything she does.” Big Mama created tension without harshness, excitement without strain. She can make you weep.

This collection is drawn from throughout the sixties, though it does not entirely fit the commonly held belief that Northern Soul records are all ultra-rarities, because half of the tracks here actually were major hits in the US, and four of them were top twenty entries!

This collection of songs by Lead Belly was assembled by Folkways founder Moses Asch from recordings made in the early to mid-1940s, and it focuses primarily on Lead Belly’s observations on the hate and racism that permeated America and the world during this turbulent period of history.

Backed by a group of hand picked musicians, the whole album is exclusively the work of three young men who are trying to bring back some freshness and raw funk into the current flash-in-the-pan songs being recorded in this country.

Over the course of two EPs, two singles and a stripped-back live album, Puma Blue has established himself as one of the UK’s most vital new talents.

Roots is his third album on revered German imprint Sonar Kollektiv.

Impulse! Records proudly announces the signing of free jazz collective Irreversible Entanglements with their label debut Protect Your Light.

All of You is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at Jamal's own club in Chicago in 1961 and released originally on the Argo label.

Music that can at times be melancholic or enchantingly beautiful, and which is full of twists and turns.

The selection of subtle dub versions of the songs included serve to highlight the brilliance of the musicians playing in the classical 'rockers' style that dominated the latter half of the seventies.

Mahalia Jackson was the link between ‘Empress of the Blues’ Bessie Smith and ‘Queen of Soul’ Aretha Franklin. Yet, she was not a Blueswoman, considering the Blues to be ‘songs of despair – Gospel songs are the songs of hope’.

Between Two Points by David Gilmour with Romany Gilmour, this vinyl only release celebrates one of the stand-out tracks from the #1 album ‘Luck and Strange’.

Two years after the Dave Brubeck Quartet’s ground- and time-signature breaking Time Out (1959), this classic quartet (Brubeck, piano, Paul Desmond, alto sax, Eugene Wright, bass, and Joe Morello, drums) would continue its jazz experiments in a series that was often inspired by abstract paintings. Time Further Out: Miró Reflections was the group’s attempt at a “jazz interpretation” of Miró’s 1925, a visually kinetic work featuring a prominent string of numerals descending from the upper edge of the canvas.

The Beach Boys reached number 75 in national charts with their first single (the resultant song 'Surfin'') and were immediately signed to a major label.

Lush Life (1958) is among John Coltrane’s best endeavours on the Prestige (and Music) label.

The rags-to-riches chronicle of Penny Penny's life would be remarkable if he had only released his smash debut Shaka Bundu and packed houses for a few years.

It's safe to say that starting a jazz album with a version of Led Zeppelin's "Black Dog" was quite a daring deed, to say the least. In Argentina — back in 1977.

"Zeus" is the first ever full-length album by Max Beesley's High Vibes ensemble, who released two classic 12inches on Boogie Back Records at the height of the Acid Jazz movement in 1993/1994.

For Fans Of : El Michels Affair, Adrian Younge, Roy Ayers, Karnem Riggins, The Roots, Khruangbin. Jason Grimez is a Cincinnatibased DJ and producer. 

Recorded live in Newport in 1958 by a sextet led by Miles Davis.

Dutch jazz/dance group Jazzinvaders team up with the legendary organist Lonnie Smith for this kicking new 10 track album that was recorded live in the studio.

Founded rock solid on the well oiled rhythm section of clean drums and thumping bass, the dangerously growling Hammond organ and the reverbing guitar sounds find their way into your soul blindly.

The 'Renaissance Man' of Brazilian pop, Marcos Valle (born in Rio de Janeiro in 1943) is a singer/songwriter/producer who has straddled the country's music world from the early days of the bossa nova craze well into the fusion-soaked sounds of '80s MPB and into the 21st Century.

Across the Not Real People EP, oreglo showcase their innovative take on multiple genres: freewheeling through heavy rock riffs to drill-inspired percussion and breezy reggae, the quartet have cultivated a unique sound that acts as a melting pot of all the sounds they know and love from London.

In scoring Becoming, director Nadia Hallgren's Michelle Obama documentary, saxophonist, composer, and arranger Kamasi Washington reveals a side of his musical universe we've not encountered.