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Originally released in 2008, Manifesto was a defining moment in their journey, pushing their Afrobeat sound to new heights. Blending majestic brass, overheated organs, hypnotic basslines, and polyrhythmic percussion with a touch of spiritual jazz and tropical funk, the album channels the traditions of ancient folk storytelling and a deep-rooted sense of humanity.
"We wrote the songs on Manifesto almost 20 years ago, yet the themes covered on the album seem more relevant than ever: abuses of power, disinformation, war profiteering, plutocracy, and class struggle still fill the news cycle today. But what stands out most upon listening again is a feeling of hope and resistance. There's a sense of defiance in every horn stab, organ riff, and percussion hit," said Pierre Chrétien of The Souljazz Orchestra. "There's a new war going on, people got to keep on keepin' on," as heard in the lyrics of People, People.
Whether you're a longtime fan or new to their music, Manifesto truly stands the test of time. It continues to reveal new elements, with tracks that still feel fresh today and are beloved as timeless classics. This long-overdue reissue finally brings it back, with 500 limited copies pressed on translucent orange vinyl for fans and collectors alike. Get ready to experience the power of this album like never before.

The name dreamcastmoe is somewhat synonymous with the Peckham based ‘Rhythm Section INTL’ Label. Despite this being their first collaboration committed to wax, the journey goes way back…from debut London shows in Peckham to adventures across multiple continents, the DC-London nexus is alive and well and this recording is a testament to that bond!

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"El sonido bastardo", the first album by the enigmatic collective Danzón El Gato, establishes a fascinating dialogue between jazz, funk and roots music. Formed in the underground hotbed of Madrid's experimental scene, its members have decided, this time, to start from the groove in order to explore tradition.

Exclusive collection of the Jamaican reggae singer and DJ. All the tracks are Clement Bushay productions from the years between 1974 and 1979 and never released on a single vinyl. Born in Clarendon, Jamaica on December 3rd, 1951, Prince Jazzbo, also known as Linval Roy Carter, burst into the music scene with his hit "Every Nigger is a Winner" and followed it up with "Step Forward Youth." These songs catapulted him to international fame, leading to a successful world tour.
"Upon arriving in the UK, Prince Jazzbo connected with me, that I was already making waves with artists like Louisa Mark, Owen Gray, Tappa Zukie and Zabandis. This partnership led to a fruitful collaboration, and I am excited to share some of the incredible music that came out of our work together. I hope you enjoy it.” (Clement Bushay, November 2024)

"Parker’s Mood" is a curated vinyl record paying homage to the genius of Charlie Parker, marking 70 years since his passing in 1955. Known as "Bird," Parker revolutionized jazz with his groundbreaking improvisation, intricate harmonies, and unmatched virtuosity. This commemorative collection brings together Parker's greatest hits, celebrating his journey through bebop, swing, and beyond. Audiophile sound with remastered recordings and housed in a stunning gatefold sleeve.

Any list of the greatest jazz artists of all time includes the legendary Charles Mingus. Bassist, composer, outspoken jazz pioneer, Mingus was an innovator whose legacy continues to inspire us. Over a 100 years after his birth year, we still celebrate his genius. In conjunction with the Charles Mingus Estate, Candid Records is proud to present MINGUS AT MONTEREY for official reissue. This tour de force live performance from the 1964 Monterey Jazz Festival captures Mingus at the top of his form and the height of his powers. Out of print for more than 40 years, this landmark recording was originally released on Mingus’ own short-lived mail-order label. It has consistently been the most requested reissue by Mingus fans. This 2 LP disc set has been remastered by five-time Grammy Award Winning Engineer Michael Graves, with lacquers cut by Jeff Powell, and pressed on 180 Gram vinyl. Original gatefold jacket artwork has meticulously restored and reproduced.

None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970 and June 4, 1970, and was patched together by producer Teo Macero.

Originally billed as Eric Burdon and War, the group recorded the hit albums Eric Burdon Declares “War” (which featured the hit “Spill The Wine”), and the double album, The Black-Man’s Burdon. After Burdon left the group in 1971, War’s career took on a life of its own as its popularity skyrocketed thanks to three consecutive Gold albums: All Day Music (featuring the hit “Slippin’ Into Darkness”), The World Is A Ghetto (Billboard’s best-selling album of 1973), Deliver The Word (featuring the hits “Gypsy Man” and “Me and My Baby Brother”) and Why Can’t We Be Friends?

Granz and Holiday chose familiar items from the Great American Songbook of classic pop for the album, Holiday singing in the context comfortable for her, that of a small jazz band. The original album consisted of six standards, five of which by songwriters who would be categorically tackled by Ella Fitzgerald on her Songbooks series. The sessions reunited Holiday with trumpeter Harry Edison and saxophonist Ben Webster, both of whom the singer had worked with during the 1930s and 1940s, Edison as a member of the Count Basie Orchestra during her brief stay as the band's girl singer, and Webster from the recordings under her own name for Vocalion Records and Okeh Records.

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