162 products
Róisín Machine is the fifth solo studio album by Irish singer Róisín Murphy, released 2 October 2020 by Skint Records. The album received critical acclaim upon its release, ranking among the year's best by several publications. Commercially, Róisín Machine became Murphy's highest-charting album in both Ireland and the UK, debuting at number five and number 14 respectively. The remix album Crooked Machine was released 30 April 2021.
With his highly accomplished third album ‘If This Is It’, DJ Seinfeld (Armand Jakobsson) evolves further into the artist he always set out to be, refining his emotional, club-leaning sound across nostalgic house, UKG and 2000s-tinged trance.
The 12-track album - featuring SG Lewis, Confidence Man, TS Graye, Dan Whitlam, ARY, ‘Norwegian pop witch’ Moyka and Barry Can’t Swim affiliate just lil - explores letting go in a world that can often feel overwhelming.
The True Underground Sound of Rome.
The collective did not simply aim to release music; it sought to tell a story of Rome through sounds that defied categorization: house, techno, ambient, electronic mysticism, psychedelic visions… a unique blend, instantly recognizable, emotional, and experimental. The sessions unfolded using essential yet razor-sharp gear: Roland drum machines, analog synthesizers, Akai samplers, stripped-down mixers. Few tools, endless imagination.
French boys Xavier de Rosnay and Gaspard Augé originally got their start in the music scene playing in bad Metallica and Nirvana cover bands, and the album art makes it look like a doomy metalcore release, but the record is anything but metal. In fact, it's almost everything but metal. It's a grimy mix of dancehall, techno, '80s R&B, and lounge with Clockwork Orange synths, deadly static crunches, hard-hitting kicks, grinding groans, and a spliced Off the Wall slap-popping bass.
BIG MAMA captures Ellison in a moment of spontaneous, unbridled momentum. Densely packed with disparate sounds, rhythms, and effects, the EP delivers what he describes as “experimental, maximalist, hyperfast, electronic burst of energy”, packing seven dynamic tracks into a single continuous composition in which every bar is unique, containing no loops throughout.
Late Night Tales celebrate their 20th anniversary with the release of multi-instrumentalist, vocalist and producer Jordan Rakei’s majestic compilation. The 28-year-old modern soul icon effortlessly stamps his own jazz and hip-hop driven sound all over this gorgeous array of handpicked tracks. A beautifully layered blend that is mirrored in the music he’s made, it comes as no surprise that such a supremely gifted songwriter should deliver a mix that is all about the song
For its first release of 2026, Bytes revisits the impeccable 2024 collaboration between Andy Bell (RIDE/Oasis), recording under his electronic alter ego GLOK, and the producer and Insult to Injury label boss Timothy Clerkin. Along for the ride are an impressive cohort of musical talent — bdrmm, Richard Sen, Tom Sharkett (WH Lung), Legowelt, Xylitol and FROID Dub — who all deliver exceptional and unique interpretations of the tracks.
ROADS VOL.3 is the third installment of Thylacine's iconic ROADS series, recorded in the heart of the stunning landscapes of Namibia, in his caravan studio. A true sonic journey, this album immerses the listener in a unique universe, where every note tells a story of landscape, emotion, and authentic experience.
Classics’ receives a long overdue vinyl re-press for 2025, with a fresh vinyl cut by acclaimed mastering engineer Beau Thomas, and a R&S Records sticker sheet inserted into the LP sleeves including cover artwork of the two singles ‘Digeridoo’ and ‘Xylem Tube’ EP which are both featured on this compilation album.
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A document of singular rarity. Issued by United Dairies in 2026 in a hand-made, heavy-gauge black vinyl edition limited to 300 copies, 1984 - A Happening recovers the second ever public performance of Nurse With Wound, captured on tape in 1984 and held in Steven Stapleton's archive across the four decades since.
The Endless Dance’ is the first collaborative album from Northern Irish producer and composer Hannah Peel and Chinese percussionist Beibei Wang. The record is grounded in the strength of ancient concepts but comes alive with the joy and freedom of play as together, Peel and Wang travel through the 24 solar terms of the Chinese calendar with a cornucopia of sound in tow - synths and prepared piano alongside traditional and unconventional percussion.
In 2026, the sample alchemist returns to his first love with his 11th album, Endless Smile 2. A 16-track project conceived as a tribute to his landmark 2015 album Endless Smile, which featured his iconic tracks “Betty” and “Qu’attendez-vous de moi”. Born from a desire to return to the essentials, Endless Smile 2 focuses on instrumental compositions enriched with samples and organic textures inspired by the 70s.
He continues to embrace a vintage electronic sound that has become synonymous with his work on Chicago Bee Records, while also preserving the haunting, atmospheric textures heard on his previous album A Nice Random Meet.
The result is a stunning collection of filmic instrumentals, steeped in the spirit of the late 1970s / early 1980s synth music.
PROMISE is the latest album from Brooklyn-based producer Ibe Soliman, aka Bad Colours. Known for his blend of house, proto-techno, rap, and soul, Bad Colours delivers a dynamic, emotionally resonant record. Driven by hypnotic rhythms and personal storytelling, PROMISE explores themes of vulnerability, desire, and transformation. It's a versatile album designed for both dancefloors and introspective listening.
Metallic Spheres by The Orb and David Gilmour, the guitar and voice of Pink Floyd, has been reimagined and remixed as Metallic Spheres In Colour. Of this rework, producer Youth says “The idea for Metallic Spheres In Colour, was that Alex Paterson (founder of The Orb) could have done more on the first version, and he didn't really have the opportunity because we had a philosophy of making the music like the ‘Blade Runner’ soundtrack meets ‘Wish You Were Here’. So, I asked him why don't we remix it and make it like an Orb classic?
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