Release Date: 22/05/26 - Phantasticus

Each of the leaders contributes original tunes showcasing their own unique take and reverence to the Latin jazz legacy. Booth's unmistakeable tenor sax comes to the fore on 'Cabo Cope,' where he enlisted the help of his one-time boss Roberto Pla, and 'Nao Ha Tempo Pa Agora' which features a bravura performance from Ross Stanley: "The opening phrase on the piano is one of my favorite things I heard from the entire session," remembers Quigley. The heavy groove and intricate charts of 'Avarice' were devised by Mires, inspired by Eddie Palmieri. 'Triple Sec' rides in on a stately Cha-cha-cha rhythm that supports a beautiful Quigley-created melody and some wonderful high-register trumpet work. "That was one of the grooves I loved playing when I was coming up in the scene back in Scotland," says Quigley. At the far end of the alcoholic spectrum, 'Palinka' is named for a lethal Hungarian homebrew and the band tackle the boogaloo theme with suitable abandon and hefty doses of wah-wah on the trombone. Booth drew on his experience growing up in Spain to create 'Tres Amigos' with Davide Giovannini singing and Giorgio Serci playing guitar over the lilting flamenco-rumba rhythm, and 'Paseo De Amor' has a wordless vocal from Sophie Stevenson adding mystique to its elegant Latino waltz. Mires penned the albums title track 'Phantasticus' with some major themes in mind: "I was thinking of the dawn of creation and the beginning of humanity," while Quigley's 'Send Me The Sin File' delights with its supple and ingenious soli writing, being named for nothing more profound than its author's susceptibility to typos. The up-tempo mambo of 'It's Coffee Time' pays tribute to Quigley's dependence on the sustaining power of caffeine, while Booth's 'Tulsa Time' features Giorgio channelling Carlos Santana for some rousing Latin rock fusion.
The album is packed with memorable moments from the principals and their supporting cast, but overall it's the feeling of spontaneous creation and a shared joy in the art of music making that impresses. Quigley asserts: "We wanted to keep it very in the moment, very live-sounding while maintaining the feeling of the performance throughout." "It's all about the people and the atmosphere" adds Booth; "There's no compromise on the actual level of the music - there's some difficult phrases and parts to play in there, but ultimately we have such fun playing together, we just had to make this happen." The result is a record that captures three musicians at ease with their craft, reconnecting with the communal spirit of Latin jazz and reminding us that the most enduring music still comes from shared time, space, and intent.