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Habibi Funk’s new sister label Audible Beauty Records’ debut release. A landmark collection retelling the untold story of Malaysian jazz featuring 11 songs from the legendary composer, arranger and pianist Alfonso Soliano, originally recorded for Radio Television Malaysia (RTM) and only released in a run of a few dozen copies for radio broadcast.
Released by Island Records in November 1977, One World is widely regarded as one of John Martyn's finest achievements and a pivotal album in his evolution from folk-based singer-songwriter to sonic innovator - This 180g vinyl re-issue faithfully replicates the original Island UK pressing including inner sleeve with lyrics, and features the original UK mix of the album
Granz and Holiday chose familiar items from the Great American Songbook of classic pop for the album, Holiday singing in the context comfortable for her, that of a small jazz band. The original album consisted of six standards, five of which by songwriters who would be categorically tackled by Ella Fitzgerald on her Songbooks series. The sessions reunited Holiday with trumpeter Harry Edison and saxophonist Ben Webster, both of whom the singer had worked with during the 1930s and 1940s, Edison as a member of the Count Basie Orchestra during her brief stay as the band's girl singer, and Webster from the recordings under her own name for Vocalion Records and Okeh Records.
In 1979 at the age of 62, Bobby Robinson was an incongruous figure, standing at the back of a Bronx club watching a performance from GRANDMASTER FLASH and The Furious Five. The experienced record man, whose record shop, Bobby's Happy House, had been the first black-owned business on Harlem's 125th Street, was on the lookout for talent.
Behind Karen’s pulsating spectral voice lies vulnerability, contemplation and longing. Chameleon-like foundations explore cumbia in its many forms, crossing the continent with Norteño airs, pitched-down rebajados, psychedelia and even traditional Peruvian music, taking in ballads, Afro-Latin percussion, reggaeton and the more electronic sounds of dream-pop, trip hop and downtempo.
Sounds Beyond Barriers
One of the most politically charged terms of the 20th century, the Iron Curtain was a metaphor for political and cultural division. In a post-war telegram Winston Churchill referred to the fault line that ran through Europe between East and West as "an Iron Curtain is drawn down upon their front. We do not know what is going on behind".
One of Blue Note's greatest mainstream hard bop dates, Song for My Father is Horace Silver's signature LP and the peak of a discography already studded with classics. Silver was always a master at balancing jumping rhythms with complex harmonies for a unique blend of earthiness and sophistication, and Song for My Father has perhaps the most sophisticated air of all his albums
With his highly accomplished third album ‘If This Is It’, DJ Seinfeld (Armand Jakobsson) evolves further into the artist he always set out to be, refining his emotional, club-leaning sound across nostalgic house, UKG and 2000s-tinged trance.
The 12-track album - featuring SG Lewis, Confidence Man, TS Graye, Dan Whitlam, ARY, ‘Norwegian pop witch’ Moyka and Barry Can’t Swim affiliate just lil - explores letting go in a world that can often feel overwhelming.
BBE Music’s celebrated J Jazz compilation series reaches its fifth and final volume in early 2026. This final volume features a selection of tracks that is as diverse as it is deep, reflecting the rich and varied Japanese jazz scene that spanned from the late 1960s to the late 1980s, a golden era of innovation and creativity.
Originally released in 1968 on the budget Saga label, The Soul of The Matter has become a genuine cult favourite of the British late-sixties soul-pop underground. Long overlooked and pressed in modest quantities, the album quietly built a reputation among collectors as one of those rare low-budget releases where the artistry far outweighed the resources behind it.
Soul Jazz Records’ new ‘SOUL JAMAICA’ brings together a wicked selection of reggae funk and soul tracks from the legendary Studio One stable, featuring a stellar line-up of artists including Jackie Mittoo, The Heptones, The Gladiators, Sim Smith, Peter Tosh and The Wailers, Cedric ‘Im’ Brooks and many more.
The True Underground Sound of Rome.
The collective did not simply aim to release music; it sought to tell a story of Rome through sounds that defied categorization: house, techno, ambient, electronic mysticism, psychedelic visions… a unique blend, instantly recognizable, emotional, and experimental. The sessions unfolded using essential yet razor-sharp gear: Roland drum machines, analog synthesizers, Akai samplers, stripped-down mixers. Few tools, endless imagination.
The Cabildos remain one of the most enigmatic names to emerge from the 1970s library music scene. Little is known about the group, except that their name was inspired by Johnny Cabildo, an Italian keyboardist and composer who had relocated to Florida. Their recorded legacy is strikingly concise: just three albums—Yuxtaposición (1972, released under the name Cabildo's Three), Cross Fire (1974), and the later Where Is the Cat? (1979).
In the early 1970s, Milan was a city defined by a restless, creative energy. Its recording studios hummed with activity day and night, populated by an elite circle of jazz-trained session musicians who split their time between tracking dates in the studio and jam sessions in the city’s clubs. Among them was Giancarlo Barigozzi, one of the most revered flautists and saxophonists of the scene, who was just then beginning to navigate the enigmatic world of library music.
Two years after the death of his mentor and boss, John Coltrane, and just before signing his own contract with Impulse!, Pharoah Sanders finally got around to releasing an album as a leader apart from the Impulse! family. Enlisting a cast of characters no less than 13 in number, Sanders proved that his time with Coltrane and his Impulse! debut, Tauhid, was not a fluke.
A document of singular rarity. Issued by United Dairies in 2026 in a hand-made, heavy-gauge black vinyl edition limited to 300 copies, 1984 - A Happening recovers the second ever public performance of Nurse With Wound, captured on tape in 1984 and held in Steven Stapleton's archive across the four decades since.
8-Tracks features eight essential classics selected from the Pink Floyd’s 1971 – 1979 era. The track list includes instantly recognisable hits alongside earlier cuts in ‘One Of These Days’ and ‘Wot’s… Uh The Deal’, as well as an exclusive full version of ‘Pigs On The Wing’, previously available only on the 1977 Animals 8-Track cartridge release
When funk music exploded onto the global pop scene in the late sixties, many of Jamaica's leading music-makers were inspired to incorporate elements of the exciting sound into their work. The result was the fascinating and compelling funky reggae style that proved immensely popular with record buyers on both sides of the Atlantic throughout the early ‘70s.
A unique and brilliant collaboration between legendary dub / reggae pioneer Lee “Scratch” Perry and German electronic production duo Mouse on Mars. ‘Spatial, No Problem.’ finds the artists breaking new ground - the one thing Lee was sure of was that this shouldn’t be just another reggae album. It covers everything from Krautrock, ambient, dub, jazz, New Orleans brass and much more.
Dexter Gordon’s second Blue Note album Dexter Calling… recorded in 1961 solidified the tenor saxophonist’s career rebirth with a joyous return to form. Dexter holds forth at the helm of a quartet with Kenny Drew, Paul Chambers, and Philly Joe Jones moving nimbly from hard-charging swing to stunning balladry.
Compiled by Argentinian Djs and producers Ric Piccolo and Ariel Harari, Danza Secreta: Lost and Hidden Grooves From Argentina (1970-1980) is an emotional archive made up of music that never belonged to a single, unified scene, but shared a common spirit: a desire to experiment, to make people dance, to break away from dominant genres
Nearly three years on from their self-titled debut, Psyché return with a new album that reinvigorates and expands their singular blend of groove and psychedelia. The band’s name itself—the ancient Greek word for ‘mind’ or ‘soul’—signals a deep-rooted love for psychedelic funk, while pointing towards a vast array of Mediterranean influences spanning Southern Europe, the Balkans, Anatolia, and the Maghreb.
Kronstad 23 returns with Dødehavet, the Norwegian quartet’s third album and first release on Batov Records. Continuing their instinctive, analogue-led approach, the record sits between cinematic jazz and psychedelic rock, threaded with Scandinavian folk and wider global influences. Recorded live to tape with minimal preparation and no modern studio intervention, Dødehavet captures a band working on feel, interaction and momentum rather than polish or precision.
Following the jazzy library vibes of 2023’s collaborative Dolphin LP with Greg Foat and Moses Boyd, the venetian maestro Gigi Masin returns to the ambience for which he is renowned, with Movement — his first solo full-length since 2020’s Calypso, and his Sacred Bones Records debut. Fuelled by creative reinvention and rhythmic motion, he moves seamlessly between melancholy MIDI notes, technoid robotics, groovy liminal cloudscapes, and fathoms-deep ambient aquatics.
In the early 1970s, Roy Ayers formed his own band: Roy Ayers Ubiquity. Its line-up included artists well known to funk and soul fans such as Bernard Purdie, James Mason, and Edwin Birdsong. This 1973 album presents Roy Ayers in the midst of a creative evolution toward a sound increasingly influenced by soul and funk, moving beyond the early phase of his musical career, which was more rooted in orthodox jazz.
For the last few years, Acid Jazz have been the proud custodians of the Albarika Store legacy. Hailing from the small but culturally-significant state of Benin, the label was operational from the late-1960s until the early 1980s, and was home to some of the finest, deepest, rawest West African cuts ever. A fount of local and regional music, infused with contemporary Western influences, the beating heart of the Albarika sound were the mighty T.P. Orchestre Poly-Rythmo, who in various guises released dozens of recordings for the label, under the leadership of Mêlomé Clément.
A defining recording of the era, Sikyi Highlife bridges tradition and innovation at a pivotal moment in Ghanaian music. Deeply rooted in the classic 1950s–’60s highlife sound, K. Gyasi drew inspiration from the ancient sikyi drum-dance of the Akan people of southern Ghana, shaping the album’s rhythms around its distinctive pulse.
The Pink Panther (1963) soundtrack, composed by Henry Mancini, is one of the most iconic film scores in cinematic history. Its title theme, “The Pink Panther Theme,” was nominated for the Academy Award for Best Original Score and features a memorable tenor saxophone solo by Plas Johnson. The tune, composed in E minor, was specifically timed to match the animated antics of the Pink Panther character in the film’s opening credits