268 products
ROADS VOL.3 is the third installment of Thylacine's iconic ROADS series, recorded in the heart of the stunning landscapes of Namibia, in his caravan studio. A true sonic journey, this album immerses the listener in a unique universe, where every note tells a story of landscape, emotion, and authentic experience.
Sababa 5’s knack for intricate grooves and catchy melodies have led to a series of acclaimed singles, from fresh takes on classic melodies to vocal collaborations, championed by the BBC’s Gilles Peterson, Cerys Mathews, and Gideon Coe in the UK, and Radio Nova and FIP, in France, whilst they gradually found their own contemporary sound, creating original music together that could stand up on its own across a whole album
This is the soundtrack for the Bill Cosby/Sidney Poitier film Let's Do It Again.
The main title song reached the top of the Billboard Hot 100 singles chart and spent two non-consecutive weeks at the top of the Hot Soul Singles chart. All tracks on this album were written by the legendary Curtis Mayfield
Far East Suite is a 1967 concept album by American jazz musi- cian Duke Ellington, inspired by his group’s tour through Asia. Ellington and longtime collaborator Billy Strayhorn wrote the compositions. Strayhorn died in May 1967, making Far East Suite one of the last albums recorded during his life to feature his compositions.
This special 3LP clear vinyl collates the “Back To Black” era in a definitive package. Featuring the original studio album, 4x unreleased demos, rare B-sides and demos, alongside the notable live performance from Paradiso, Amsterdam (February 8th 2007) from the Back To Black tour, never released in full and on vinyl.
Manifest is the fifth studio album from BALTHVS and the most expansive record the Colombian trio has made. Written and developed primarily in the studio following a retreat to a rural farm outside Bogotá, the eleven-track LP balances five road-tested singles with six new recordings that reach further than anything in the band's catalog.
Surfing on a sun-drenched wave of psychedelia comes Brighton’s very own Merry Pranksters, Wax Machine. Primarily recorded and mixed in a closet room directly above a mortuary, their self-produced album Hermit’s Groove is a heady trip through progressive psychedelia, kitsch Italian library music and Brazilian tropicalia.
Different Strokes For Different Folks are proud to present the first ever vinyl reissue of Al Basim's legendary 'Revival' album, originally released via private press in 1979. Including elements of out-there guitar jams, spiritual jazz, kosmiche soaked rock and Middle Eastern ambience, this is truly a record to live with.
A Hammond organ reimagining of ten tracks from Emilia Sisco’s debut album Introducing, offering a fresh instrumental perspective on some of Timmion’s finest song writing. A cohesive, fully instrumental soul record with broad crossover appeal – equally at home in rare soul and jazz collections, and designed to reward deep listening.
This special edition reissue brings Saint Germain’s groundbreaking debut album ‘Boulevard’ back to turntables. A landmark release in the French touch and acid jazz movements, the album features iconic tracks like ‘Deep in It’ and ‘Alabama Blues’. This essential 1995 classic is a must-have for electronic music collectors and jazz-house fans alike.
Kasabian announce hotly anticipated 9th studio album, Act III. Draped in Serge’s instantly recognisable hazy vocals, the album is 10 tracks of guitar-driven, psyche-infused pop and 3 interludes. Packed to the brim with hooks and a strong dose of swagger, the album cements Kasabian as one of the UK’s most essential bands of the 21st century.
Thirty-five years since its original release, Saint Etienne’s debut ‘Foxbase Alpha’ remains a flawless love letter to London, pop history and club culture. This definitive 1991 record effortlessly captures the atmospheric spirit of the city by weaving together house beats, ambient soundscapes and classic songwriting.
Pure Devotion is Overmono’s most ambitious project to date. Across the 11 tracks, Overmono have pushed their recording process into bold new territories, adopting experimental production techniques that involve synthesisers from the 70s and 80s, an antiquated train announcement speaker, and literally baking a crash cymbal in the oven. There’s a powerful sense of intention and physicality embedded in every choice, which extends to the emotive vocal features from revered British poet John Joseph Holt, close collaborator Kindora, and Paul Institute’s Ruthven.
This is not an LP that explores a neat and tidy love story. It isn't interested in the happy ending. It's interested in everything that comes before it, after it, and in spite of it, pulling inspiration from wherever it presented itself, even the most unlikely of places: "It didn't feel like we were making soul music at any point," he says. "It felt like we were making our music."
Featuring collaborators as diverse as former Portico Quartet bandmates drummer Duncan Bellamy and bassist Milo Fitzpatrick, iconoclastic Polish artist Hania Rani, cellist Dobrawa Czocher, and Australian mezzo-soprano Lotte Betts-Dean, Eternal Spring draws inspiration both from Wyllie’s love of verdant nature and from the idea of a constant, flickering sense of hope.
Joyce and Tutty Moreno, the legendary vocalist/guitarist and drummer who helped define the sound of Brazilian popular music, have partnered with Adrian Younge to create JID027. The result is an album that captures the ethereal beauty of collective improvisation, the weight of saudade, and the unbreakable bond between two of Brazil's most revered musicians.
Freddie McGregor's debut album Mr. McGregor was released in 1979. The album opens with "We Got Love" featuring a Tower of Power influenced horn section underneath McGregor's tale of love conquering all. The classic "Rastaman Camp" combines muted horn and an earthy, Nyahbinghi-like chorus for one of producer Niney's deeper constructions, but the lightweight fare is equally welcome as the easy strolling and not too sugary version of "Brandy" displays.
The Way I See It puts Raphael Saadiq's love of 60s soul on full display, with Saadiq stating it was "the culmination of a lifetime of experiences informed by the music I grew up on." Recorded on vintage equipment, the set features Joss Stone, CJ Hilton, The Rebirth Brass Band, a remixed bonus track from Jay-Z, and a guest appearance by Stevie Wonder.
Glera is a genre-bending jazz record that folds in soul and reggae’s elastic low end with an open-door sense of possibility. The project began three years ago as a kind of private exercise, with Benevento writing intuitively, inspired by Italian film scores and melody. Over time, those sketches evolved into something broader and more muscular, culminating in the grand majesty heard here.
"Hey boys, the show's about to start, this girl's got a voice that will rip out your heart", coos Eve Quartermain with complete justification on 'Avenging Angel’, the opening track to Late Transmissions' debut album, ‘The Heart Wants What It Wants.’ The show that follows across the next ten tracks is a cinematic adventure, evocative of classic widescreen soundtracks and sixties orchestrated pop, with a pinch of jazz and processed 90s noir beats. A potent cocktail!
Truthdare Doubledare’ marked a significant change in the direction of synth-pop trio Bronski Beat as a band, with vocalist Jimmy Somerville leaving and being replaced with John Jøn Foster. Whilst maintaining a clear voice in support of gay rights and political activism, the production gave way to a rougher and rawer style, featuring more real instruments, ever-powerful lyrics and more variety in genre. This never-before reissued album features the Number Three single ‘Hit That Perfect Beat’, a full remaster, new remixes and unreleased live and studio versions.
Spacemoth’s Inward Eye is a journey through inner and outer worlds, blending cosmic psychedelic pop with pulsating rhythms and looping textures inspired by nature and memory. Written on the road and shaped in motion, the album is a collection of hypnotic, cyclical songs that balance precision and openness, inviting listeners to drift through their own emotional landscapes.
Lithic’ is Laura Misch’s immersive new album, a sonic journey through stone, water, wind and lightning. Misch conjures music from caves, quarries, rock pools and coastal edges, merging field recordings with saxophone, voice, electronics, strings, and percussion. ‘Lithic’ is a meditation on nature, aging and connection, offering listeners a profound, elemental listening experience that is at once visceral, meditative and electrifying.
Trombonist / composer Robinson Khoury is one of the most prominent and visible rising stars on the French jazz and cross-genre scene. A charismatic live performer, his breakthrough came in 2024 with the album ‘MŸA’, featuring his trio with percussionist Anissa Nehari and keyboardist Léo Yassef. This group, in which Khoury plays not just trombone but also modular synths - he sings as well - became a tightly-knit and vibrant musical unit, with the title of their debut album becoming the band name Robinson Khoury MŸA. The trio now take centre stage on their ACT debut album, ‘Transara’.
The Endless Dance’ is the first collaborative album from Northern Irish producer and composer Hannah Peel and Chinese percussionist Beibei Wang. The record is grounded in the strength of ancient concepts but comes alive with the joy and freedom of play as together, Peel and Wang travel through the 24 solar terms of the Chinese calendar with a cornucopia of sound in tow - synths and prepared piano alongside traditional and unconventional percussion.
Ranjha is the new album and collaboration between award-winning composer and Radiohead guitarist Jonny Greenwood, celebrated composer/musician Shye Ben Tzur, and the Indian ensemble The Rajasthan Express. The upcoming album is a follow-up to their acclaimed debut Junun, which just celebrated its 10th anniversary.
