Every week behind the scenes, we're busy ordering and listening to lots of new music to bring you a carefully curated selection of new additions to the shop. The Weekly Drop is our way of bringing our new additions to the shop, to you.

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Massive Attack team up with Tom Waits for Boots on the Ground, an intriguing meeting of two very different musical worlds. Dark, tense and unmistakably Massive Attack, the track pairs their brooding electronics with Waits’ weathered vocal presence to suitably unsettling effect. This record is the first Massive Attack music distributed under a Spotify exemption policy so you wont find it on our weekly playlist!.

Following debut album Bad With Names, corto.alto returns with his first album on the Ninja Tune label Some Small Fortune. Glasgow multi-instrumentalist Liam Shortall aka corto.altopushes his jazz foundations into hip-hop, electronica, soul and indie, bringing in a strong mix of collaborators. Adventurous, rich and fluid, it’s another reminder of just how far the new UK jazz scene continues to stretch. For fans of Yussef Dayes, BADBADNOTGOOD and Ezra Collective.

Bastard Jazz’s Ecology Division brings together producers and musicians from across the globe, moving between jazz, soul, electronica, hip-hop and beat-driven music. Featuring Simon Mavin of Hiatus Kaiyote alongside a new generation of artists from London, Brooklyn, Chicago and beyond, it’s a brilliantly curated snapshot of the adventurous, jazz-adjacentmusic happening right now.

São Paulo-born, London-based drummer and producer Naná Rizinni brings Brazilian rhythm into collision with London's progressive electronic-jazz scene on Epiblast. Propulsive drums, saxophone and modular synths move between intricate improvisation and expansive electronic soundscapes, with shades of The Comet Is Coming and corto.alto. Adventurous but very listenable. 

Could one of the first acid house records really have been made in Mumbai in 1982? Long before Acid House had a name, and before pairing Roland drum machines and synths to create dance music became de rigueur, session musician Charanjit Singh combined Indian classical ragas with newly available synthesisers and drum machines to create Synthesizing: Ten Ragas to a Disco Beat. The result is a psychedelic, repetitive and surprisingly danceable record which is now regarded as a cult electronic classic.

Kasabian return with their ninth studio ACT III, expect their signature big hooks and guitars mixed with psychedelic pop, electronics and some pleasingly strange detours. Swaggering, colourful and unmistakably Kasabian. 

The list of releases new to the shop doesn’t stop here - check out the link! And take a listen to our ever expanding Spotify Weekly Drop playlist to sample all the new releases we have had..

Every week behind the scenes, we're busy ordering and listening to lots of new music to bring you a carefully curated selection of new additions to the shop. 

Some cracking remix 12"s on the way. Hot Chip’s Alexis Taylor takes Time, his collaboration with The Blessed Madonna and Pat Alvarez, back to the dancefloor with new remixes from Sasha, Solid Wall and Jack Lever, moving it into deeper house territory. Meanwhile, Brownswood revisits Jazztronik’s cult 2003 track Samurai, which was a favourite of the early broken-beat scene, with a new Afro-Latin and samba-house edits that again bring it back to the dance floor.

Plus, the next instalment of the Re:versal series turns its attention to drum & bass, with two Calibre remixes alongside a deep reworking of Erykah Badu’s On & On and Adam F’sseminal Circles.

One week to go until the new Ezra Collective drops. It's a week earlier than the previously slated (that's a first for us!) but still plenty of time to pre-order and guarantee yourself a copy on release weekend. We have 4 remaining spaces on the second Listening Room event planned for 23rd Sept if you fancy hearing it hi-def and without interruption!