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The Infamous is the second studio album by the American Hip Hop duo Mobb Deep, released in 1995. The album features guest apperances from Nas, Wu-Tang Clan members, Reakwon and Ghostface Killah. It marked Mobb Deep's transition from a relatively unknown Rap duo to an influential and commercially successful one.
This is truly one of the great classics of hard bop, with drummer Art Blakey leading arguably his greatest Jazz Messengers lineup through a driving program that never lets up. Tenor saxophonist Benny Golson (whose composition Along Came Betty is heard here, subsequently becoming a jazz classic), brilliant trumpeter Lee Morgan, and funky pianist Bobby Timmons (who wrote the hit title cut) each take some of the best solos of their great careers, and Blakey was never greater. No jazz record collection should be without this disc. It remains one of the premier items in Blue Note's catalogue, and rightfully so.
A timely reissue for this seductive and alluring soundtrack on the 45th anniversary of the film's release on December 6th 1973 at London's Metropole Cinema. Based on the themes of fertile pre-Christian practices of pagan Britain, The Wicker Man did not follow the predictable formula of 1970’s British horror movies.
Quentin Tarantino established himself as one of the few filmmakers to effectively use pop music with his first film Reservoir Dogs, a movie where the music was integral to the success of the film yet also worked well as a collection of songs. Jackie Brown, Tarantino's long-awaited third feature, finds him exploring new territory, creating an homage to blaxploitation flicks as well as a surprisingly subtle character study and love story, and its soundtrack appropriately finds him in new territory as well.
Before Brian Eno did it, Mort Garson was making discreet music. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored the 1969 moon-landing and plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell's By the Time I Get to Phoenix.
Jay-Z made damn good albums before The Blueprint, as well as some afterwards. But The Blueprint remains the album where everything came together. He was able to satisfy his audience, the critics, and the skeptics, while making a timeless album. For this album, he was everything he was supposed to be.
Credit: Albumism
Five years on from the release of Demon Days, Murdoc Niccals and co. are back. The band have taken up residence, recording on a secret floating island deep in the south pacific, a plastic beach hq, made up of the detritus, debris and washed up remnants of humanity. This plastic beach is the furthest point from any landmass on earth; the most deserted spot on the planet.
