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Relocating from Australia to Zambia during the pandemic, award-winning hip-hop star Sampa The Great wrote her second studio album. ‘As Above, So Below’ thematically presents the listener with a duality within Sampa’s spirit - the outward-facing public persona and her private self - in this literate, heartfelt recounting of her experiences growing up in Africa.
In 1963, Sam Cooke, the true inventor and King of Soul, recorded the album Night Beat, which was bluesier and moodier than anything we had heard from Cooke before. If Sam Cooke had lived longer, we might have had more music of this rare quality.
As it stands, we must make do with the treasures he left behind
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Deep Nyabinghi drumming and chanting on a version of the Ethiopian national anthem gets things underway on Slave Call, a majestic journey through the spiritual roots of reggae. Later songs add guitars, bass, keyboards, and horns to build a more standard reggae sound on that foundation, but there’s always a dignified restraint and the profundity of the nyabinghi beat. the entire album revolves around Leonard Dillon’s Rastafarian beliefs, with even the cover of the Beatles’ “Let It Be” rewritten to a religious end.
Trammps, originally released in 1984. The Trammps, hailing from Philadelphia, were a prominent fixture in the disco scene of the 1970s. Consisting of Earl Young, Harold Wade, Jimmy Ellis, Robert Upchurch, and Stanley Wade, they were known for their infectious grooves and energetic live performances. The Trammps earned their place in music history with hits like “Disco Inferno” and “Hold Back the Night”, but also “Shout” and “Move” became disco classics.
