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Caught at the beginning of her career in 1985, Sade's cool vocals and exotic looks grabbed everyone's attention. But equally as important to Diamond Life's success was the velvet muscle of the band's accompaniment, a sinewy after-hours groove, laden with minimalist funk. Eight of the nine tracks are self-penned. Straddling R&B and pop, this album lays out the hooks and sultry allure that became Sade's soulful standard - intelligent and sexy at the same time.

Like former and present Gondwana Records label mates such as GoGo Penguin and Portico Quartet there’s something strongly cinematic about Kessoncoda’s music, like a narrative arc which unfolds through different themes and moods, with an ebb-and-flow of intensity, as breath-taking swells of melody burst into being, eventually to resolve in a wondrous climax.

The Bristol-based trip-hop pioneers had, potentially, a huge task on their hands to follow up the hugely influential 1991 debut album ‘Blue Lines.’ But they managed it with apparent ease, delivering a record that would end up in a Rolling Stone list of the ten coolest albums of all time.
Co-producing with Nellee Hooper, the Massive Attack collective delivered another masterstroke by utilising guest musicians and vocalists throughout the album, as they had on ‘Blue Lines.’ This time, without Shara Nelson, they included Nigerian singer-songwriter Nicolette, Jamaican reggae veteran Horace Andy and, perhaps most memorably, Tracey Thorn of Everything But The Girl on the title track, which became a UK top 15 single.
Credit: udiscovermusic

It is with great joy that we present the Mr Bongo edition of Marcos Valle's 1983 self-titled masterpiece. A pure vintage that features the ultimate Brazilian-boogie cult-classic 'Estrelar' and iconic 80s cover art that sees a gloriously sun-drenched Marcos dressed in a pink v-neck t-shirt surrounded by a generous selection of deadly-looking neon cocktails.

Second only to Kind of Blue by Miles and Jazz Samba by Stan Getz, as the most commercially successful jazz record of all time (it even contained a single for the pop charts, Paul Desmond's magnificent Take Five'), Brubeck brilliantly popularised jazz and offered it as a palatable alternative to Bobby Vee

Four decades have failed to dull the album’s power and awe-inspiring scope. It’s been cited as a favorite by figures like Prince, Whitney Houston, Michael Jackson, Mariah Carey – and Wonder himself. “Of all the albums, Songs in the Key of Life I’m most happy about,” he told Q magazine in 1995. “Just the time, being alive then. To be a father and then letting go and letting God give me the energy and strength I needed.”
Credit: Rolling Stone

'Tokyo Dreaming' is a superb selection picked from the highly collectible Nippon Columbia label and its Better Days sub-label. For the occasion, we've teamed up with journalist and Japanese music expert Nick Luscombe who was granted rare access to the much-guarded Nippon Columbia's vaults for a masterful selection encapsulating the fascinating sound of Tokyo in the late 70s and 80s.
