Full Circle

Leon Thomas_„Ž final album for Flying Dutchman marked a change in his career. In the previous five-year period he had always been moving forward, with four studio albums and several live recordings. Afterwards he recorded only a handful of singles and a couple of albums in the years until his death in 1999.

The St Louis-born vocalist had made his mark as a bluesy wailer in the Count Basie Orchestra in the early 1960s. He then developed his own style by hanging out with contemporary jazz players on both the East and West Coasts. His break came when he joined Pharoah Sanders_„Ž group and after the success of _„ƒThe Creator Has A Master Plan_„Ž he signed to Flying Dutchman and began his career as a leader.

By 1972 he was widely considered the leading jazz vocalist of the new generation and his album _„ñBlues And The Soulful Truth_„ was an attempt to cross him over to a wider audience. It didn_„Žt quite succeed but attracted the attention of Carlos Santana who asked him to join his band. _„ñFull Circle_„, recorded as Thomas was about to join Santana, was another attempt at widening his appeal.

The album featured a cover of Santana_„Žs _„ƒJust In Time To See The Sun_„Ž, a song that suited Thomas_„Ž voice very well and sat well alongside his own compositions _„ƒIt_„Žs My Life I_„Žm Fighting For_„Ž and _„ƒBalance Of Life (Peace Of Mind)_„Ž. He excelled on versions of B.B. King_„Žs _„ƒSweet Little Angel_„Ž and Johnny Ace_„Žs _„ƒNever Let Me Go_„Ž. Aimed squarely at the soul charts, the album also included covers of three Motown numbers: Michael Jackson_„Žs _„ƒI Wanna Be Where You Are_„Ž, theJackson5_„Žs _„ƒGot To Be There_„Ž and Stevie Wonder_„Žs _„ƒYou Are The Sunshine Of My Life_„Ž.

_„ñFull Circle_„ sold well without ever crossing over. Thomas went off to tour with Santana and never returned to Flying Dutchman. It was the end of a vibrant and productive chapter in his career.