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With his highly accomplished third album ‘If This Is It’, DJ Seinfeld (Armand Jakobsson) evolves further into the artist he always set out to be, refining his emotional, club-leaning sound across nostalgic house, UKG and 2000s-tinged trance.
The 12-track album - featuring SG Lewis, Confidence Man, TS Graye, Dan Whitlam, ARY, ‘Norwegian pop witch’ Moyka and Barry Can’t Swim affiliate just lil - explores letting go in a world that can often feel overwhelming.
A Great Day in Newcastle' is a musical documentation of the North East working-class experience. Through a storytelling approach, with the addition of new member and poet Cooper Robson, the record explores darker themes such as substance abuse, crime and toxic masculinity within a distinct Geordie jazz noir soundscape
Better Living Through Chemistry wasn’t just Fatboy Slim’s breakthrough - it helped redefine what electronic music could be in the mainstream. Released in 1996, the album arrived at a pivotal moment in UK club culture, fusing big beat, acid house energy and sample-heavy experimentation into something irreverent, accessible and unmistakably British.
Featuring collaborators as diverse as former Portico Quartet bandmates drummer Duncan Bellamy and bassist Milo Fitzpatrick, iconoclastic Polish artist Hania Rani, cellist Dobrawa Czocher, and Australian mezzo-soprano Lotte Betts-Dean, Eternal Spring draws inspiration both from Wyllie’s love of verdant nature and from the idea of a constant, flickering sense of hope.
Charlie & the Tropicales bring a 1950's Caribbean hotel party to life with torrid horns, tropical rhythms and infectious grooves. With a nod to New Orleans’ history as the northernmost port of the Caribbean, the Tropicales perform music from Trinidad and Venezuela, Martinique and Guadeloupe, Jamaica, Cuba, and other destinations along the archipelago.
In the early 1970s, Roy Ayers formed his own band: Roy Ayers Ubiquity. Its line-up included artists well known to funk and soul fans such as Bernard Purdie, James Mason, and Edwin Birdsong. This 1973 album presents Roy Ayers in the midst of a creative evolution toward a sound increasingly influenced by soul and funk, moving beyond the early phase of his musical career, which was more rooted in orthodox jazz.
The Eagles took 18 months between their fourth and fifth albums, reportedly spending eight months in the studio recording Hotel California. The album was also their first to be made without Bernie Leadon, who had given the band much of its country flavor, and with rock guitarist Joe Walsh. As a result, the album marks a major leap for the Eagles from their earlier work, as well as a stylistic shift toward mainstream rock
Almost fifteen years since the release of her self-titled debut LP on Mr Bongo, reggae's orator of love Hollie Cook is returning to the label for Shy Girl, her fifth studio album and her most authentic yet. Woven with tight grooves, beautiful vocals and catchy melodies, Shy Girl hears singer and songwriter Hollie Cook revel in her contemporary lovers rock sound, more confident and open to vulnerability than ever before.
Granz and Holiday chose familiar items from the Great American Songbook of classic pop for the album, Holiday singing in the context comfortable for her, that of a small jazz band. The original album consisted of six standards, five of which by songwriters who would be categorically tackled by Ella Fitzgerald on her Songbooks series. The sessions reunited Holiday with trumpeter Harry Edison and saxophonist Ben Webster, both of whom the singer had worked with during the 1930s and 1940s, Edison as a member of the Count Basie Orchestra during her brief stay as the band's girl singer, and Webster from the recordings under her own name for Vocalion Records and Okeh Records.
Hill Collective strike out with Fire In Orbit, their first release for Batov Records and the Brighton ensemble’s most focused and expansive studio statement to date. Rooted in spiritual jazz but unafraid of the natural looseness, humour and raw edges that arise when imaginative musicians collaborate, Fire In Orbit captures a band working collectively, instinctively and with space to breathe.
Recorded in New York in 1967, Silk & Soul is Nina Simone’s second album for RCA. The album features "I Wish I Knew How It Would Feel to Be Free", which would become a Civil Rights anthem, "It Be’s That Way Sometimes", written by her brother Sam Waymon, and "The Turning Point", a song that seems to be about a child making a new friend, but turns out to question the origins of racism
Fôrça Bruta is the seventh studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with the Trio Mocotó band and released by Philips Records in September 1970. Conceived at a time of political tension in dictatorial Brazil, its title comes from the Portuguese term meaning "brute force" and has been interpreted ironically due to the music's relatively relaxed style.
