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Ella and Louis is a studio album by Ella Fitzgerald and Louis Armstrong, accompanied by the Oscar Peterson Quartet, released in October 1956. Having previously collaborated in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong were to record together for Verve Records, later followed by 1957's Ella and Louis Again and 1959's Porgy and Bess.
Superstar Jalen Ngonda returns with his second long playing masterpiece. Within a few seconds of track one 'Anyone in Love' you know you are in the presence of greatness. Doctrine Of Love blends pop sensibility and soulful melodies with raw grit and groove, expanding on the orchestral arrangements of Come Around and Love Me with flourishes of horns and gospel-kissed backing vocals, creating a highly stylish example of modern soul artistry.
Chip Wickham is a jazz musician and producer who divides his time between Spain, UK and the Middle-East and who has made a name for himself with a series of beautifully crafted solo albums that draw equally on the hard swinging spiritual jazz of Roland Kirk, Yusef Lateef and Sahih Shihab, alongside the music of British jazz legends such as Tubby Hayes and Harold McNair and the more contemporary sounds of Jazzanova, Kyoto Jazz Massive and Robert Glasper.
One of the most influential UK instrumental acts today, Mammal Hands are at the forefront of a new wave of
boundary-defying UK artists. Their music blends jazz, contemporary classical, electronica folk, and minimalism into something instantly recognisable: atmospheric, rhythmically charged and emotionally immersive.
"This important album, Monk's first after a long absence from the recording studio, is a stunning reaffirmation of his power as a performer and composer. It is a brilliant and absorbing program of five Monk originals and three standards (and they might just as well be originals, so startling is their transformation at his hands). This is a beautiful album in every respect." - Pete Welding, DownBeat Magazine
Jay-Z made damn good albums before The Blueprint, as well as some afterwards. But The Blueprint remains the album where everything came together. He was able to satisfy his audience, the critics, and the skeptics, while making a timeless album. For this album, he was everything he was supposed to be.
Credit: Albumism
As Late Night Tales moves into a new decade, the long awaited chapter from The Cinematic Orchestra greets us with style. Following editions from behemoths of rock Arctic Monkeys and Snow Patrol, The Cinematic Orchestra’s selection sees a return to a more typical Late Night compiler. Their association with the series reaches back to the inclusion of ‘Channel 1 Suite’ from their debut album ‘Motion’ on Zero7’s memorable 2002 compilation. With track selection and order seeing many revisions since the inception of the project, we arrive with one of the most defined Late Night Tales yet to come in the series 10 year history.
A hypnotic voyage through modern and classical composition, experimental electronics, jazz, dub techno, soundtracks and soul; Frahm's Late Night Tales haunts and beguiles. It’s not mixing, so much as gently layering, like a particularly fluffy goose-down duvet folding in on itself, the folds part of the attraction, the layers part of the overall picture being painted.
Love Makes Magic, the debut LP by Jim - aka Jim Baron of Crazy P and Ron Basejam notoriety - was released in June 2023 and the album has connected with an ever growing number of fans; lured in by great songs, Laurel Canyon singer-songwriter acoustics, 60’s psychedelic folk-rock, a dash of Balearic, discoid funk and a healthy dose of yacht-rock.
Five years after the first volume, Analog Africa returns with a second compilation highlighting Ranil y Su Conjunto Tropical, one of the greatest practitioners of Peruvian Cumbia Amazonica - 'Galaxia Tropical' features 14 songs with a guitar groove you won't forget, underlying Ranil's extraordinary output as singer, bandleader, record-label entrepreneur and larger-than-life personality.
Proper deep house, boogie, funk and soul is mixed with modern electronic pop then sprinkled liberally with disco dust. Confident, sophisticated and stylish yet playful and adventurous, it finds Crazy P in an empowered new purple patch – both comfortable in their own skin and unafraid to try new things.
Way before the rise in prominence of disco, house and soulful pop from the likes of Todd Terje, Disclosure or Jessie Ware, Crazy P have spearheaded the revival (and perpetuation) of these sounds since 1997. Their status as respected, vital players has maintained throughout nearly 20 years, and with the bright future of ‘Walk Talk Dance Sing’, they remain leading lights worthy of yet more recognition.
