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Above all, he is celebrated for his prolific output in the genres of Dub, Lovers Rock, Reggae and more through his own Ariwa label and south London recording studio boasting an impressive catalog of over 300 releases, among other notable achievements.
A few years back, Melodies stumbled upon this outstanding Lovers Rock and Dub album which had a very unique raw sound and felt like a whole experience when listened to from start to finish. Alternate versions of the same tracks with different performers in varying styles, tape rewinds, it had us all wonder why it hadn’t gained wider recognition amongst Mad Professor's other releases.
When Melodies finally had the pleasure of meeting Neil at his recording studio, he revealed that this album was one of his earliest works. It was born out of a birthday gift from his wife—a four-track recorder that inspired him to venture into music-making after years of repairing and building electronics and audio equipment. When we asked him if he would be making music if not for that gift, he confessed that it was highly unlikely (!)
Mad Professor further explained that this album, originally released in 1984, is a compilation of tracks recorded between 1979 and 1981, representing the nascent stages of his recording and production career, when the idea of establishing a studio and the Ariwa label were just beginning to take shape. He set up all his gear, including his first homemade four-track mixing desk, in the front room of his house in South London. With no prior studio experience, he positioned microphones where he thought they should fit and invited local musicians to collaborate. Errol Sly, Ranking Ann, Sergeant Pepper, Deborah Glasgow, Victor Cross, Sister Audrey, his backing band the Sane Inmates and a host of other talented local artists, some of whom would go on to become stalwarts in their respective genres, all contributed to this album, capturing the raw essence of Mad Professor and Ariwa's early sound.

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Mercury Prize-nominated Portico Quartet has always been an impossible band to pin down. Sending out echoes of jazz, electronica, ambient music and minimalism, the group created their own singular, cinematic sound over the course of three studio albums, from their 2007 breakthrough Knee-Deep in the North Sea and 2010 John Leckie produced Isla, to the self titled record Portico Quartet in 2012.

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When first released Astro-Sounds From Beyond The Year 2000 promised an uncharted trip beyond the now generation! And it certainly delivered, as soon as the needle drops onto the opening track ‘Flameout’ we are in astral freak-out territory with cosmic strings phased beats & displaced fuzz guitars...

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Miles Davis recorded ‘Kind of Blue’, ‘Sketches of Spain’, ‘Porgy and Bess’ and ‘Milestones’ between 1958 and 1960. This live record was taken from a concert in the Netherlands during April 1960. This must be the most influential two year period in jazz history, it was Miles Davis at his absolute peak, and you can’t imagine jazz will ever reach such dizzying heights. This live record features a quintet abbreviated from the ‘Kind Of Blue’ recordings. Coltrane needs no introduction… If you're unfamiliar with Paul Chambers, Jimmy Cobb, and Wynton Kelly, you need only read their credentials to realize that without this rhythm section we would lose literally hundreds of the most beloved jazz records of all time. As is the case with live jazz, this record features well known tunes played as you’ve never known them, and whatever the band ate for breakfast in Scheveningen on the morning of April 9th took them up a gear. This is a very special live recording and comes pressed for its 65th anniversary on heavyweight color edition vinyl in gatefold format.

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Few bands cut through the noise and distractions of the world to bring you a pure elemental truth or feeling like Sigur Rós. As you hear on ÁTTA, there’s a new compulsion and drive to the band that comes with the new formation of the line up. Multi-instrumentalist Kjartan Sveinsson is back in the fold – having left the band in 2012 – to join frontman Jónsi and bassist Georg Holm.

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Azymuth went on to become one of the best-selling jazz artists of the 80s with their future albums for Milestones, unquestionably the biggest jazz label of that decade. ‘Azimuth’ is the album that kickstarted it all for them, the record that was the blue print and definition of their ‘samba doido / crazy samba’ sound.

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