Release Date: 07/11/2025 - Phylipe Nunes Araujo

The Northeast holds an almost sacred importance in Brazil's collective cultural imagination. The region bore witness to the brutal histories of Portuguese colonization and the African slave trade, while simultaneously amalgamating the diverse cultures, religions and traditions of those who have called it home. Countless Brazilian music greats - Gilberto Gil, Caetano Veloso, Hermeto Pascoal, Djavan and Luiz Gonzaga - have emerged from this vast cultural melting pot.

Born in Caruaru, Pernambuco state, and raised in the city of Santa Cruz do Capibaribe (famed for its textiles industry), Phylipe describes his music simply as Brazilian music from the Agreste of Pernambuco. His masterful compositions thread together regional rhythm, folk poetry and sophisticated harmony.

Phylipe's musical foundations were laid in youth, listening to the local elders rehearsing their forros, attending Sao Joao street parties in front of his house and watching the Junina Quadrilhas dance through his neighborhood. At street fairs he would read the Literatura de Cordel (handcrafted pamphlets of Brazilian folk literature), and watch the rhyme battles between cantadores, violeiros, and repentistas, who improvise verses on daily life, social commentary and philosophy. This tradition of Northeastern folk poetry proved particularly formative for Phylipe as a lyricist. I always try to write things as simply as possible. I believe that beauty must be easily understood. If I can facilitate the path to the message, there's no reason not to. It's something I learned from the traditional poetry here: it's more beautiful if everyone understands.

At the age of 11, Phylipe first got access to the internet. As he explains: Still in adolescence I was also able to discover things like The Beatles and Nick Drake - I started to get to know music from the rest of the world and later to correlate that with my local musical experiences. Rich with extended chords and artful dissonances, it's clear from his compositions that jazz and bossa nova also took hold, but he's quick to eschew stereotypes. Inevitably, people associate a Brazilian musician playing a nylon-string guitar with bossa nova... But the foundation is another story, he asserts, It's the Northeast.

On the guitar Phylipe experiments with the binary rhythms inherent in traditional Northeastern music. Coco, frevo, maracatu and baiao are recontextualised, placed alongside Brazilian popular music (MPB), gentle lullabies and stunning ballads. In these 10 songs, I am experimenting with making pop music on a nylon-string guitar with my foundation in the Northeastern songbook.

The contemporary musical community which Phylipe belongs to developed initially in Pernambuco's neighbouring state Alagoas. Phylipe lived in its capital Maceio for three years, where he built friendships and musical bonds with Bruno Berle and Batata Boy who together produced his album. Bruno also sings in unison with Phylipe on the duet Valise, a song Phylipe wrote aged just 15.

In recent years, Phylipe, Bruno and Batata have migrated south to Sao Paulo, where the majority of the album was recorded. Other collaborators on the album include Alici, who provides vocals for the ebb and flow of Temperim, Nyron Higor who plays drums on lead single Asa and the sweet indie moment Ziz, bassist Meno Del Picchia who plays on the mystical baiao Bixin and the propulsive Subindo a Ladeira, and Raphael Coelho who joins Bruno and Batata on percussion for Santa Cruz, Phylipe's hypnotically powerful portrait of his hometown.