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Originally released in 1973 and pressed in very small quantities, Emerge is the second album by the McCrary family and their non-gospel debut. Long sought after by collectors and modern-soul and funk connoisseurs, it's an exemplar of what was considered "progressive soul" in the early 70s as well as what emerged a generation later as "neo-soul."
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Take Brian Jackson and Gil Scott-Heron’s iconic track “The Bottle”, add a sublime vocal performance from UK soul legend Omar, and put it in the hands of house music pioneers Masters At Work—and you get a version that’s both timeless and urgent, filled with joy, fire, and social consciousness, and built for the dancefloor.
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In August of 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York. Coltrane’s Classic Quartet was not as fully established as it would soon become and there was a meteoric fifth member of Coltrane’s group those nights - visionary multi-instrumentalist Eric Dolphy.
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On Everything Harmony, the fourth full-length studio release from New York’s The Lemon Twigs, the prodigiously talented brothers Brian and Michael D’Addario offer 13 original servings of beauty that showcase an emotional depth and musical sophistication far beyond their years as a band, let alone as young men.
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Emotive, break beat minimalist trio GoGo Penguin are back with their brand new album Everything Is Going to Be OK. Bursting with the optimism of new beginnings, with a new drummer, their new record label (Sony Records' electronica and classical imprint XXIM Records) and a subtly updated and developed sound, the band are ushering in a more ambient era.
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Married around a shared love of machine-led funk, outsider soul, 70s-80s nautica and 21st century basement disco, Bright & Findlay (formed of multi-hyphenate James Alexander Bright and Groove Armada’s Tom Findlay) are set to release their debut album ‘Everything Is Slow’ on 9th June via Athens Of The North.
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Reaching No.9 in the UK, it introduced “big beat” music – as the club-filling mix of hip-hop and acid house had been christened – to a mainstream audience, helping to fuel its dominance on the British dance scene as the 20th century came to a close. Opening with ‘Leave Home’, the Chems’ debut single and a swift UK Top 20 hit, the album also features collaborations with folktronica icon Beth Orton, on closing cut ‘Alive Alone’, and Charlatans’ frontman, Tim Burgess, on the album’s second single, ‘Life is Sweet’, which took The Chemical Brothers back into the UK charts, hitting No.25 following its September 1995 release. Amid these standouts is a track that had already become a signature tune for the duo of Ed Simons and Tim Rowlands: ‘Chemical Beats’. Originally issued on the highly collectable Fourteenth Century Sky 12” EP – issued in 1994 under the Chems’ earlier name, The Dust Brothers – it had already become a club classic by the time of Exit Planet Dust’s release, and, 30 years on, it still sounds huge on this 140g red- and gold-coloured double-vinyl reissue
For his third long-player under the Phi-Psonics banner, Ford-Young marshalled a series of live recordings at the Healing Force Of The Universe record store in Pasadena, sculpting fourteen tracks, largely composed in the moment with a fluctuating cast of players, which wonderfully transmit his ideals of community and inner peace.
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