4449 products
Francis Bebey is the kind of artist whose legacy feels infinite.
Tresor Magnetique, this compilation of unreleased tracks, archival recordings, and neglected gems from Bebey's vault, feels like a grand reveal in an ongoing narrative - a story that spans continents and generations. The compilation's name (translated as "Magnetic Treasure") sets the stage perfectly. Not only does it reference the fragile tapes discovered in the home of Bebey's son, Patrick, but it also hints at the almost gravitational pull of Bebey's art. Meticulously digitized at Abbey Road Studios, these tracks radiate clarity and urgency that defy the decades separating them from contemporary ears. One listen to Tresor Magnetique, and it's as if you're opening a letter from another era, only to find that its contents speak to you more vividly than today's headlines.
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Elektro Guzzi From Vienna Are Back With Their New, Their Ninth Album »Triangle«. Since Their First, Self-Titled Album In 2010, Elektro Guzzi Have Been Working On A Variety Of Techno That Is Not Programmed On A Computer Or Sequencer, But Rather Analogously Performed By Using Electric Bass (Jakob Schneidewind), Drums (Bernhard Breuer) And Electric Guitar (Bernhard Hammer) And It Is Techno-Music, That Arises In The Moment Of Interaction - A Music That Often Develops In The Direction Of Cosmic Music. On »Triangle«, Elektro Guzzi Overcame The Natural, »Learned« Sound Of Their Instruments. The Futuristic Concept Of Techno Shines Through All The More As A Role Model - That There Is Precisely This Clear Idea Of Transcending The Present By Playing A Hypnotic, Interlocking Music Of The Future. »Triangle« Is The Logical Next Step For A Band That Is Always Looking For »More«, For Departure, For Consistency. The Forced Break Of The Lockdowns 2020/2021 And The Restrictions In The Context Of The Crisis Made The Band Move Closer Together; On »Triangle«, Elektro Guzzi Increased Their Efficiency To The Unbelievable.
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"Trip Hop Vintage Sounds" is a 2023 compilation album by Wagram Music that features various tracks from artists such as Kid Loco, Zero 7, and Etienne De Crécy. It is a collection of downtempo, atmospheric music that blends hip-hop beats with other genres like dub, soul, and jazz, characteristic of the trip-hop sound that originated in the UK in the 1990s.
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BABON's distinctive sound has earned them strong international recognition, with radio play from major stations including BBC Radio 3 and Soho Radio (UK), RBB Radioeins and Byte FM (Germany), CBC Radio One (Canada), Triple R and 2SER (Australia), and WYEP and KALX (USA). Their 7-inch vinyl release was nearly sold out, further signaling their growing global appeal. The album's cover and packaging were created by Indonesian retro surrealist Christian Candra, contributing to the band's cohesive artistic vision. BABON is represented worldwide by PR and radio agency Only Good Stuff, helping to amplify their message and music to audiences across the globe.
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While the afrobeat jazz of their previous work is still a core part of the record’s sonic design, the new album largely pulls from British R&B from the 80s, neo-soul, West African disco, bossa nova, lovers rock and funk. Sonically taking cues from the likes of Loose Ends, Don Blackman, Common, Sly & Robbie, William Onyeabor, Patrice Rushen, Ofori Amponsah and Cymande.
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The Rose That Grew from Concrete is a collection of poetry written between 1989 and 1991 by Tupac Shakur, published by Pocket Books through its MTV Books imprint. A preface was written by Shakur's mother Afeni Shakur, a foreword by Nikki Giovanni and an introduction by his manager, Leila Steinber...
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The first and only estate-authorised biography of the legendary rapper and an essential reevaluation of his legacy, fully illustrated with mementos, clothing, handwritten poetry, lyrics, musings and more.
There are legends, and then there is Tupac.
Tupac Shakur became one of the greatest and most...
Featuring the classic line-up with Gene Clark and David Crosby, the record cemented their status as folk-rock pioneers. Its title track became a Number 1 hit on the US Billboard chart, while the album itself reached the Top 20, showcasing the band’s trademark blend of chiming guitars, close harmonies, and poetic songwriting.
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Around this time Danny’s output came to the attention of Jalapeno Records boss Trevor Mac “I loved Danny’s records from day one but I couldn’t work out which funk records he was sampling. I got in touch with him to let him know how much I liked his stuff and he told me that there were no samples - he’d written all of it. As soon as I knew that I offered him an album deal”
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An ambient-techno classic, UFOrb captures Alex Patterson and his sonic henchman at their early peak. While the Orb had already created a dance-floor and chill-out-room sensation in 1991 with Little Fluffy Clouds, this follow-up disc displays Patterson's talent for fusing ambient music with dub science and a club culture mindset.
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When people think of Yacht Rock—those smooth, sun-drenched sounds that once drifted from Californian radio stations in the late '70s and early '80s—they rarely imagine it echoing through rehearsal rooms in Hamburg or Linz. Yet even far from the Pacific coastline, the appeal of shimmering chords, laid-back grooves, and polished production found fertile ground.
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Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
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