Latest Releases
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This is where we list all our new releases; anything with a release date within the last 6 weeks. Default sort is product title A-Z. .... Happy digging!
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Even the most dedicated crate-digger might go their whole life without stumbling across any of the three LPs Antoine Dougbe released in the late 1970s and early '80s. Yet he is remembered with a mixture of admiration and fear; for Antoine Dougbe was not merely one of the most inventive songwriters to emerge from the fertile music scene of Cotonou, but also a powerful Vodun initiate whose close connection to the spirit world allowed him to refer to himself as the Devil's prime minister.
Classics’ receives a long overdue vinyl re-press for 2025, with a fresh vinyl cut by acclaimed mastering engineer Beau Thomas, and a R&S Records sticker sheet inserted into the LP sleeves including cover artwork of the two singles ‘Digeridoo’ and ‘Xylem Tube’ EP which are both featured on this compilation album.
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Relocating from Australia to Zambia during the pandemic, award-winning hip-hop star Sampa The Great wrote her second studio album. ‘As Above, So Below’ thematically presents the listener with a duality within Sampa’s spirit - the outward-facing public persona and her private self - in this literate, heartfelt recounting of her experiences growing up in Africa.
Originally conceived as a dual EP cycle, the project unfolds across two contrasting sonic worlds. ‘as night falls’ explores nocturnal electro-jazz, midnight funk and introspective, groove-led textures, while ‘as day breaks’ shifts toward warmth, clarity and forward motion, capturing the quiet optimism of first light.
Asha's debut self-titled album is a wonderful fusion of jazz, soul, blues, and disco. It includes an outstanding cover version of J.J. Cale's 'Right Down Here'; a track which Asha has made very much her own by flipping it into a deep-funk groove with sultry ethereal vocals and a drumbeat almost ready- made for samplers of the future.
At Source finds two acclaimed composer-musicians building a world together in self-contained collaboration between analogue synthesis and an extended approach to the saxophone that conjures its own universe of sound. It is at once intimate and cosmic, drawing on the challenges and possibilities of their artistic exchange, tearing down technique to access all the expansive possibilities of their sonic meeting point.
Few bands cut through the noise and distractions of the world to bring you a pure elemental truth or feeling like Sigur Rós. As you hear on ÁTTA, there’s a new compulsion and drive to the band that comes with the new formation of the line up. Multi-instrumentalist Kjartan Sveinsson is back in the fold – having left the band in 2012 – to join frontman Jónsi and bassist Georg Holm.
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The 1953 Bud Shank/Laurindo Almeida recordings are recognized as being the precursors of bossa nova-jazz fusion. However, two 1962 Stan Getz LPs, Jazz Samba and Big Band Bossa Nova (presented here), and the albums that followed them in 1963, Jazz Samba Encore and Getz-Gilberto, would start the bossa nova craze.
BIG MAMA captures Ellison in a moment of spontaneous, unbridled momentum. Densely packed with disparate sounds, rhythms, and effects, the EP delivers what he describes as “experimental, maximalist, hyperfast, electronic burst of energy”, packing seven dynamic tracks into a single continuous composition in which every bar is unique, containing no loops throughout.