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Kronstad 23 returns with Dødehavet, the Norwegian quartet’s third album and first release on Batov Records. Continuing their instinctive, analogue-led approach, the record sits between cinematic jazz and psychedelic rock, threaded with Scandinavian folk and wider global influences. Recorded live to tape with minimal preparation and no modern studio intervention, Dødehavet captures a band working on feel, interaction and momentum rather than polish or precision.
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At 88 years of age, the Ghanian highlife and afrobeat pioneer Ebo Taylor travelled to the US for the very first time to perform at the now iconic Jazz Is Dead concert series, selling out venues across the country. It was during this time that Ebo recorded a psychedelic afrobeat album alongside Adrian Younge & Ali Shaheed Muhammad.
Ten Numero-minted, dancefloor-ready dive bombers from disco’s all-too-brief heyday, previously swept under the rug by the whitewashed glitz and glam of the era. Chugging grooves, bubbling synths, soaring strings and sonorous voices are guaranteed to light up your night, on living room rugs and da...
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Italian house was the first, anticipating the irruption of the digital scenarios that have forever changed 'making art', to redefine, to redraw a map that did not exist, that of the 'young' sound that shifted its creative trajectories from the megalopolises overseas (with all their urban poetics) to the Italian province.
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"El sonido bastardo", the first album by the enigmatic collective Danzón El Gato, establishes a fascinating dialogue between jazz, funk and roots music. Formed in the underground hotbed of Madrid's experimental scene, its members have decided, this time, to start from the groove in order to explore tradition.
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