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Hank Mobley was inspired by Birth of the Cool on his 1966 album A Slice of the Top featuring Duke Pearson’s arrangements for an octet that added euphonium and tuba to a group with James Spaulding on alto sax, Lee Morgan on trumpet, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on ...
A founding member of the legendary Wu-Tang Clan, Ghostface Killah is Hip Hop’s masked poet — known for his cinematic storytelling, gritty slang, and razor-sharp delivery. With classic albums like Supreme Clientele and Fishscale, Ghostface carved his name into rap history as one of the most original and consistent voices in the game. The Wait is Over. Supreme Clientele 2 is FINALLY here.
Francis Bebey is the kind of artist whose legacy feels infinite.
Tresor Magnetique, this compilation of unreleased tracks, archival recordings, and neglected gems from Bebey's vault, feels like a grand reveal in an ongoing narrative - a story that spans continents and generations. The compilation's name (translated as "Magnetic Treasure") sets the stage perfectly. Not only does it reference the fragile tapes discovered in the home of Bebey's son, Patrick, but it also hints at the almost gravitational pull of Bebey's art. Meticulously digitized at Abbey Road Studios, these tracks radiate clarity and urgency that defy the decades separating them from contemporary ears. One listen to Tresor Magnetique, and it's as if you're opening a letter from another era, only to find that its contents speak to you more vividly than today's headlines.
“A curiously tender, black-hearted modern soul classic; the last great record of the millennium, if we’re being pretentious,” was how NME described Death in Vegas’ second album (1999), which took its name from the Contino Rooms in London (where it was recorded) and was nominated for the 2000 Mercury Music Prize
When people think of Yacht Rock—those smooth, sun-drenched sounds that once drifted from Californian radio stations in the late '70s and early '80s—they rarely imagine it echoing through rehearsal rooms in Hamburg or Linz. Yet even far from the Pacific coastline, the appeal of shimmering chords, laid-back grooves, and polished production found fertile ground.
Nigerian-born, London-based singer, songwriter, musician and producer Steven Bamidele presents his keenly anticipated sophomore album, 'THE CRASH!' – a sonically rich exploration of purpose, doubt and personal reckoning. Written against the backdrop of an ever-changing world, the album combines soul, rock, jazz, acoustic and electronic textures, along with daydream-esque storytelling for a thought-provoking journey in pursuit of something real in an age of hyper-curation and superficiality.
Legendary yet ever-evolving, Zamrock pioneers WITCH continue to push boundaries with their bold new record, ‘SOGOLO’. After their remarkable resurgence and 2023’s critically acclaimed ‘Zango’ - their first album in nearly 40 years -‘SOGOLO’ proves that their innovative spirit remains as strong as ever.
Róisín Machine is the fifth solo studio album by Irish singer Róisín Murphy, released 2 October 2020 by Skint Records. The album received critical acclaim upon its release, ranking among the year's best by several publications. Commercially, Róisín Machine became Murphy's highest-charting album in both Ireland and the UK, debuting at number five and number 14 respectively. The remix album Crooked Machine was released 30 April 2021.
Hammond B3 organist Freddie Roach began a run of Blue Note leader dates with his excellent 1962 debut Down To Earth. The deeply soulful set was a showcase of his nuanced, bluesy sound and thoroughly enjoyable original tunes like “Althea Soon” that were ideal vehicles for this swinging band with Percy France, Kenny Burrell, and Clarence Johnston. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Few bands cut through the noise and distractions of the world to bring you a pure elemental truth or feeling like Sigur Rós. As you hear on ÁTTA, there’s a new compulsion and drive to the band that comes with the new formation of the line up. Multi-instrumentalist Kjartan Sveinsson is back in the fold – having left the band in 2012 – to join frontman Jónsi and bassist Georg Holm.
“This Is Street Funk” is part of a new series aimed at vinyl buyers who want a genre specific compilation to excite their ears. They will appeal to long-standing, discerning music acolytes and recent converts alike. Two sides of fantastic music, at an affordable price, hand-picked with TLC from Ace and its associated catalogues.
Global pointing Brazilian jazz trio Caixa Cubo releases their new album Agôra, that sparkles with electric funk and Herbie-esque eclecticism. It features a myriad of guest vocalists and musicians including Brazilians Xênia França and Zé Leônidas, Jembaa Groove's Ghanaian singer Eric Owusu and South African artists Bongani Givethanks & Mpho Nkuzo
Wah Wah 45s are proud to present the debut LP on the label from Ghanaian vocalist and djembe drummer Afla Sackey. With his band Afrik Bawantu, he has fulfilled thedreamof blending traditional Ghanaian music with sizzling Afrobeat grooves, topping it off with anirresistibly funky twist! Their unique blend of vibrant African rhythms with brisk, animatedhorn sections and heavy bass-lines bring a fresh perspective to the Afrobeat genre.
When Scott Walker recorded this, his first solo album, he was 23 years old and sounded about two hundred. He was rich, handsome, absurdly famous - and he hated it. Though the Walker Brothers, the band his cavernous croon decorated, specialised in lavishly over-produced, heroically lachrymose ballads (Make it Easy on Yourself, The Sun Ain't Gonna Shine Anymore), any subtlety they attempted was being lost beneath the screams of their teenage audiences. Scott Walker took to spending his days in darkened hotel rooms and becoming steadily obsessed with the work of legendarily louche belgian songwriter Jacques Brel. On the cover of Scott, a sunglass-wearing Walker stares tetchily at his shoes, as if the merest intrusion of a camera was, by this point, becoming intolerable. He needn't have looked so glum: the sleeve contained a masterpiece. of the 12 tracks on Scott, three were written by Walker, three by Brel and the rest by other famously consumptive writers such as Tim Hardin and Kurt Weil. Walker sang all of them like they were his valedictory message to humanity, finding greater depths than ever in his awesome voice, and drenching the whole thing in great surges of strings. This is a classic, which generations of self-consciously misunderstood young men have clasped close to their hearts ever since.