Millions Now Living Will Never Die

Millions Now Living Will Never Die

Millions Now Living Will Never Die is Tortoise's second album, originally released in 1996.

Artist: Tortoise

Genre: 90s & 00s

Label: Thrill Jockey

Release date:


Millions Now Living Will Never Die is Tortoise's second album, originally released in 1996. This re-issue is pressed on high quality virgin vinyl and packaged in a jacket and inner sleeve both featuring spot UV printing and a free download card. The majority of the album's material was first conceived during an idyllic 10-day retreat in Northern Vermont, where the group were able to explore their ideas in a setting that fostered introspection and inspiration. Recording commenced immediately upon returning to Chicago at both Idful (now defunct) and the then new Soma Electronic Music Studios. Millions... was the first studio recording to feature David Pajo who filled the position vacated by Bundy K. Brown in late 1994.

About the artist

Tortoise basically reinvented progressive-rock for the new millenium when they anchored their musical drifting to dub and jazz pillars. The geometry of their sound started with the very foundations of the line-up, which was basically the union of two formidable rhythm sections, Poster Children's drummer John Herndon and Eleventh Dream Day's bassist Doug McCombs plus Gastr Del Sol's rhythm section (drummer John McEntire and bassist Bundy Ken Brown), augmented with Tar Babies' percussionist Dan Bitney. They were not only inspired by the historical rhythm sections of funk and dub, but they set out to obscure that legacy with a more far-reaching approach. On Tortoise (1994) each musician covered a lot of ground and alternated at different instruments, but basically this was a band founded on rhythm. With Slint's guitarist Dave Pajo replacing Brown on bass, Millions Now Living Will Never Die (1996) streamlined the mind-boggling polyphony of their jams and achieved a sort of post-classical harmony, a new kind of balance and interaction between melodies and rhythms. Djed, in particular, could swing between sources as distant as Neu and Steve Reich while retaining a fundamental unity, flow and sense of purpose. The jazz component and academic overtones began to prevail. The sextet (McEntire, Herndon, Bitney, McCombs, Pajo and black guitarist Jeff Parker) that recorded TNT (1998) had in mind the Modern Jazz Quartet and Miles Davis' historical quintet, not King Crimson or Slint, but the result was nonetheless a magisterial application of Djed's aesthetics.

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