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Over the course of her lush, expansive, defiantly sprawling new album, Sometimes I Might Be Introvert, released on Age 101, the Ivor Novello award-winning, Mercury nominated Little Simz delivers an undeniable modern classic, effortlessly condensing any number of disparate styles and genres into music which thrillingly broaches the gap between urgent modern treatise and hip hop.
Mezzanine is like no other album that has come before, or since. It's timeless and genre-defying, yet it's also the best example of late 90's trip-hop any British music act could have produced. Massive Attack's use of samples and the sheer mix of musical genres they spanned was visionary, peerless and inspirational.
Sly and the Family Stone might have psychedelicised soul music, but Marvin Gaye personalised it. Although the powers-that-were Motown didn't even want to release the record, the unexpected success of What's Going On, issued in 1971, inspired Stevie Wonder, Curtis Mayfield, and just about every other black artist on the planet to take greater responsibility for their music and its meaning.
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Tim Maia was born in 1942 in the suburbs of Rio de Janeiro and started his musical career at an early age, along with close friends such as Roberto Carlos or Jorge Ben. Carlos would eventually help him to get a deal for his first single at CBS. During the 70s Maia started to incorporate soul and funk elements into his style.