A bold new look, sound and concept for Kraftwerk. Over supple processed rhythms which predate the rise of European techno and trance, they address automation and alienation, space travel and engineering, The seductive allure of urban landscapes and the vacant glamour of celebrity.
This is perhaps Can's finest album. Tago Mago was Can's third long-player originally released in 1971, and the second album to feature the vocals of Damo Suzuki, who took over from Malcolm Mooney.
