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Two years after the Dave Brubeck Quartet’s ground- and time-signature breaking Time Out (1959), this classic quartet (Brubeck, piano, Paul Desmond, alto sax, Eugene Wright, bass, and Joe Morello, drums) would continue its jazz experiments in a series that was often inspired by abstract paintings. Time Further Out: Miró Reflections was the group’s attempt at a “jazz interpretation” of Miró’s 1925, a visually kinetic work featuring a prominent string of numerals descending from the upper edge of the canvas.
Hank Mobley was inspired by Birth of the Cool on his 1966 album A Slice of the Top featuring Duke Pearson’s arrangements for an octet that added euphonium and tuba to a group with James Spaulding on alto sax, Lee Morgan on trumpet, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on ...
Hammond B3 organist Freddie Roach began a run of Blue Note leader dates with his excellent 1962 debut Down To Earth. The deeply soulful set was a showcase of his nuanced, bluesy sound and thoroughly enjoyable original tunes like “Althea Soon” that were ideal vehicles for this swinging band with Percy France, Kenny Burrell, and Clarence Johnston. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Gregory Porter’s new release Still Rising, due out November 5, is an exquisite collection of musical delights. The first disc includes four brand-new tracks, two new arrangements, three new covers, and nine of Porter’s most loved Blue Note tracks. The second disc features notable duets including songs with Moby, Jamie Cullum, Jeff Goldblum, Renée Fleming, Dianne Reeves, Lalah Hathaway, Laura Mvula, Lizz Wright, and others. The new song and first single from the album “Dry Bones,” written and produced by Troy Miller (Diana Ross, Rag’n’Bone Man, Emeli Sandé), is available to stream or download today.
Granz and Holiday chose familiar items from the Great American Songbook of classic pop for the album, Holiday singing in the context comfortable for her, that of a small jazz band. The original album consisted of six standards, five of which by songwriters who would be categorically tackled by Ella Fitzgerald on her Songbooks series. The sessions reunited Holiday with trumpeter Harry Edison and saxophonist Ben Webster, both of whom the singer had worked with during the 1930s and 1940s, Edison as a member of the Count Basie Orchestra during her brief stay as the band's girl singer, and Webster from the recordings under her own name for Vocalion Records and Okeh Records.
Dexter Gordon’s second Blue Note album Dexter Calling… recorded in 1961 solidified the tenor saxophonist’s career rebirth with a joyous return to form. Dexter holds forth at the helm of a quartet with Kenny Drew, Paul Chambers, and Philly Joe Jones moving nimbly from hard-charging swing to stunning balladry.
Lady Sings the Blues is an album by the American jazz vocalist Billie Holiday, released in December 1956. It was Holiday's last album released on Clef Records; the following year, the label would be absorbed by Verve Records. Lady Sings the Blues was taken from sessions taped during 1954 and 1956. It was released simultaneously with her ghostwritten autobiography of the same name.
Far East Suite is a 1967 concept album by American jazz musi- cian Duke Ellington, inspired by his group’s tour through Asia. Ellington and longtime collaborator Billy Strayhorn wrote the compositions. Strayhorn died in May 1967, making Far East Suite one of the last albums recorded during his life to feature his compositions.
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