Alongside titles reduced down in our sales, we also try to seek out less expensive titles in the wider back catalogues we have access to. Other than the price, nothing else changes - they are all new, all sealed and sound great!
140 products
Second only to Kind of Blue by Miles and Jazz Samba by Stan Getz, as the most commercially successful jazz record of all time (it even contained a single for the pop charts, Paul Desmond's magnificent Take Five'), Brubeck brilliantly popularised jazz and offered it as a palatable alternative to Bobby Vee
Universally regarded as one of the greatest collaborations between the two most influential musicians in modern jazz (Miles Davis notwithstanding), the Jazzland sessions from Thelonious Monk and John Coltrane should be recognized on other levels. While the mastery of the principals is beyond reproach, credit should also be given to peerless bassist Wilbur Ware, as mighty an anchor as anyone could want. These 1957 dates also sport a variety in drummerless trio, quartet, septet, or solo piano settings, all emphasizing the compelling and quirky compositions of Monk.
"This important album, Monk's first after a long absence from the recording studio, is a stunning reaffirmation of his power as a performer and composer. It is a brilliant and absorbing program of five Monk originals and three standards (and they might just as well be originals, so startling is their transformation at his hands). This is a beautiful album in every respect." - Pete Welding, DownBeat Magazine
Acclaimed London collective Kokoroko'sbrand new remix EP reimagines standout tracks from their 2025 album Tuff Times Never Last, offering fresh perspectives on three fan favourites through a carefully curated selection of producers. The EP brings together a dynamic trio of remixers: IG Culture, IZCO, and Musclecars, each delivering a distinct sonic interpretation rooted in club culture, soul, and rhythm-forward experimentation.
During a long and uncommonly productive career, Brazilian guitarist Laurindo Almeida achieved a ubiquity in popular music that has yet to be fully recognized. Largely responsible for the Brazilian/North American "samba jazz" that would eventually catch on in the form of a musical trend known as bossa nova, he played behind dozens of well-known pop vocalists and improved the overall texture of many a studio production ensemble.
The complete classic album + 2 bonus tracks - limited edition 180g audiophile pressing. Recorded at Capitol Studios in Los Angeles in August 1954, this was the first Emarcy recording of the legendary Clifford Brown & Max Roach Quintet featuring the great Harold Land on tenor sax, Richie Powell on piano and George Morrow on bass.
Remastered for vinyl and expanded with new incarnations - live cuts from NPR's Tiny Desk and the band’s landmark Royal Albert Hall performance - Ezra Collective’s ‘Chapter 7 (10th Anniversary Edition)’ reissue presents ‘Chapter 7’ not simply as an early document, but a living manifesto: rhythm as ritual, youth culture as sanctuary and jazz as an open invitation.
Two years after the Dave Brubeck Quartet’s ground- and time-signature breaking Time Out (1959), this classic quartet (Brubeck, piano, Paul Desmond, alto sax, Eugene Wright, bass, and Joe Morello, drums) would continue its jazz experiments in a series that was often inspired by abstract paintings. Time Further Out: Miró Reflections was the group’s attempt at a “jazz interpretation” of Miró’s 1925, a visually kinetic work featuring a prominent string of numerals descending from the upper edge of the canvas.
Sale
What We Say / What We Do is nothing short of a triumph, it will make you dance, you will play it on repeat, and after every couple of listens your favourite song will change, just like a good record should, right? And this is a great record. The synths on The Unknown dance around a creeping rhyth...
Fôrça Bruta is the seventh studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with the Trio Mocotó band and released by Philips Records in September 1970. Conceived at a time of political tension in dictatorial Brazil, its title comes from the Portuguese term meaning "brute force" and has been interpreted ironically due to the music's relatively relaxed style.
