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Relocating from Australia to Zambia during the pandemic, award-winning hip-hop star Sampa The Great wrote her second studio album. ‘As Above, So Below’ thematically presents the listener with a duality within Sampa’s spirit - the outward-facing public persona and her private self - in this literate, heartfelt recounting of her experiences growing up in Africa.
Lady Sings the Blues is an album by the American jazz vocalist Billie Holiday, released in December 1956. It was Holiday's last album released on Clef Records; the following year, the label would be absorbed by Verve Records. Lady Sings the Blues was taken from sessions taped during 1954 and 1956. It was released simultaneously with her ghostwritten autobiography of the same name.
Man On The Run (Music from the Motion Picture Soundtrack) is taken from the Amazon MGM Studios feature documentary Paul McCartney Man on the Run directed by Academy Award winner Morgan Neville. This set contains deep cuts and fan favourites from McCartney’s post-Beatles career, soundtracking the journey of Paul’s emergence from the dissolution of the world’s biggest band to proving to critics and fans that not all great acts are impossible to follow.
Gondwana Records is pleased to announce ‘Interlude’, the second album from Estonian-born, London-based composer and pianist Hanakiv. Showcasing an expanded sound, the compositions trace a journey of overcoming the past, unfolding into a seductively unconventional style imbued with hope and a therapeutic quality.
Six new tracks from Detroit's deep house hero Theo Parrish mark his most significant release since the Wuddadji album three years ago, based around the 18 minute dancefloor epic 'Dance Alone' and the Afro-slanted 'Cleo's Theme', closing in on 11 minutes, alongside a host of other cuts of varying sizes and types.
Originally released in 1995, Dah Shinin’ remains one of the most celebrated albums of hip hop’s golden era. Includes two essential remixes — "Wrekonize" and 'Sound Bwoy Bureill" — plus the previously unreleased “Nuttin’ Move But Da Money,” officially available for the first time after years on white label.
Imagine curating a dream lineup of MCs and producers from every corner of the rap world—sounds impossible, right? Not for artist and illustrator Gangster
Doodles, who has been bringing this vision to life for the past decade. Now, with “Gangster Music Vol.3”, the trilogy reaches its grand finale, and it’s bigger,
bolder, and more unpredictable than ever before.
Originally released in 1973 and pressed in very small quantities, Emerge is the second album by the McCrary family and their non-gospel debut. Long sought after by collectors and modern-soul and funk connoisseurs, it's an exemplar of what was considered "progressive soul" in the early 70s as well as what emerged a generation later as "neo-soul."
Featuring the classic line-up with Gene Clark and David Crosby, the record cemented their status as folk-rock pioneers. Its title track became a Number 1 hit on the US Billboard chart, while the album itself reached the Top 20, showcasing the band’s trademark blend of chiming guitars, close harmonies, and poetic songwriting.
After five years marked by loss, grief, and transformation, keiyaA returns with new album hooke’s law — a radiant statement of reinvention and healing. On lead single “take it”, the Chicago-born, NYC-based artist bends jazz, R&B, and hip-hop into something entirely her own, pairing raw vulnerability with visions of Black womanhood and liberation.
He continues to embrace a vintage electronic sound that has become synonymous with his work on Chicago Bee Records, while also preserving the haunting, atmospheric textures heard on his previous album A Nice Random Meet.
The result is a stunning collection of filmic instrumentals, steeped in the spirit of the late 1970s / early 1980s synth music.
In 1963, Sam Cooke, the true inventor and King of Soul, recorded the album Night Beat, which was bluesier and moodier than anything we had heard from Cooke before. If Sam Cooke had lived longer, we might have had more music of this rare quality.
As it stands, we must make do with the treasures he left behind