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Like former and present Gondwana Records label mates such as GoGo Penguin and Portico Quartet there’s something strongly cinematic about Kessoncoda’s music, like a narrative arc which unfolds through different themes and moods, with an ebb-and-flow of intensity, as breath-taking swells of melody burst into being, eventually to resolve in a wondrous climax.

The Bristol-based trip-hop pioneers had, potentially, a huge task on their hands to follow up the hugely influential 1991 debut album ‘Blue Lines.’ But they managed it with apparent ease, delivering a record that would end up in a Rolling Stone list of the ten coolest albums of all time.
Co-producing with Nellee Hooper, the Massive Attack collective delivered another masterstroke by utilising guest musicians and vocalists throughout the album, as they had on ‘Blue Lines.’ This time, without Shara Nelson, they included Nigerian singer-songwriter Nicolette, Jamaican reggae veteran Horace Andy and, perhaps most memorably, Tracey Thorn of Everything But The Girl on the title track, which became a UK top 15 single.
Credit: udiscovermusic

Four decades have failed to dull the album’s power and awe-inspiring scope. It’s been cited as a favorite by figures like Prince, Whitney Houston, Michael Jackson, Mariah Carey – and Wonder himself. “Of all the albums, Songs in the Key of Life I’m most happy about,” he told Q magazine in 1995. “Just the time, being alive then. To be a father and then letting go and letting God give me the energy and strength I needed.”
Credit: Rolling Stone

It is with great joy that we present the Mr Bongo edition of Marcos Valle's 1983 self-titled masterpiece. A pure vintage that features the ultimate Brazilian-boogie cult-classic 'Estrelar' and iconic 80s cover art that sees a gloriously sun-drenched Marcos dressed in a pink v-neck t-shirt surrounded by a generous selection of deadly-looking neon cocktails.

Gaining traction in the UK clubs, that single, plus its follow-up, ‘Feel Free’, found Soul II Soul soundtracking the “Second Summer of Love”, and their third single, ‘Keep on Movin’’, finally got people dancing up and down the country as the band’s burgeoning fanbase went overground. Taking the group into the Top 5, ‘Keep on Movin’’ was followed by ‘Back to Life (However Do You Want Me)’, whose infectious groove reached the UK No.1 spot and went Top 5 across the Atlantic. As these singles’ parent album, Club Classics Vol. One, became a UK chart-topper and a US Top 20 (under the name Keep on Movin’), Soul II Soul set the pace for British soul music, inspiring countless homegrown acts that have followed. Marking its 35th anniversary, the album now returns to vinyl in a picture-disc edition featuring the group’s signature Funki Dredd logo.

Second only to Kind of Blue by Miles and Jazz Samba by Stan Getz, as the most commercially successful jazz record of all time (it even contained a single for the pop charts, Paul Desmond's magnificent Take Five'), Brubeck brilliantly popularised jazz and offered it as a palatable alternative to Bobby Vee
