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Originally conceived as a dual EP cycle, the project unfolds across two contrasting sonic worlds. ‘as night falls’ explores nocturnal electro-jazz, midnight funk and introspective, groove-led textures, while ‘as day breaks’ shifts toward warmth, clarity and forward motion, capturing the quiet optimism of first light.
Lithic’ is Laura Misch’s immersive new album, a sonic journey through stone, water, wind and lightning. Misch conjures music from caves, quarries, rock pools and coastal edges, merging field recordings with saxophone, voice, electronics, strings, and percussion. ‘Lithic’ is a meditation on nature, aging and connection, offering listeners a profound, elemental listening experience that is at once visceral, meditative and electrifying.
Four years on from her acclaimed debut International Love Affair, Tigerbalm (Rose Robinson) returns to Ubiquity Records with the thrillingly kaleidoscopic Bubblegum Discos. Painted in vivid sonic colours, Bubblegum Discos showcases Tigerbalm's two great musical loves: Brazilian musical culture and vintage dancefloor workouts from the African continent, infused with nods to Italo-disco, proto-house and soca
Back in 1999 when David Byrne originally compiled this retrospective—making it the first in our critically acclaimed World Psychedelic Classics series—the idea of doing a psychedelic album from outside the U.S. or Europe was a total surprise. More than twenty years since this anthology first hit the shelves, the mutants are back in stock— with their electric guitars, cans of bug spray, and deviant, freaky psychedelia.
Kronstad 23 returns with Dødehavet, the Norwegian quartet’s third album and first release on Batov Records. Continuing their instinctive, analogue-led approach, the record sits between cinematic jazz and psychedelic rock, threaded with Scandinavian folk and wider global influences. Recorded live to tape with minimal preparation and no modern studio intervention, Dødehavet captures a band working on feel, interaction and momentum rather than polish or precision.
Freddie McGregor's debut album Mr. McGregor was released in 1979. The album opens with "We Got Love" featuring a Tower of Power influenced horn section underneath McGregor's tale of love conquering all. The classic "Rastaman Camp" combines muted horn and an earthy, Nyahbinghi-like chorus for one of producer Niney's deeper constructions, but the lightweight fare is equally welcome as the easy strolling and not too sugary version of "Brandy" displays.
Trombonist / composer Robinson Khoury is one of the most prominent and visible rising stars on the French jazz and cross-genre scene. A charismatic live performer, his breakthrough came in 2024 with the album ‘MŸA’, featuring his trio with percussionist Anissa Nehari and keyboardist Léo Yassef. This group, in which Khoury plays not just trombone but also modular synths - he sings as well - became a tightly-knit and vibrant musical unit, with the title of their debut album becoming the band name Robinson Khoury MŸA. The trio now take centre stage on their ACT debut album, ‘Transara’.
The Endless Dance’ is the first collaborative album from Northern Irish producer and composer Hannah Peel and Chinese percussionist Beibei Wang. The record is grounded in the strength of ancient concepts but comes alive with the joy and freedom of play as together, Peel and Wang travel through the 24 solar terms of the Chinese calendar with a cornucopia of sound in tow - synths and prepared piano alongside traditional and unconventional percussion.
Ranjha is the new album and collaboration between award-winning composer and Radiohead guitarist Jonny Greenwood, celebrated composer/musician Shye Ben Tzur, and the Indian ensemble The Rajasthan Express. The upcoming album is a follow-up to their acclaimed debut Junun, which just celebrated its 10th anniversary.
When The Lights Gone is the new Album from Nostalgia 77.
A set of simple songs in primary colours it explores Lamdin’s familiar themes of memory, time, truth and identity. After a hiatus of several years from releasing personal work Producer Benedic Lamdin has two albums set for release this year of which ‘When The Lights Gone’ is the first.
In the early 1970s, Roy Ayers formed his own band: Roy Ayers Ubiquity. Its line-up included artists well known to funk and soul fans such as Bernard Purdie, James Mason, and Edwin Birdsong. This 1973 album presents Roy Ayers in the midst of a creative evolution toward a sound increasingly influenced by soul and funk, moving beyond the early phase of his musical career, which was more rooted in orthodox jazz.
A rhythm-driven, analog-leaning record built from hypnotic basslines, warm synth textures, and layered percussion, “Simulacra” is the debut LP from Venetian bassist and producer Eric Demuro, a fully realized studio statement that brings his compositional voice into focus. The album moves through hazy jazz-funk, ambient passages, library psychedelia, and Brazilian rhythmic language without settling into revivalism. Fender Rhodes figures, hand percussion, and vintage keyboards drift through spacious arrangements that favor tone and movement over density, creating a sound that feels tactile, patient, and quietly
Following the strong reception of their second album, Totem of Quiet Mystic (2023), Jiyu have earned praises from outlets such as Jazzwise, Enlace Funk and The Chillout Tent, as well as worldwide support from a wide range of iconic DJ's. The singles from Jiyu's new album, Wild Things, have immediately been embraced—drawing glowing reactions and airplay from dj's like, Patrick Forge, Chris Coco, Phil Cooper, Dj Vadim, Fred Everything, David Patterson, Jon Kennedy and many more.
Moving Images is a collaborative album by composers Frank Maston and Greg Foat, and marks the inaugural release on Magic Hollow, the new imprint founded by Daniel O'Sullivan. Rooted firmly in the tradition of classic library music, the album draws from the deep, elegant end of the form: vintage keyboards, analogue synthesis, drum machines, and melodic economy, realised with clarity, warmth, and restraint.
The Bolbec duo return with their sophomore album Foutu Félin, a richly cinematic collection of instrumental music that unfolds like an imaginary soundtrack, melodic, tactile and transportive. The record is inspired as much by the cut-and-paste production techniques of Portishead and the Beastie Boys as by the legendary composers of le cinéma français and il cinema italiano.
At Source finds two acclaimed composer-musicians building a world together in self-contained collaboration between analogue synthesis and an extended approach to the saxophone that conjures its own universe of sound. It is at once intimate and cosmic, drawing on the challenges and possibilities of their artistic exchange, tearing down technique to access all the expansive possibilities of their sonic meeting point.
Recorded in New York in 1967, Silk & Soul is Nina Simone’s second album for RCA. The album features "I Wish I Knew How It Would Feel to Be Free", which would become a Civil Rights anthem, "It Be’s That Way Sometimes", written by her brother Sam Waymon, and "The Turning Point", a song that seems to be about a child making a new friend, but turns out to question the origins of racism
In the last few weeks of October 2022, Scrimshire wrote a new collection of songs with the descriptive working title "Scream". A direct response to the absurdity of the breakdown in the UK government, the horror of the treatment of refugees arriving on our shores and the callous disregard for the trauma being caused to low-income people or anyone considered "other". The anger, sadness, mourning, and frustration he felt was poured into these recordings.
In 2026, the sample alchemist returns to his first love with his 11th album, Endless Smile 2. A 16-track project conceived as a tribute to his landmark 2015 album Endless Smile, which featured his iconic tracks “Betty” and “Qu’attendez-vous de moi”. Born from a desire to return to the essentials, Endless Smile 2 focuses on instrumental compositions enriched with samples and organic textures inspired by the 70s.
Charles Stepney gained worldwide success as the producer for Earth Wind & Fire and Deniece Williams but the producer and arranger’s earlier work at Chess is now regarded as some of the most original ever laid to tape, and in the past 20 years has become a primary influence on scores of producers and arrangers, with his records being sought after by DJs and collectors. Despite a couple of attempts, his most important work has never been compiled on one volume until now. This compilation gathers up his most famous productions for the likes of Rotary Connection - and their singer Minnie Riperton, Ramsey Lewis, Terry Callier, Marlena Shaw and the Dells.
Known for their shared love of black American music, the Beatles' versions of songs by the likes of the Miracles, the Marvelettes, Arthur Alexander, Barrett Strong, the Isley Brothers and more provided an entry point into soul for many young Brits in the early 1960s. As their fame spread across the Atlantic ocean, it was inevitable that their music would start to impact on the musical worlds of soul and jazz in the shape of multiple covers of their hit singles and album tracks.
In May 1968, Paris was burning. Out of the student uprising came a new wave in French music that matched the country’s mood – darker, and more introspective than yé-yé, France’s cultural revolution allowed the previously separate worlds of chanson, jazz, pop and film soundtracks to blend into each other.
