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Chip Wickham is a jazz musician and producer who divides his time between Spain, UK and the Middle-East and who has made a name for himself with a series of beautifully crafted solo albums that draw equally on the hard swinging spiritual jazz of Roland Kirk, Yusef Lateef and Sahih Shihab, alongside the music of British jazz legends such as Tubby Hayes and Harold McNair and the more contemporary sounds of Jazzanova, Kyoto Jazz Massive and Robert Glasper.
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Gaining traction in the UK clubs, that single, plus its follow-up, ‘Feel Free’, found Soul II Soul soundtracking the “Second Summer of Love”, and their third single, ‘Keep on Movin’’, finally got people dancing up and down the country as the band’s burgeoning fanbase went overground. Taking the group into the Top 5, ‘Keep on Movin’’ was followed by ‘Back to Life (However Do You Want Me)’, whose infectious groove reached the UK No.1 spot and went Top 5 across the Atlantic. As these singles’ parent album, Club Classics Vol. One, became a UK chart-topper and a US Top 20 (under the name Keep on Movin’), Soul II Soul set the pace for British soul music, inspiring countless homegrown acts that have followed. Marking its 35th anniversary, the album now returns to vinyl in a picture-disc edition featuring the group’s signature Funki Dredd logo.
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Follow up to Sending My Love debut, and now remasetred and remixed with additional tracks, Mancunian trumpeter Matthew Halsall teams up with labelmate Nat Birchall, pianist Adam Fairhall, bass player Gavin Barras and alternating drummers Gaz Hughes and Marek Dorcik for an album of melodic and often meditative jazz.
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Formed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; Khruangbin’s sounds are rooted in the deepest waters of world music infused with classic soul, dub and psychedelia. Their 2015 debut album ‘The Universe Smiles Upon You’ was heavily influenced by 60’s and 70’s Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. ‘Con Todo El Mundo’ takes inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran.
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Congo's turbulent and exhilarating '70s: Nightclubs and dancefloors were packed to the brim in the capital, Kinshasa. Exuberant crowds, still giddy from independence a decade prior, grooved to the sounds of the country`s classics. In fact the whole continent was submerged into the Congolese Rumba craze.
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