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Relocating from Australia to Zambia during the pandemic, award-winning hip-hop star Sampa The Great wrote her second studio album. ‘As Above, So Below’ thematically presents the listener with a duality within Sampa’s spirit - the outward-facing public persona and her private self - in this literate, heartfelt recounting of her experiences growing up in Africa.
Man On The Run (Music from the Motion Picture Soundtrack) is taken from the Amazon MGM Studios feature documentary Paul McCartney Man on the Run directed by Academy Award winner Morgan Neville. This set contains deep cuts and fan favourites from McCartney’s post-Beatles career, soundtracking the journey of Paul’s emergence from the dissolution of the world’s biggest band to proving to critics and fans that not all great acts are impossible to follow.
Gondwana Records is pleased to announce ‘Interlude’, the second album from Estonian-born, London-based composer and pianist Hanakiv. Showcasing an expanded sound, the compositions trace a journey of overcoming the past, unfolding into a seductively unconventional style imbued with hope and a therapeutic quality.
Six new tracks from Detroit's deep house hero Theo Parrish mark his most significant release since the Wuddadji album three years ago, based around the 18 minute dancefloor epic 'Dance Alone' and the Afro-slanted 'Cleo's Theme', closing in on 11 minutes, alongside a host of other cuts of varying sizes and types.
Imagine curating a dream lineup of MCs and producers from every corner of the rap world—sounds impossible, right? Not for artist and illustrator Gangster
Doodles, who has been bringing this vision to life for the past decade. Now, with “Gangster Music Vol.3”, the trilogy reaches its grand finale, and it’s bigger,
bolder, and more unpredictable than ever before.
Originally released in 1973 and pressed in very small quantities, Emerge is the second album by the McCrary family and their non-gospel debut. Long sought after by collectors and modern-soul and funk connoisseurs, it's an exemplar of what was considered "progressive soul" in the early 70s as well as what emerged a generation later as "neo-soul."
After five years marked by loss, grief, and transformation, keiyaA returns with new album hooke’s law — a radiant statement of reinvention and healing. On lead single “take it”, the Chicago-born, NYC-based artist bends jazz, R&B, and hip-hop into something entirely her own, pairing raw vulnerability with visions of Black womanhood and liberation.
He continues to embrace a vintage electronic sound that has become synonymous with his work on Chicago Bee Records, while also preserving the haunting, atmospheric textures heard on his previous album A Nice Random Meet.
The result is a stunning collection of filmic instrumentals, steeped in the spirit of the late 1970s / early 1980s synth music.
In 1963, Sam Cooke, the true inventor and King of Soul, recorded the album Night Beat, which was bluesier and moodier than anything we had heard from Cooke before. If Sam Cooke had lived longer, we might have had more music of this rare quality.
As it stands, we must make do with the treasures he left behind
PROMISE is the latest album from Brooklyn-based producer Ibe Soliman, aka Bad Colours. Known for his blend of house, proto-techno, rap, and soul, Bad Colours delivers a dynamic, emotionally resonant record. Driven by hypnotic rhythms and personal storytelling, PROMISE explores themes of vulnerability, desire, and transformation. It's a versatile album designed for both dancefloors and introspective listening.
Wildchild returns with his new BBE released double vinyl & digital album, Child of a Kingsman. Featuring guest artists of the calibre of Keyon Harrold, Aaron Green, Beatslaya, Amber Navran, The Soulyghost, Darus Jones and Nottz amongst its roster of creative contributors, this album is a giant of Hip-Hop, Rhymes and beats that is a must have in any collection of Black Music.
In 1965 in the face of social unrest, legendary Memphis label Stax Records put on two pulsating shows at the 5-4 Ballroom in Los Angeles, featuring Rufus Thomas, Booker T. and the M.G.’s, William Bell, Carla Thomas, Wilson Picket and more. 60 years later the recordings, newly mastered by Joe Tarantino, with lacquers cut by Jeff Powell at Take Out Vinyl, have been collected with a bonus set of performances recorded at Club Paradise, Memphis to form Stax Revue – Live In ’65!.