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It’s a special, but also a strange sensation to be releasing an album of one of your early musical heroes. I first discovered The Movers on my very first “record safari” in 1996. My destination was Bulawayo, in southern Zimbabwe, and to get there I had to travel via Jo’burg. While in town I stopped at a store called Kohinoor, in search of Mbaqanga – also known as Township Jive – and found a few tapes which I listened to non-stop on the bus that carried me to the land of Chimurenga Music. One of these cassettes included the songs “Hot Coffee” and “Phukeng Special” which instantly became part of my daily life. Twenty-five years later I’m still grooving to them.
Despite a limited impact upon its initial release, Malik found appreciation as hip-hop culture flourished in the '80s, establishing itself as a rich source of samples and riffs. 'Conga' was featured in the 'Ultimate Breaks And Beats' series, while the opening horn line from 'Darkest Light' became a pivotal hip-hop motif, employed by Jay-Z, Public Enemy, Wreckx 'N' Effect, and many others.
Call the dance doctor - there's an outbreak of fever in the funkhouse! And here's the reason why - after more than two decades of deletion, Ace is once again making available the final piece in the splendid musical jigsaw that comprises the Blackbyrds' Fantasy Records catalogue - the original, seminal 1978 dance-floor aimed compilation, Night Grooves.
“This Is Street Funk” is part of a new series aimed at vinyl buyers who want a genre specific compilation to excite their ears. They will appeal to long-standing, discerning music acolytes and recent converts alike. Two sides of fantastic music, at an affordable price, hand-picked with TLC from Ace and its associated catalogues.
In the early 1970s, Milan was a city defined by a restless, creative energy. Its recording studios hummed with activity day and night, populated by an elite circle of jazz-trained session musicians who split their time between tracking dates in the studio and jam sessions in the city’s clubs. Among them was Giancarlo Barigozzi, one of the most revered flautists and saxophonists of the scene, who was just then beginning to navigate the enigmatic world of library music.
From the crypts of Parisian funk obscurity comes the long-lost Halloween holy grail, Disco Frankenstein from Ice AKA Lafayette Afro Rock Band. A teasing album of horror-disco oddities originally released as a compilation—a misnomer cloaked in mystery, as the tracks themselves hail from the group’s playful experiments in the mid-to-late ’70s.
Batov Records opens another chapter, introducing ‘Five Seasons, the debut album of Eje Eje, the brand new solo project of Itamar Klüger, of the Şatellites, presenting a fresh and contemporary world incorporating the rich diversity of Middle Eastern and Mediterranean musical styles with psych, funk, dub and other internationally known sounds.
Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth’s run of prolific output for Milestone Records throughout the decade. Typifying the consummate craftsmanship of the three members’ performances - each with such distinct personality and together so perfectly balanced - their perfectionist attitude to sound is maintained across the production on the album, beautifully colouring the expressionist fusion of samba rhythm, jazz progression, funk attitude and psychedelic electronics.
Newly remastered and repackaged, Soul Jazz Records’ ‘Gipsy Rhumba’ was first released to much-critical acclaim around the world in 2012. The album is a stunning mix of Latin, funk, flamenco and rhumba rhythms, remaining the first album ever outside of Spain to seriously focus on the history of gipsy rhumba, one of the most interesting musical culture clashes ever that first took place in the early 1960s.
Originally released in 1973 and pressed in very small quantities, Emerge is the second album by the McCrary family and their non-gospel debut. Long sought after by collectors and modern-soul and funk connoisseurs, it's an exemplar of what was considered "progressive soul" in the early 70s as well as what emerged a generation later as "neo-soul."
Originally billed as Eric Burdon and War, the group recorded the hit albums Eric Burdon Declares “War” (which featured the hit “Spill The Wine”), and the double album, The Black-Man’s Burdon. After Burdon left the group in 1971, War’s career took on a life of its own as its popularity skyrocketed thanks to three consecutive Gold albums: All Day Music (featuring the hit “Slippin’ Into Darkness”), The World Is A Ghetto (Billboard’s best-selling album of 1973), Deliver The Word (featuring the hits “Gypsy Man” and “Me and My Baby Brother”) and Why Can’t We Be Friends?
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