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Nigerian-born, London-based singer, songwriter, musician and producer Steven Bamidele presents his keenly anticipated sophomore album, 'THE CRASH!' – a sonically rich exploration of purpose, doubt and personal reckoning. Written against the backdrop of an ever-changing world, the album combines soul, rock, jazz, acoustic and electronic textures, along with daydream-esque storytelling for a thought-provoking journey in pursuit of something real in an age of hyper-curation and superficiality.
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Legendary yet ever-evolving, Zamrock pioneers WITCH continue to push boundaries with their bold new record, ‘SOGOLO’. After their remarkable resurgence and 2023’s critically acclaimed ‘Zango’ - their first album in nearly 40 years -‘SOGOLO’ proves that their innovative spirit remains as strong as ever.
When Scott Walker recorded this, his first solo album, he was 23 years old and sounded about two hundred. He was rich, handsome, absurdly famous - and he hated it. Though the Walker Brothers, the band his cavernous croon decorated, specialised in lavishly over-produced, heroically lachrymose ballads (Make it Easy on Yourself, The Sun Ain't Gonna Shine Anymore), any subtlety they attempted was being lost beneath the screams of their teenage audiences. Scott Walker took to spending his days in darkened hotel rooms and becoming steadily obsessed with the work of legendarily louche belgian songwriter Jacques Brel. On the cover of Scott, a sunglass-wearing Walker stares tetchily at his shoes, as if the merest intrusion of a camera was, by this point, becoming intolerable. He needn't have looked so glum: the sleeve contained a masterpiece. of the 12 tracks on Scott, three were written by Walker, three by Brel and the rest by other famously consumptive writers such as Tim Hardin and Kurt Weil. Walker sang all of them like they were his valedictory message to humanity, finding greater depths than ever in his awesome voice, and drenching the whole thing in great surges of strings. This is a classic, which generations of self-consciously misunderstood young men have clasped close to their hearts ever since.
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What We Say / What We Do is nothing short of a triumph, it will make you dance, you will play it on repeat, and after every couple of listens your favourite song will change, just like a good record should, right? And this is a great record. The synths on The Unknown dance around a creeping rhyth...
Too many people sleep on Tougher Than Leather, Run-DMC’s fourth album. But hear us out as we plead the case for this amazing LP. By 1988 there was a lot more competition in the rap game –Public Enemy, Boogie Down Productions, Eric B. and Rakim, Ice-T and many more had given Hollis, Queens’ prodigal sons lots of competition. But Joe, Darryl and Jay were still at the top of their game.
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Excuses for Travellers (released in 2000) is widely considered Mojave 3’s masterpiece, perfectly capturing the sweet spot between the hushed dream-folk of their debut and the warmer, Dylan-esque alt-country of their second album. Co-produced with electronic artist Mark Van Hoen, the record offers a masterclass in elegant, slow-burning melancholy
Beginning with a crack of thunder, like it was made to trail Gary Bartz's "Mother Nature" (actually recorded at a slightly later date), Stepping into Tomorrow contains almost all of the Mizell trademarks within its title track's first 30 seconds: a soft and easy (yet still funky) electric-bass-and-drums foundation, silken rhythm guitar, organ and piano gently bouncing off one another, light synthesizer shading, and coed group vocals to ensure true liftoff.
Feast by The Congos is a roots-reggae album that captures the distinctive spiritual sound and rich vocal harmonies of one of Jamaica’s most respected reggae groups. The album blends deep, bass-driven rhythms with conscious lyrics, Rastafarian themes, and The Congos’ characteristic atmospheric vocal style.
Following the highly acclaimed first volume in the series, Japanese jazz expert Yusuke Ogawa continues the WaJazz exploration with another essential collection of music that contains something uniquely Japanese — focusing this time on the King Records catalog. Featuring timeless music by Isao Suzuki, Toshiaki Yokota, Akira Miyazawa, Takeru Muraoka, Yasuaki Shimizu, Masahiko Togashi, George Otsuka, and more!
For a prolific artist like Gerardo Frisina, almost two years without a new release feels like an eternity. His brand-new 12″ EP, Soul Drum, breaks the silence, offering three new works composed by Gerardo—four if we consider the two versions of the title track. This EP anticipates the full album already in progress, scheduled for release at the end of 2022.
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Acid Jazz presents the next instalment of the ‘Spring Revisited’ series, in collaboration with Ace Records. Continuing the theme of top dance DJ and producer talent exploring the Spring Records catalogue, NYC’s ‘45 Queen’ Natasha Diggs takes on Millie Jackson’s ‘What Went Wrong Last Night’ over two sides.
Leon Bridges presents 'Happiness Anytime', his highly-anticipated fifth studio album. The album's title serves as both a mission statement and an invitation. It's music you can put on no matter how you're feeling and be immediately transported somewhere coastal and warm. In crafting the album, Leon Bridges focused on feeling, storytelling, and his vocal performance.
Created with Karate Boogaloo’s patented ‘Lovely Recording Technique’ these recordings let you know that everyone’s a VIP when you’re listening to KB.‘ Access’ was the one word maxim philosophically guiding The Old Kar-Boo’s this innings. If a tune became convoluted, to the bin it went. Only those that could be hummed by any and all were kept.
Floating’ began as a single, unrepeatable evening. Emerging from a period of intense creative activity, Parisien sought something different - space to breathe, to reflect, to simply listen. The result was a quartet built around musicians he deeply admires - pianist Yaron Herman, bassist Linda May Han Oh and percussionist Prabhu Edouard.
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This special 3LP clear vinyl collates the “Back To Black” era in a definitive package. Featuring the original studio album, 4x unreleased demos, rare B-sides and demos, alongside the notable live performance from Paradiso, Amsterdam (February 8th 2007) from the Back To Black tour, never released in full and on vinyl.
“Marea (Blessed Madonna) and Pat Alvarez and I got together in a small underground studio and put together the embryonic version of this song in a moment of first (musical) connections, quite quickly. Marea told me she never let her own voice be on records usually, but Pat and I encouraged her to include her singing. It’s beautiful" - Alexis Taylor
Volume 3 of The Jazz Sessions is here, bringing the original Acid Jazz star James Taylor into play, on the 40th anniversary of his solo career. ‘The Truth’ sees him working with noted players Theo Carasco on drums and Orlando Flemming on upright bass, to recreate a sound influenced by the records that Les McCann, Hampton Hawes and Lonnie Liston Smith were making in the early 1970s.
Chapter 16 of this successful and influential series. This time compiled by Michael Rütten (Soulpatrol / Soulsearching radio show) and Michael Reinboth. The ‘Future Sounds of Jazz’ series was voted one of the best electronic music compilations by music magazines such as Groove, Mixmag, Faze and DJ Mag.
Casas, the follow-up to his debut album Pearl from 2015, brought a bigger, more epic, and richer production quality to the table. Fusing the worlds of MPB and hip hop, Rubel' s sophomore LP built on the momentum of its predecessor, gaining a LatinGrammy nomination along the way. Mr Bongo is proud to be giving Casas its first worldwide release on vinyl and CD outside of Brazil and Japan.
A Hammond organ reimagining of ten tracks from Emilia Sisco’s debut album Introducing, offering a fresh instrumental perspective on some of Timmion’s finest song writing. A cohesive, fully instrumental soul record with broad crossover appeal – equally at home in rare soul and jazz collections, and designed to reward deep listening.