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Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Gregory Porter’s new release Still Rising, due out November 5, is an exquisite collection of musical delights. The first disc includes four brand-new tracks, two new arrangements, three new covers, and nine of Porter’s most loved Blue Note tracks. The second disc features notable duets including songs with Moby, Jamie Cullum, Jeff Goldblum, Renée Fleming, Dianne Reeves, Lalah Hathaway, Laura Mvula, Lizz Wright, and others. The new song and first single from the album “Dry Bones,” written and produced by Troy Miller (Diana Ross, Rag’n’Bone Man, Emeli Sandé), is available to stream or download today.

Hank Mobley was inspired by Birth of the Cool on his 1966 album A Slice of the Top featuring Duke Pearson’s arrangements for an octet that added euphonium and tuba to a group with James Spaulding on alto sax, Lee Morgan on trumpet, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on ...

Two years after the Dave Brubeck Quartet’s ground- and time-signature breaking Time Out (1959), this classic quartet (Brubeck, piano, Paul Desmond, alto sax, Eugene Wright, bass, and Joe Morello, drums) would continue its jazz experiments in a series that was often inspired by abstract paintings. Time Further Out: Miró Reflections was the group’s attempt at a “jazz interpretation” of Miró’s 1925, a visually kinetic work featuring a prominent string of numerals descending from the upper edge of the canvas.

Charlie Byrd is perhaps best known for his pivotal role in popularizing Brazilian bossa nova in the United States. A jazz guitarist, Byrd was notably impressive and most comfortable using his C.F. Martin classical guitar in the jazz idiom, with a finger technique he learned from Spanish classical master-mentor Andrés Segovia. He was raised in a jazz family and was heavily influenced by legends like Django Reinhardt. Fame really took off for Byrd following his 1962 collaboration with Stan Getz.
This exciting collection of “Jazz ‘n’ Samba” was recorded back in 1965, with Byrd very much in his musical prime. The Hindsight label is the first to have access to these original and rare master tapes. Commemorating the 60th anniversary of these special recordings, Hindsight’s Jazz Rewind label issues them for their first ever vinyl pressing, pressed on heavyweight color LP. Enjoy latin rhythms and beautiful guitar moments, with a guest appearance from Herb Ellis.

Craft Recordings and Jazz Dispensary kick off the new year in style with a heady cult favorite from Joe Henderson, 1973’s Multiple. Returning to vinyl after more than 50 years, the albumfeatures a world-class ensemble of musicians—including Dave Holland, Jack DeJohnette, Larry Willis, and James “Blood” Ulmer—while it finds the influential saxophonist at the apex of his fusion period.

Far East Suite is a 1967 concept album by American jazz musi- cian Duke Ellington, inspired by his group’s tour through Asia. Ellington and longtime collaborator Billy Strayhorn wrote the compositions. Strayhorn died in May 1967, making Far East Suite one of the last albums recorded during his life to feature his compositions.

In August of 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York. Coltrane’s Classic Quartet was not as fully established as it would soon become and there was a meteoric fifth member of Coltrane’s group those nights - visionary multi-instrumentalist Eric Dolphy.

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A few years after recording Straight, No Chaser, Thelonious Monk disappeared from the public eye. But as the years passed, more people became aware of the seminal role he played in the development in jazz as both pianist and composer, creating a standard of excellence that many musicians after him aspire to.

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