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In 1958 Random House published Breakfast At Tiffany’s, a novella by Truman Capote regarding the exploits of a young writer who makes the acquaintance of a remarkable, free-style living neighbour named Holly Golightly. When Blake Edwards opted to film the story, Henry Mancini was brought in to provide a soundtrack for the film. He then approached lyricist Johnny Mercer about providing the lyrics.
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More than just a biography of a band, Gould masterfully captures the singular time and place that incubated and nurtured this original music: downtown New York in the 1970s, that much romanticized, little understood milieu where art, music, and commerce collided in the urban dystopia of Lower Manhattan
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