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If 2021’s Sometimes I Might Be Introvert catapulted Simz into the big leagues, crashing into the top 5 of the albums charts, collecting Mercury Music Prize, Mobo, Ivor Novello and Brit Award wins and earning her the biggest live audiences yet in the UK and Europe yet, NO THANK YOU is yet another delicious left field turn for 29-year old Simbiatu Ajikawo.
Always a dancefloor friendly act, The Remixes (originally issued 25 years ago) is the sound of the Roses biggest tunes revisited by many of the foremost names in UK dance music at that time – including legends such as Paul Oakenfold and Steve Osborne and fellow Mancunians 808 State and A Guy Called Gerald.
"Backed By Jimmy Bond And Albert 'Tootie' Heath, This Album Showcases Her (Nina Simone) Ballad Voice As One Of Mystery And Sensuality And Her Up-Tempo Jazz Style With Authority And An Enigmatic Down- Home Feel That Is Nonetheless Elegant. The Album Also Introduced A Fine Jazz Pianist. Simone Was A Solid Improviser Who Never Strayed Far From The Blues." - Thom Jurek, AllMusic
While the afrobeat jazz of their previous work is still a core part of the record’s sonic design, the new album largely pulls from British R&B from the 80s, neo-soul, West African disco, bossa nova, lovers rock and funk. Sonically taking cues from the likes of Loose Ends, Don Blackman, Common, Sly & Robbie, William Onyeabor, Patrice Rushen, Ofori Amponsah and Cymande.
Universally regarded as one of the greatest collaborations between the two most influential musicians in modern jazz (Miles Davis notwithstanding), the Jazzland sessions from Thelonious Monk and John Coltrane should be recognized on other levels. While the mastery of the principals is beyond reproach, credit should also be given to peerless bassist Wilbur Ware, as mighty an anchor as anyone could want. These 1957 dates also sport a variety in drummerless trio, quartet, septet, or solo piano settings, all emphasizing the compelling and quirky compositions of Monk.
A timely reissue for this seductive and alluring soundtrack on the 45th anniversary of the film's release on December 6th 1973 at London's Metropole Cinema. Based on the themes of fertile pre-Christian practices of pagan Britain, The Wicker Man did not follow the predictable formula of 1970’s British horror movies.
The Mountain is Gorillaz’ ninth studio album, a collection of 15 new tracks featuring a stellar list of artists and collaborators. Jamie Hewlett’s album artwork captures the four much-loved animated band members - Murdoc, Noodle, Russel and 2D – in a series of beautifully intricate, hand-drawn illustrations.
Few records make such an instant impression as 'home again', the debut album by michael kiwanuka. immersing the listener in a sound that is both modern and at the same time as familiar as the classics, it manages to strike the balance between being contemporary and somehow utterly timeless. for kiwanuka, key musical touchstones include marvin gaye, otis redding, bob dylan, paul simon, shuggie otis, roberta flack's first take, bill withers' live at carnegie hall and d'angelo's modern soul landmark voodoo. citing the latter album in particular as exhibit a in refuting suggestions that his listening tastes are rooted exclusively in the 1970s, kiwanuka calmly shrugs off any 'retro' accusations that might be levelled at his music. from the opening bars of the stirring 'tell me a tale', it is instantly clear that 'home again' is a very special album. while its more upbeat characteristics are embodied in the prince buster-like loping of the lovelorn but irresistibly catchy 'bones' and the rolling soul groove of 'i'll get along', elsewhere it proves itself to be a record of real stripped-down beauty. in 'i won't lie', with its gospel-infused echoes of the staples singers, kiwanuka offers something akin to a modern spiritual, while in 'rest' he turns in a tender love lullaby and in 'always waiting', he blends classical elements with the confessional intimacy of roberta flack.
Sosyete '25 announce their debut album Yaygara, arriving Friday 22nd May, a vibrant, groove-led journey through love, liberation and the restless curiosity that fuels desire, humour and connection. Bringing together songwriter and vocalist Merve Erdem (Kit Sebastian), guitarist and producer Glenn Fallows, and producer/multi-instrumentalist Paul Elliott, the trio blend Mediterranean disco-pop, outernational funk and poeticism into a sound that feels both transportive and instinctively alive.
Jungle cemented their status as a major global force with their 2023 album ‘Volcano’. The trio - J Lloyd, Tom McFarland and Lydia Kitto - return with their eagerly anticipated new album ‘Sunshine’ set for release on August 14th. The album is launched alongside the new single ‘Carry On’, which was premiered as BBC Radio 1’s Hottest Record.
Ten Numero-minted, dancefloor-ready dive bombers from disco’s all-too-brief heyday, previously swept under the rug by the whitewashed glitz and glam of the era. Chugging grooves, bubbling synths, soaring strings and sonorous voices are guaranteed to light up your night, on living room rugs and da...
Quentin Tarantino established himself as one of the few filmmakers to effectively use pop music with his first film Reservoir Dogs, a movie where the music was integral to the success of the film yet also worked well as a collection of songs. Jackie Brown, Tarantino's long-awaited third feature, finds him exploring new territory, creating an homage to blaxploitation flicks as well as a surprisingly subtle character study and love story, and its soundtrack appropriately finds him in new territory as well.