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While the afrobeat jazz of their previous work is still a core part of the record’s sonic design, the new album largely pulls from British R&B from the 80s, neo-soul, West African disco, bossa nova, lovers rock and funk. Sonically taking cues from the likes of Loose Ends, Don Blackman, Common, Sly & Robbie, William Onyeabor, Patrice Rushen, Ofori Amponsah and Cymande.
Chip Wickham is a jazz musician and producer who divides his time between Spain, UK and the Middle-East and who has made a name for himself with a series of beautifully crafted solo albums that draw equally on the hard swinging spiritual jazz of Roland Kirk, Yusef Lateef and Sahih Shihab, alongside the music of British jazz legends such as Tubby Hayes and Harold McNair and the more contemporary sounds of Jazzanova, Kyoto Jazz Massive and Robert Glasper.
After a nearly five-decade (and counting) career as one of his generation’s defining rock bassists, Flea releases his first full-length solo album, Honora, on Nonesuch Records. Time and space have finally allowed him to return to his first musical loves: jazz and playing the trumpet. The album features the track ‘Traffic Lights’, co-written with Thom Yorke and Josh Johnson, as well as the previously released ‘A Plea’.
One of the most influential UK instrumental acts today, Mammal Hands are at the forefront of a new wave of
boundary-defying UK artists. Their music blends jazz, contemporary classical, electronica folk, and minimalism into something instantly recognisable: atmospheric, rhythmically charged and emotionally immersive.
Out Friday 19th September, jazz-disruptors Ebi Soda return with their latest album frank dean and andrew, harnessing the chaos born from endless jams in a remote, rented farmhouse. The album dives deeper into their punk approach to jazz, while opening up space for long-nurtured fascinations with electronic textures and cinematic oddities.
When musicians are on tour conversations naturally turn to music. Two years ago, whilst exploring the jazz kissas and record stores of Tokyo, woodwind maestro Chip Whickham and ATA mastermind and bassist Neil Innes discussed their shared influences of Yusef Lateef, David Axelrod and Alice Coltrane. The seeds for a new project were sown and soon seven tracks of deep, spiritual, groove driven jazz were laid down and on tape.
With her third album, composer and bandleader Jasmine Myra has stepped confidently into the next stage of her unique musical explorations. Where Light Settles is a cohesive artistic statement from a distinctive and confident voice in UK music, and a significant evolution from the critically acclaimed Horizons (2022) and Rising (2024).
Hill Collective strike out with Fire In Orbit, their first release for Batov Records and the Brighton ensemble’s most focused and expansive studio statement to date. Rooted in spiritual jazz but unafraid of the natural looseness, humour and raw edges that arise when imaginative musicians collaborate, Fire In Orbit captures a band working collectively, instinctively and with space to breathe.
Happy Today is the third album from guitarist/bandleader’s Jeff Parker’s long-running ETA IVtet, recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures the instantly recognizable group sound of Parker and the band—including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson—on record outside of the now-shuttered Highland Park micro-club ETA for the first time ever.
Gary Bartz and new London ensemble Your Brother‘s Keeper collaborate on Where Rivers Meet, a deeply intuitive new studio album capturing a rare meeting between generations of jazz musicians. The record brings together Bartz’s jazz lineage and a new collective emerging from London’s vibrant jazz scene. The result is music that unfolds with openness and intensity, guided by deep listening and collective improvisation.
Remastered for vinyl and expanded with new incarnations - live cuts from NPR's Tiny Desk and the band’s landmark Royal Albert Hall performance - Ezra Collective’s ‘Chapter 7 (10th Anniversary Edition)’ reissue presents ‘Chapter 7’ not simply as an early document, but a living manifesto: rhythm as ritual, youth culture as sanctuary and jazz as an open invitation.
Elliot Galvin is a long-time trailblazer in the UK jazz firmament with four solo albums that have seen him top album of the year lists at the likes of Downbeat and Jazzwise, as well as being a member of the Mercury nominated Dinosaur, and collaborating with Shabaka Hutchings, Emma-Jean Thackray, Norma Winstone, Marius Neset and Mark Lockheart.
For his third long-player under the Phi-Psonics banner, Ford-Young marshalled a series of live recordings at the Healing Force Of The Universe record store in Pasadena, sculpting fourteen tracks, largely composed in the moment with a fluctuating cast of players, which wonderfully transmit his ideals of community and inner peace.
What We Say / What We Do is nothing short of a triumph, it will make you dance, you will play it on repeat, and after every couple of listens your favourite song will change, just like a good record should, right? And this is a great record. The synths on The Unknown dance around a creeping rhyth...
Producer and bassist Huw Marc Bennett presents ‘Tresilian Bay’, a new project that draws from artists such as Tim Maia, Augustus Pablo and Idris Muhammed as much as the jazz scene and community he has found in south-east London. The languid, sultry sound fuses both modern and vintage, travelling from South London electronica, to Brazillian groove, Nigerian Afrobeat and Ghanaian Highlife along with a streak of Welsh psychedelia.
Nearly three years on from their self-titled debut, Psyché return with a new album that reinvigorates and expands their singular blend of groove and psychedelia. The band’s name itself—the ancient Greek word for ‘mind’ or ‘soul’—signals a deep-rooted love for psychedelic funk, while pointing towards a vast array of Mediterranean influences spanning Southern Europe, the Balkans, Anatolia, and the Maghreb.
Kronstad 23 returns with Dødehavet, the Norwegian quartet’s third album and first release on Batov Records. Continuing their instinctive, analogue-led approach, the record sits between cinematic jazz and psychedelic rock, threaded with Scandinavian folk and wider global influences. Recorded live to tape with minimal preparation and no modern studio intervention, Dødehavet captures a band working on feel, interaction and momentum rather than polish or precision.
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Featuring collaborators as diverse as former Portico Quartet bandmates drummer Duncan Bellamy and bassist Milo Fitzpatrick, iconoclastic Polish artist Hania Rani, cellist Dobrawa Czocher, and Australian mezzo-soprano Lotte Betts-Dean, Eternal Spring draws inspiration both from Wyllie’s love of verdant nature and from the idea of a constant, flickering sense of hope.
