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Sixty-four years after John Coltrane recorded the groundbreaking Africa/Brass for Impulse!, Tenderlonious honours the original recording while pushing it forward with a Coltrane-like fervour of his own. Africa/Brass Live was recorded at the Melbourne International Jazz Festival in October 2025, as part of Pique-nique's Take Two series. Each Take Two event begins with an uninterrupted, high-fidelity playback of a seminal album, heard as it was originally intended, followed by a live reinterpretation with full artistic freedom. It's an experiment into what happens when serious musicians immerse themselves in a work long enough to discover their own path through it.
Truthdare Doubledare’ marked a significant change in the direction of synth-pop trio Bronski Beat as a band, with vocalist Jimmy Somerville leaving and being replaced with John Jøn Foster. Whilst maintaining a clear voice in support of gay rights and political activism, the production gave way to a rougher and rawer style, featuring more real instruments, ever-powerful lyrics and more variety in genre. This never-before reissued album features the Number Three single ‘Hit That Perfect Beat’, a full remaster, new remixes and unreleased live and studio versions.
Yoko Ono’s seminal album Season of Glass, released on vinyl for the first time in more than forty-five years, was originally released in June 1981, just seven months after the senseless murder of Ono’s husband and creative partner, John Lennon. Full of songs about love, loss, anger and fear, the album reflected Ono’s experience in stark detail, creating almost a companion piece to Ono and Lennon’s 1970 Plastic Ono Band “primal scream” albums.
Spacemoth’s Inward Eye is a journey through inner and outer worlds, blending cosmic psychedelic pop with pulsating rhythms and looping textures inspired by nature and memory. Written on the road and shaped in motion, the album is a collection of hypnotic, cyclical songs that balance precision and openness, inviting listeners to drift through their own emotional landscapes.
Les Racines is the latest solo album from the eminent guitarist and songwriter Vieux Farka Touré, and his first for World Circuit Records. Known as the ‘Hendrix of the Sahara’, Vieux has released 4 critically acclaimed solo albums to date, extending the boundaries of traditional West African music into new and uncharted territory
One of the most unique albums on the Strata East label – and that’s saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! Descendents Of Mike & Phoebe is a righteous little project put together by Spike Lee’s father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead)
Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth’s run of prolific output for Milestone Records throughout the decade. Typifying the consummate craftsmanship of the three members’ performances - each with such distinct personality and together so perfectly balanced - their perfectionist attitude to sound is maintained across the production on the album, beautifully colouring the expressionist fusion of samba rhythm, jazz progression, funk attitude and psychedelic electronics.
Dennis Brown has always been cited as Jamaica’s favourite singer.
While Bob Marley set out to conquer the world, Dennis’s popularity on the island grew with every year. His most prolific period is said to be with producer Niney the Observer who led the singer down a more roots avenue, putting Dennis on some of his heaviest rhythms.
Originally conceived as a dual EP cycle, the project unfolds across two contrasting sonic worlds. ‘as night falls’ explores nocturnal electro-jazz, midnight funk and introspective, groove-led textures, while ‘as day breaks’ shifts toward warmth, clarity and forward motion, capturing the quiet optimism of first light.
Lithic’ is Laura Misch’s immersive new album, a sonic journey through stone, water, wind and lightning. Misch conjures music from caves, quarries, rock pools and coastal edges, merging field recordings with saxophone, voice, electronics, strings, and percussion. ‘Lithic’ is a meditation on nature, aging and connection, offering listeners a profound, elemental listening experience that is at once visceral, meditative and electrifying.
Back in 1999 when David Byrne originally compiled this retrospective—making it the first in our critically acclaimed World Psychedelic Classics series—the idea of doing a psychedelic album from outside the U.S. or Europe was a total surprise. More than twenty years since this anthology first hit the shelves, the mutants are back in stock— with their electric guitars, cans of bug spray, and deviant, freaky psychedelia.
Trombonist / composer Robinson Khoury is one of the most prominent and visible rising stars on the French jazz and cross-genre scene. A charismatic live performer, his breakthrough came in 2024 with the album ‘MŸA’, featuring his trio with percussionist Anissa Nehari and keyboardist Léo Yassef. This group, in which Khoury plays not just trombone but also modular synths - he sings as well - became a tightly-knit and vibrant musical unit, with the title of their debut album becoming the band name Robinson Khoury MŸA. The trio now take centre stage on their ACT debut album, ‘Transara’.
The Endless Dance’ is the first collaborative album from Northern Irish producer and composer Hannah Peel and Chinese percussionist Beibei Wang. The record is grounded in the strength of ancient concepts but comes alive with the joy and freedom of play as together, Peel and Wang travel through the 24 solar terms of the Chinese calendar with a cornucopia of sound in tow - synths and prepared piano alongside traditional and unconventional percussion.
Ranjha is the new album and collaboration between award-winning composer and Radiohead guitarist Jonny Greenwood, celebrated composer/musician Shye Ben Tzur, and the Indian ensemble The Rajasthan Express. The upcoming album is a follow-up to their acclaimed debut Junun, which just celebrated its 10th anniversary.
When The Lights Gone is the new Album from Nostalgia 77.
A set of simple songs in primary colours it explores Lamdin’s familiar themes of memory, time, truth and identity. After a hiatus of several years from releasing personal work Producer Benedic Lamdin has two albums set for release this year of which ‘When The Lights Gone’ is the first.
A rhythm-driven, analog-leaning record built from hypnotic basslines, warm synth textures, and layered percussion, “Simulacra” is the debut LP from Venetian bassist and producer Eric Demuro, a fully realized studio statement that brings his compositional voice into focus. The album moves through hazy jazz-funk, ambient passages, library psychedelia, and Brazilian rhythmic language without settling into revivalism. Fender Rhodes figures, hand percussion, and vintage keyboards drift through spacious arrangements that favor tone and movement over density, creating a sound that feels tactile, patient, and quietly
Following the strong reception of their second album, Totem of Quiet Mystic (2023), Jiyu have earned praises from outlets such as Jazzwise, Enlace Funk and The Chillout Tent, as well as worldwide support from a wide range of iconic DJ's. The singles from Jiyu's new album, Wild Things, have immediately been embraced—drawing glowing reactions and airplay from dj's like, Patrick Forge, Chris Coco, Phil Cooper, Dj Vadim, Fred Everything, David Patterson, Jon Kennedy and many more.
Moving Images is a collaborative album by composers Frank Maston and Greg Foat, and marks the inaugural release on Magic Hollow, the new imprint founded by Daniel O'Sullivan. Rooted firmly in the tradition of classic library music, the album draws from the deep, elegant end of the form: vintage keyboards, analogue synthesis, drum machines, and melodic economy, realised with clarity, warmth, and restraint.
The Bolbec duo return with their sophomore album Foutu Félin, a richly cinematic collection of instrumental music that unfolds like an imaginary soundtrack, melodic, tactile and transportive. The record is inspired as much by the cut-and-paste production techniques of Portishead and the Beastie Boys as by the legendary composers of le cinéma français and il cinema italiano.
At Source finds two acclaimed composer-musicians building a world together in self-contained collaboration between analogue synthesis and an extended approach to the saxophone that conjures its own universe of sound. It is at once intimate and cosmic, drawing on the challenges and possibilities of their artistic exchange, tearing down technique to access all the expansive possibilities of their sonic meeting point.
In the last few weeks of October 2022, Scrimshire wrote a new collection of songs with the descriptive working title "Scream". A direct response to the absurdity of the breakdown in the UK government, the horror of the treatment of refugees arriving on our shores and the callous disregard for the trauma being caused to low-income people or anyone considered "other". The anger, sadness, mourning, and frustration he felt was poured into these recordings.
Charles Stepney gained worldwide success as the producer for Earth Wind & Fire and Deniece Williams but the producer and arranger’s earlier work at Chess is now regarded as some of the most original ever laid to tape, and in the past 20 years has become a primary influence on scores of producers and arrangers, with his records being sought after by DJs and collectors. Despite a couple of attempts, his most important work has never been compiled on one volume until now. This compilation gathers up his most famous productions for the likes of Rotary Connection - and their singer Minnie Riperton, Ramsey Lewis, Terry Callier, Marlena Shaw and the Dells.
Known for their shared love of black American music, the Beatles' versions of songs by the likes of the Miracles, the Marvelettes, Arthur Alexander, Barrett Strong, the Isley Brothers and more provided an entry point into soul for many young Brits in the early 1960s. As their fame spread across the Atlantic ocean, it was inevitable that their music would start to impact on the musical worlds of soul and jazz in the shape of multiple covers of their hit singles and album tracks.
