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Five years on from the release of Demon Days, Murdoc Niccals and co. are back. The band have taken up residence, recording on a secret floating island deep in the south pacific, a plastic beach hq, made up of the detritus, debris and washed up remnants of humanity. This plastic beach is the furthest point from any landmass on earth; the most deserted spot on the planet.

This DJ-Kicks is the latest instalment in Quantic’s ever-evolving artistic trajectory, an accompaniment to those moments when the gloaming disappears into darkness. Will Holland’s longstanding dedication to a full range of melodic and percussive expression alongside continued musical collaboration is what makes his edition of DJ-Kicks such a rare beauty.

Meshell Ndegeocello’s 2nd Blue Note album No More Water: The Gospel of James Baldwin pays homage to the eminent writer and activist James Baldwin. Ndegeocello’s transformative music and collaborative spirit ignites this genre-bending work that is at once a musical experience, a church service, a celebration, a testimonial, and a call to action.

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Few bands cut through the noise and distractions of the world to bring you a pure elemental truth or feeling like Sigur Rós. As you hear on ÁTTA, there’s a new compulsion and drive to the band that comes with the new formation of the line up. Multi-instrumentalist Kjartan Sveinsson is back in the fold – having left the band in 2012 – to join frontman Jónsi and bassist Georg Holm.

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