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The Voices Of East Harlem were an ensemble of vocalists who for Just Sunshine Records recorded two albums under the direction of Leroy Hutson and Curtis Mayfield. They were managed by Jerry Brandt, who looked after Sam Cooke, and performed at 1970’s “Winter Festival of Peace” at Madison Square Garden.
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Freestyle Records compile a killer overview of rare & undersung UK street soul & boogie tracks from across the 80s and early 90s, selected from the creme of the label's recent 12" reissue programme. Features an exclusive mid-90s cut from Manchester street soul act Gold In The Shade, along with photography from Andrew Holligan and notes from Kevin Le Gendre.
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A timely reissue for this seductive and alluring soundtrack on the 45th anniversary of the film's release on December 6th 1973 at London's Metropole Cinema. Based on the themes of fertile pre-Christian practices of pagan Britain, The Wicker Man did not follow the predictable formula of 1970’s British horror movies.
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Universally regarded as one of the greatest collaborations between the two most influential musicians in modern jazz (Miles Davis notwithstanding), the Jazzland sessions from Thelonious Monk and John Coltrane should be recognized on other levels. While the mastery of the principals is beyond reproach, credit should also be given to peerless bassist Wilbur Ware, as mighty an anchor as anyone could want. These 1957 dates also sport a variety in drummerless trio, quartet, septet, or solo piano settings, all emphasizing the compelling and quirky compositions of Monk.
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Themes For Dreams marks another left turn, finding Chicago-born and based musician, composer, and producer Will Miller at his most meditative, patient, and intentional. Across 13 gorgeous and strikingly cohesive tracks, the album eschews drums in favor of immersive melodies that float, dissipate, and linger. It's an album meant for rest, with arrangements so welcomely enveloping they feel like a warm blanket. While it's Miller's sparsest record yet, it still keeps his wildly collaborative ethos, enlisting guests like Marta Sofia Honer, Jeremiah Chiu, Macie Stewart, Matt Gold, William Corduroy, Molly Rife, and others.
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This release presents the seminal Ornette Coleman album This Is Our Music (Atlantic SD1353) in its entirety, featuring the wonderful piano-less quartet with Don Cherry, Charlie Haden and Ed Blackwell. The group consisted of modern players working with the same concept: a freer way of playing jazz, which transcended the strict confines of melody, harmony and rhythm. They would create a whole new idiom by constructing music via the interplay of simultaneous collective improvisation. Coleman had made his debut on records in February/March 1958 with the LP Something Else!!!!. The quartet of Coleman/Cherry/Haden and Billy Higgins on drums was heard on The Shape of Jazz to Come and Change of the Century.
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“This Is Street Funk” is part of a new series aimed at vinyl buyers who want a genre specific compilation to excite their ears. They will appeal to long-standing, discerning music acolytes and recent converts alike. Two sides of fantastic music, at an affordable price, hand-picked with TLC from Ace and its associated catalogues.
Four-time GRAMMY Award-nominated global superstar RAYE, is releasing her highly anticipated sophomore album THIS MUSIC MAY CONTAIN HOPE. The album, set in 4 “seasons” with each side of the vinyl being a different season, takes listeners on a sonic journey that begins with darkness and ends with light.
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Trammps, originally released in 1984. The Trammps, hailing from Philadelphia, were a prominent fixture in the disco scene of the 1970s. Consisting of Earl Young, Harold Wade, Jimmy Ellis, Robert Upchurch, and Stanley Wade, they were known for their infectious grooves and energetic live performances. The Trammps earned their place in music history with hits like “Disco Inferno” and “Hold Back the Night”, but also “Shout” and “Move” became disco classics.
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Debuts on Black Friday. Never issued in this form. The compilation features a collection of small run releases and private press releases. All long out of print and impossible to find. 3000 pressed worldwide. Now-Again’s follow up to one of its most well-loved compilations, Forge Your Own Chains, and this, as the title hints, a recollection and rumination of what might befall the human race made especially salient by the past year’s trials and tribulations as performed by prison funk ensembles, Krautrock legends, Turkish teenagers, Icelandic prog-rock bands and even E-40’s uncle, the man to first distribute No Limit, and the creator of this album’s title track, St. Charles “Chucky” Thurman.
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