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Nigerian-born, London-based singer, songwriter, musician and producer Steven Bamidele presents his keenly anticipated sophomore album, 'THE CRASH!' – a sonically rich exploration of purpose, doubt and personal reckoning. Written against the backdrop of an ever-changing world, the album combines soul, rock, jazz, acoustic and electronic textures, along with daydream-esque storytelling for a thought-provoking journey in pursuit of something real in an age of hyper-curation and superficiality.
This LP walks among beat outbursts, orchestral tracks and some references to the rock sound of the time. "Psichedelica" contains the first version of Umiliani's most famous composition: "Mah-Nà Mah-Nà", a track that will be a mixed blessing of his artistic life, here appearing as an outtake from the "Svezia Inferno e Paradiso" OST, under the title "Viva la sauna svedese".
By the end of the 1970s Linval Thompson had cut out a successful dual career for himself as both singer and producer. Naturally he moved in the dub field as well, getting further use out of rhythms he used in his other works. Dub had begun strictly as an album format with limited pressing runs for scene insiders, but it had swiftly gained the interest of the rank and file reggae buffs.
Originally released in 2008, Manifesto was a defining moment in their journey, pushing their Afrobeat sound to new heights. Blending majestic brass, overheated organs, hypnotic basslines, and polyrhythmic percussion with a touch of spiritual jazz and tropical funk, the album channels the traditions of ancient folk storytelling and a deep-rooted sense of humanity.
"We wrote the songs on Manifesto almost 20 years ago, yet the themes covered on the album seem more relevant than ever: abuses of power, disinformation, war profiteering, plutocracy, and class struggle still fill the news cycle today. But what stands out most upon listening again is a feeling of hope and resistance. There's a sense of defiance in every horn stab, organ riff, and percussion hit," said Pierre Chrétien of The Souljazz Orchestra. "There's a new war going on, people got to keep on keepin' on," as heard in the lyrics of People, People.
Whether you're a longtime fan or new to their music, Manifesto truly stands the test of time. It continues to reveal new elements, with tracks that still feel fresh today and are beloved as timeless classics. This long-overdue reissue finally brings it back, with 500 limited copies pressed on translucent orange vinyl for fans and collectors alike. Get ready to experience the power of this album like never before.
The name dreamcastmoe is somewhat synonymous with the Peckham based ‘Rhythm Section INTL’ Label. Despite this being their first collaboration committed to wax, the journey goes way back…from debut London shows in Peckham to adventures across multiple continents, the DC-London nexus is alive and well and this recording is a testament to that bond!
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Freestyle Records compile a killer overview of rare & undersung UK street soul & boogie tracks from across the 80s and early 90s, selected from the creme of the label's recent 12" reissue programme. Features an exclusive mid-90s cut from Manchester street soul act Gold In The Shade, along with photography from Andrew Holligan and notes from Kevin Le Gendre.
"El sonido bastardo", the first album by the enigmatic collective Danzón El Gato, establishes a fascinating dialogue between jazz, funk and roots music. Formed in the underground hotbed of Madrid's experimental scene, its members have decided, this time, to start from the groove in order to explore tradition.
