45 products
New CAM Sugar collection on Italian crime soundtracks (Poliziottesco / Spaghetti Crime); Piombo paints a ‘picture in sound’ of The Years of Lead (1973–1981), a controversial period when the escalation of political violence and terrorism in Italy reached its climax. Italian cinema documented this season with Polizieschi (aka Spaghetti Crime Films / Poliziotteschi / Euro Crime): a genre that, drawing from the French Polar tradition and American Blaxploitation, encompassed thrill and action (but also comedy and drama) in a whirlwind of breath-taking car chases, heists, kidnaps, gunfights, political terror attacks, and brutal violence.
Quentin Tarantino established himself as one of the few filmmakers to effectively use pop music with his first film Reservoir Dogs, a movie where the music was integral to the success of the film yet also worked well as a collection of songs. Jackie Brown, Tarantino's long-awaited third feature, finds him exploring new territory, creating an homage to blaxploitation flicks as well as a surprisingly subtle character study and love story, and its soundtrack appropriately finds him in new territory as well.
The 12-track compilation spotlights the remarkable creative explosion that occurred during the seventies: when some of the greatest yet most historically overlooked composers, including Amedeo Tommasi, Alessandro Alessandroni and Max Rocci, were composing and recording huge amounts of original music for film and television libraries.
Thierry Wolf and Frédéric Lai (son of the composer) selected around ten DJs, including several iconic figures of the French Touch movement who have left their mark on legendary collections such as ‘Hôtel Costes’. These artists, known for their creativity and expertise, have been entrusted with the task of breathing new life into the works of Francis Lai by reinterpreting some of his most emblematic compositions.
The Pink Panther (1963) soundtrack, composed by Henry Mancini, is one of the most iconic film scores in cinematic history. Its title theme, “The Pink Panther Theme,” was nominated for the Academy Award for Best Original Score and features a memorable tenor saxophone solo by Plas Johnson. The tune, composed in E minor, was specifically timed to match the animated antics of the Pink Panther character in the film’s opening credits
This is the soundtrack for the Bill Cosby/Sidney Poitier film Let's Do It Again.
The main title song reached the top of the Billboard Hot 100 singles chart and spent two non-consecutive weeks at the top of the Hot Soul Singles chart. All tracks on this album were written by the legendary Curtis Mayfield
Wes Anderson’s latest film The French Dispatch brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray and Owen Wilson.
The Jazz Singer is an album by Neil Diamond from 1980, which served as soundtrack album to the 1980 remake of the film The Jazz Singer. The soundtrack was released in November 1980 originally on Capitol Records. EMI Films (owned by EMI, also the parent of Capitol Records) produced the film. The soundtrack was re-released in February 1996 on Columbia Records in the US and Sony elsewhere.
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Reverie is the first full-length collaboration between Ori Kaplan and Lihu Melamed - a cinematic, soul-soaked LP that drifts between modal jazz, cinematic scores and psychedelic rock, released on Batov Records - a record that feels both ancient and immediate: music that evokes old biblical films, sun-bleached Western soundtracks and 70s jazz explorations, while remaining playful, spontaneous and deeply human.
The Bolbec duo return with their sophomore album Foutu Félin, a richly cinematic collection of instrumental music that unfolds like an imaginary soundtrack, melodic, tactile and transportive. The record is inspired as much by the cut-and-paste production techniques of Portishead and the Beastie Boys as by the legendary composers of le cinéma français and il cinema italiano.
Man On The Run (Music from the Motion Picture Soundtrack) is taken from the Amazon MGM Studios feature documentary Paul McCartney Man on the Run directed by Academy Award winner Morgan Neville. This set contains deep cuts and fan favourites from McCartney’s post-Beatles career, soundtracking the journey of Paul’s emergence from the dissolution of the world’s biggest band to proving to critics and fans that not all great acts are impossible to follow.
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