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Brand new full length album release from acclaimed rapper Open Mike Eagle.

For 16 years, the third Dr. Dre album was supposed to be The Detox, but that once-mythical, canceled LP was replaced by Compton: A Soundtrack by Dr. Dre, a supposedly final effort that was "inspired" by the N.W.A. biopic Straight Outta Compton

Computer World captured the band right at the moment when its pioneering approach fully broke through in popular music, thanks to the rise of synth pop, hip-hop, and electro. 

The second in Jazz Room's occasional pure Latin releases, this underground masterpiece first emerged in 1980 and is an outstanding example of the classic era Nu Yorican El Barrio underground sound!

Formed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; Khruangbin’s sounds are rooted in the deepest waters of world music infused with classic soul, dub and psychedelia. Their 2015 debut album ‘The Universe Smiles Upon You’ was heavily influenced by 60’s and 70’s Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. ‘Con Todo El Mundo’ takes inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran.

Pan Amsterdam blends experimental hip-hop, jazz, funk and electronic influences, resulting in shapeshifting, genre-defying tracks.

John Carroll Kirby follows up his Stones Throw debut My Garden with a vinyl release of a collection of ambient pieces for piano.

This epic Afrobeat album contains just one eponymous track clocking in at just over 25 minutes in length, and beginning with a mysterious and psychedelic musical interplay between Fela on organ and Tony Allen on drums. 

Cuban-born percussionist Cándido de Guerra Camero, also known simply as Candido backed numerous jazz acts since the 1950s.

Following their departure from Lee "Scratch" Perry's Black Ark label and production, "Congo Ashanti" is the group's first release since "Heart Of The Congos."

Emerging onto the worldstage via Lee Scratch Perry's 1977 masterpiece Heart Of The Congos, the group established a unique cache in the international reggae market. Cedric Myton, Watty Burnett, and Roy Johnson struck out on their own to produce Image of Africa and Congo Ashanti, both released in 1...

Congo's turbulent and exhilarating '70s: Nightclubs and dancefloors were packed to the brim in the capital, Kinshasa. Exuberant crowds, still giddy from independence a decade prior, grooved to the sounds of the country`s classics. In fact the whole continent was submerged into the Congolese Rumba craze.

The Maghreban has been making Dance music and related genres under various names since the mid 90s, spanning Jungle, Hip Hop, Rave, House and Techno; on labels like Versatile, Black Acre, Eglo Records, R&S Records and his own Zoot Records.

Confident, exploratory and often jaw-droppingly sublime, this incredible album properly announces Caoilfhionn Rose’s arrival as a fresh creative force for 2024.

A Tele Music Classic from 1972, Pierre-Alain Dahan's Continental Pop Sound is of those library albums with something for everyone.

On their first album together since Maze of Woods (2015), Matthew Robert Cooper (Eluvium) and Mark T. Smith (Explosions in the Sky) further their creative curiosities as Inventions and release the beautiful new record A Continuous Portrait.

Originally released in 2003, Marcos Valle's Contrasts combined early noughties production techniques with his trademark Brazilian songwriting brilliance.

The Austrian music duo Kruder and Dorfmeister, consisting of Peter Kruder and Richard Dorfmeister, launched a world career in the 1990s.

Miles Davis' quintet was formed in 1955 and is widely regarded as one of the greatest combos in jazz history.

Cool Rasta is an album by The Heptones, which consisted of Earl Morgan, Barry Llewellyn, and Leroy Sibbles.

This small, friendly pub is a calm, modest option just off the Western Road strip

Six new tracks from Detroit's deep house hero Theo Parrish mark his most significant release since the Wuddadji album three years ago, based around the 18 minute dancefloor epic 'Dance Alone' and the Afro-slanted 'Cleo's Theme', closing in on 11 minutes, alongside a host of other cuts of varying sizes and types.

Full of interesting arrangements, Pino Donaggio's score for this Italian movie from 1974 sees its first reissue since the original release.

A milestone celebration of Cory Wong’s explosive creativity, this debut physical edition captures the high-energy, technicolor universe of Cory and his Green Screen Band—where razor-sharp funk, joyful virtuosity, and Cory’s signature humor collide in perfect harmony. Originally conceived as a di...

I just wanna share good music with good people

It was Flying Dutchman that put out some of Lonnie Liston Smith and the Cosmic Echoes's most vital work. Despite their groundbreaking albums, though, they are often overlooked by hardcore jazz nuts and we cannot work out why.

The first full-length biography of Alice Coltrane, the jazz musician and spiritual leader who laid the groundwork for new age, ambient and electronic music. Musician, wife, mother, daughter, sister, grandmother, collaborator, guru, iconoclast: Alice Coltrane is one of the most forward-looking yet...

Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records. 

The Zodiac - Cosmic Sounds is a collaborative concept album on the theme of the signs of the Zodiac released by Elektra Records in November 1967.

A decade of dankness. In honor of the 10th anniversary of the box set that started it all, Jazz Dispensary is excited to present Cosmic Stash: HIGH Lights. Nine tracks from Jazz Dispensary heavy hitters like Johnny Hammond, Patrice Rushen, David Axelrod, Gary Bartz, and more, harvested from the original Cosmic Stash box set.

For 26-year-old Steve Ellison's deservedly hyped third album, Flying Lotus loosened the reins and set out to make Cosmogramma, which his label, Warp, promoted as a space opera of sorts.

Released at the height of his cosmic creative powers, ‘Cosmos Nucleus’ finds Panamanian saxophonist Carlos Garnett expanding his bold vision of jazz as liberation, healing, and outerspace expression.

Five years after their radiant debut Ufo Bar, Italian cinematic funksters Banda Maje are back with Costa Sud to take us deeper into their land of ‘Salifornia’—a Southern province of sun-drenched coastlines and decaying buildings where dreams of exotic escapism sprout and bloom.

Following the huge success of 2018’s Kokoroko EP’ and the sensational Abusey Junction, Could We Be More is an expansive and ambitious debut album that speaks to the force of Kokoroko.

Over a year since the release of their exhilarating debut Could We Be More, Kokoroko present a new collection of remixes of tracks from their first album.

Lady Wray makes her highly anticipated return with Cover Girl, her third album on Big Crown Records.

Between 1976 and 2019 we worked with over 200 different bands and artists, creating many hundreds of covers, all with a story... the book covers (sorry) just some of them. Full colour throughout

The album includes a pair of covers: Parton’s “Jolene” and The Beatles’ “Blackbird.” It also includes collaborations with Miley Cyrus (“II Most Wanted”), Post Malone (“Levii’s Jeans”), and Shaboozey (“Spaghettii”).

Cracker Island is the eight studio album from Gorillaz, an energetic, upbeat, genre-expansive collection of 10 tracks featuring yet another stellar line-up of artist collaborators: Thundercat, Tame Impala, Bad Bunny, Stevie Nicks, Adeleye Omotayo, Bootie Brown and Beck.

In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre-punk, funk-blues fusion that had yet to be normalized in mainstream music – a style that few musicians have come close to replicating.

The selection of subtle dub versions of the songs included serve to highlight the brilliance of the musicians playing in the classical 'rockers' style that dominated the latter half of the seventies.

Roland Brival first released his debut album Creole Gypsy to an attentive Caribbean music scene, his singular voice showcased in tiny quantities and long cherished locally thereafter.

Hot on the heels of the first instalment of his much-lauded Crisis and Opportunity record series, world - renowned drummer / composer, and producer / beatmaker, Myele Manzanza, now readies Volume 2 for release.

Having established himself as one of the most energetic and exciting Jazz musicians within the already thriving worldwide scene, New Zealand born, London based Drummer and Producer Myele Manzanza has made a major impact upon the global music landscape.

The legendary British DJ has been around the block. He returns with his Crooked Man project with pedigree, craftsmanship, and, delightfully, zero aspiration to the “new.”

The Cabildos remain one of the most enigmatic names to emerge from the 1970s library music scene. Little is known about the group, except that their name was inspired by Johnny Cabildo, an Italian keyboardist and composer who had relocated to Florida. Their recorded legacy is strikingly concise: just three albums—Yuxtaposición (1972, released under the name Cabildo's Three), Cross Fire (1974), and the later Where Is the Cat? (1979).

From synth-laden Zambian reggae and sumptuous orchestral Afro-soul, to humid Trinidadian boogie and horizontal Italian jazz-funk, Spellacey offers a whirlwind trip through the most kaleidoscopic and exotic parts of his epic collection. As you’d expect from a man who has traveled the world hunting down records, the majority of the 15 tracks will be unknown to all but a handful of similarly minded crate diggers. In fact, some are so obscure that you’ll struggle to find any mention of them at all online. This could be your only chance to own the boogie-era reggae-disco brilliance of Le Banda De Martin’s “Mi Dueno” and the tear-jerking Afro-soul shuffle of Kosmik 3’s “I’m Gonna Pack” (here featured in exclusive Jeremy Spellacey re-edit form). 

The Madlib Invazion Music Library Series. Entry #5: Dan Hastie and Terin Ector (Orgone) pick up where Piero Umiliani left off with Exotic Grooves and Lush Funk. 

To celebrate the 25th anniversary of the release of the documentary Crumb, Cinema Paradiso Recordings release the soundtrack to the film for the first time ever on vinyl.

Floating Points’ first album in four years, Crush, twists whatever you think you know about him on its head again. 

A special compilation put together to celebrate 40 years of the iconic On-U Sound label, this limited cassette and digital release pulls various guest appearances the legendary and much-missed Jamaican MC Prince Far I made with early 1980s On-U house band Singers And Players, as well as some alternate versions and deep cuts for the true dub reggae heads.

Expanded into a Double Vinyl LP for the first time, this classic and timeless album now features 8 bonus tracks on vinyl in addition to the original album with bonus tracks including the hit single ‘Watch Me’. Now not just an admired iconic and influential artist and writer of incredible timele...

Exclusive to Record Store Day 2026 & curated by DJ Koco the Cuban 45 Clamshell Boxset includes 5x7" singles. Two years since DJ KOCO aka SHIMOKITA curated his sold-out Mr Bongo Brazil 45 boxset, he is back with another Record Store Day special, this time turning his attention to Cuba. Tes...

"Afro-cuban : that term which set the world on fire, from rumba to boléro, mambo to cha-cha-cha, before salsa, that 70's spicy sauce, took over from the others. 

A deeply personal and sonically rich project, Cubico sees Ria stepping forward as a producer and instrumentalist, blending R&B, neo-soul, and jazz with introspective songwriting that explores love, self-discovery, and emotional growth.

Privately pressed in Scotland in 1979, this elusive and quite wonderful percussion album is like no other.

Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is the new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records).

Culture Of Fear is Thievery Corporation’s 6th studio album, originally released in 2011. On this release, they continue to blend musical styles in their trademark fashion; space-rock jams lead to hip-hop inspired grooves, airy downtempo trances, and dub-reggae infused vibes throughout the journ...

Despite the series of radical shifts that underpinned its creation, Scritti Politti's second album Cupid and Psyche 85 achieved the virtually impossible.

Mamas Gun animate the spirit of conscious ‘70s soul on bold and big-hearted new album, Cure The Jones.

Much has changed since Tame Impala first emerged with an EP of dusty home recordings in 2008. By and large, Kevin Parker's approach to recording has not, though the sound coming out of his home studio has vastly expanded, as has the number of people anticipating the fruits of his labor.

The musical styles of 'Curtis' moved further away from the pop-soul sounds of Mayfield's previous group The Impressions and featured more of a funk and psychedelic-influenced sound.

Recorded in early 1971, Curtis / Live! finds Curtis Mayfield in top form at the intimate Greenwich Village club The Bitter End.

NYC punk-chic, discodelic funk band Say She She is back with Cut & Rewind, their politically-charged, dancefloor-crushing third album and first with their new label partner, drink sum wtr (aja monet, THEY.)

The Smile release a new album titled Cutouts, via XL Recordings.

Other than a 7″ of a couple of these tracks, the only thing that the band seem to have released is this album, and what an album it is. Unbeatable soul-funk of the highest quality.

With the release of their self-titled debut album in 1972, Cymande emerged as innovators of the black British music scene.

Cypress Hill's eponymous debut album revolutionized hip-hop in several respects. 

In music, timing is everything. When soon-to-be-renowned Boston hip-hop duo 7L and Esoteric collaborated with the Wu-Tang Clan's Inspectah Deck on the title track to 7LES’s debut EP Speaking Real Words in 1999, the timing was perfect.

Rising from the wreckage of a war torn planet, Czarface joins forces with MF Doom in the epic Czarface Meets Metal Face! Blending Doom's trademark abstractions and Czarface's in-your-face lyrical attack.

Love, fronted by the charismatic Arthur Lee, was the first rock band signed to the '60s folk label Elektra, and their wild, enigmatic sound was a big part of their unique appeal.

Enjoy the finer things without the fuss. Creating the atmosphere of an informal gastro pub in a calm but vibrant area, DaddyLonglegs is an escape from city life. Based just off of Brighton seafront near the bustling Brighton Marina, DaddyLonglegs is a welcoming bar that is all about quality. T...

Sam Morton, the musical duo comprised of singer, songwriter and acclaimed actor and director Samantha Morton and music producer and co-songwriter Richard Russell, release their highly-anticipated debut album.

Remixes of tracks from Daft Punk's 2001 Discovery album and one from their debut album, 1997's Homework.

This tribute to Daft Punk collects all the interviews and photos from Jockey Slut magazine during the early days up to the release of Discovery.

Originally released in 1995, Dah Shinin’ remains one of the most celebrated albums of hip hop’s golden era. Includes two essential remixes — "Wrekonize" and 'Sound Bwoy Bureill" — plus the previously unreleased “Nuttin’ Move But Da Money,” officially available for the first time after years on white label.

Wewantsounds reissue for the first time Harold Land's classic LP Damisi, recorded in Los Angeles for Bob Shad's Mainstream Records and released in 1972. 

Kendrick Lamar releases his new album Damn. It’s his first extended release since last year’s demos collection Untitled Unmastered, and his first formal record since 2015’s To Pimp A Butterfly.

In 1974 one of James Brown’s most important band-leaders and sidemen - trombonist Fred Wesley – would release not one but two albums as a leader including Damn Right I Am Somebody. Starting with an evocative cover it was clear to fans that this album wasn’t all about a party.

Resident DJ at the best taproom in town - The Independent, Queens Park Road