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The Bristol-based trip-hop pioneers had, potentially, a huge task on their hands to follow up the hugely influential 1991 debut album ‘Blue Lines.’ But they managed it with apparent ease, delivering a record that would end up in a Rolling Stone list of the ten coolest albums of all time.
Co-producing with Nellee Hooper, the Massive Attack collective delivered another masterstroke by utilising guest musicians and vocalists throughout the album, as they had on ‘Blue Lines.’ This time, without Shara Nelson, they included Nigerian singer-songwriter Nicolette, Jamaican reggae veteran Horace Andy and, perhaps most memorably, Tracey Thorn of Everything But The Girl on the title track, which became a UK top 15 single.
Credit: udiscovermusic
Four decades have failed to dull the album’s power and awe-inspiring scope. It’s been cited as a favorite by figures like Prince, Whitney Houston, Michael Jackson, Mariah Carey – and Wonder himself. “Of all the albums, Songs in the Key of Life I’m most happy about,” he told Q magazine in 1995. “Just the time, being alive then. To be a father and then letting go and letting God give me the energy and strength I needed.”
Credit: Rolling Stone
It is with great joy that we present the Mr Bongo edition of Marcos Valle's 1983 self-titled masterpiece. A pure vintage that features the ultimate Brazilian-boogie cult-classic 'Estrelar' and iconic 80s cover art that sees a gloriously sun-drenched Marcos dressed in a pink v-neck t-shirt surrounded by a generous selection of deadly-looking neon cocktails.
"Backed By Jimmy Bond And Albert 'Tootie' Heath, This Album Showcases Her (Nina Simone) Ballad Voice As One Of Mystery And Sensuality And Her Up-Tempo Jazz Style With Authority And An Enigmatic Down- Home Feel That Is Nonetheless Elegant. The Album Also Introduced A Fine Jazz Pianist. Simone Was A Solid Improviser Who Never Strayed Far From The Blues." - Thom Jurek, AllMusic
Second only to Kind of Blue by Miles and Jazz Samba by Stan Getz, as the most commercially successful jazz record of all time (it even contained a single for the pop charts, Paul Desmond's magnificent Take Five'), Brubeck brilliantly popularised jazz and offered it as a palatable alternative to Bobby Vee
Universally regarded as one of the greatest collaborations between the two most influential musicians in modern jazz (Miles Davis notwithstanding), the Jazzland sessions from Thelonious Monk and John Coltrane should be recognized on other levels. While the mastery of the principals is beyond reproach, credit should also be given to peerless bassist Wilbur Ware, as mighty an anchor as anyone could want. These 1957 dates also sport a variety in drummerless trio, quartet, septet, or solo piano settings, all emphasizing the compelling and quirky compositions of Monk.
'Tokyo Dreaming' is a superb selection picked from the highly collectible Nippon Columbia label and its Better Days sub-label. For the occasion, we've teamed up with journalist and Japanese music expert Nick Luscombe who was granted rare access to the much-guarded Nippon Columbia's vaults for a masterful selection encapsulating the fascinating sound of Tokyo in the late 70s and 80s.
Always a dancefloor friendly act, The Remixes (originally issued 25 years ago) is the sound of the Roses biggest tunes revisited by many of the foremost names in UK dance music at that time – including legends such as Paul Oakenfold and Steve Osborne and fellow Mancunians 808 State and A Guy Called Gerald.