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Marcos' rapid and stunning artistic growth is apparent on this Bossa Nova classic. Fans of Sérgio Mendes and Astrud Gilberto (both of whom recorded tons of Valle's tunes) will enjoy it immensely, for Samba '68, with brilliant arrangements by Eumir Deodato, is definitely one of the ultimate "loungey" records. The album received a 4 1/2 star rating on AllMusic,with reviewer John Bush stating that "Samba'68 is a vibrant set of Brazilian pop, indebted to bossa nova and samba but undeniably Americanised for a domestic audience. The result is a joyous album throughout. One of the best Brazilian crossovers of the 1960s."

This album was inspired by the music coming out of Jamaica in the mid 1970s, in particular the use of drum machines by Lee Perry and Aston Family Man Barrett (and Sly Stone in the USA) but also the instrumentals and dubs by Keith Hudson and Im & Count Ossie etc. Searching out, buying and listening to those records had a deep and profound effect on me and became a big influence on me as a musician, which continues to this day.

List of Demands, Damon Locks' first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized.

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Recorded in the 1980's and snapped up upon arrival in Europe by the Soho Boho's, Acid Jazzuals,Cuboppers, Jazz Massivists and Mojo Jazzmuziker, "Le-Le" by The Arpeggio Jazz Ensemble is a unique one off Spiritual Soul-Jazz outing with Avant Garde touches and more than a hint of Afro-Cuban Orientalism.

This 25th anniversary commemorative reissue of The Dining Rooms' debut album "Subterranean Modern Volume Uno" is an essential release of an album that has become a true classic of instrumental cinematic hip hop through the years, the very first step in a constant evolution of a unique music style conceived by Stefano Ghittoni and Cesare Malfatti.

Metallic Spheres by The Orb and David Gilmour, the guitar and voice of Pink Floyd, has been reimagined and remixed as Metallic Spheres In Colour. Of this rework, producer Youth says “The idea for Metallic Spheres In Colour, was that Alex Paterson (founder of The Orb) could have done more on the first version, and he didn't really have the opportunity because we had a philosophy of making the music like the ‘Blade Runner’ soundtrack meets ‘Wish You Were Here’. So, I asked him why don't we remix it and make it like an Orb classic?

The 1953 Bud Shank/Laurindo Almeida recordings are recognized as being the precursors of bossa nova-jazz fusion. However, two 1962 Stan Getz LPs, Jazz Samba and Big Band Bossa Nova (presented here), and the albums that followed them in 1963, Jazz Samba Encore and Getz-Gilberto, would start the bossa nova craze.
