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London's music scene is one of the most vibrant in the world. The city's creative allure draws in bands, singers, DJs, record collectors and ravers from across the country, from musicians moving to the capital with stars in their eyes, to the melomaniacs flocking in to catch live performances by ...
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Having an older brother (5yrs my senior) meant that music came into my life very early on from electric folk, space rock and German electronica. Music has been a constant and help shaped my life socially, politically and culturally. Acid House ignited something in me that drew from all those early influences and eventually brought me behind the decks. I've never looked back.
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Even the most dedicated crate-digger might go their whole life without stumbling across any of the three LPs Antoine Dougbe released in the late 1970s and early '80s. Yet he is remembered with a mixture of admiration and fear; for Antoine Dougbe was not merely one of the most inventive songwriters to emerge from the fertile music scene of Cotonou, but also a powerful Vodun initiate whose close connection to the spirit world allowed him to refer to himself as the Devil's prime minister.
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Classics’ receives a long overdue vinyl re-press for 2025, with a fresh vinyl cut by acclaimed mastering engineer Beau Thomas, and a R&S Records sticker sheet inserted into the LP sleeves including cover artwork of the two singles ‘Digeridoo’ and ‘Xylem Tube’ EP which are both featured on this compilation album.
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Phill Brown is the sound engineer and producer who – over an illustrious 50-year career – has worked with many of the biggest names in rock and roll. In this reissued and updated version of his 2011 memoir, Phill describes the ups and downs of a professional recording studio, working on sessions ...
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Above all, he is celebrated for his prolific output in the genres of Dub, Lovers Rock, Reggae and more through his own Ariwa label and south London recording studio boasting an impressive catalog of over 300 releases, among other notable achievements.
A few years back, Melodies stumbled upon this outstanding Lovers Rock and Dub album which had a very unique raw sound and felt like a whole experience when listened to from start to finish. Alternate versions of the same tracks with different performers in varying styles, tape rewinds, it had us all wonder why it hadn’t gained wider recognition amongst Mad Professor's other releases.
When Melodies finally had the pleasure of meeting Neil at his recording studio, he revealed that this album was one of his earliest works. It was born out of a birthday gift from his wife—a four-track recorder that inspired him to venture into music-making after years of repairing and building electronics and audio equipment. When we asked him if he would be making music if not for that gift, he confessed that it was highly unlikely (!)
Mad Professor further explained that this album, originally released in 1984, is a compilation of tracks recorded between 1979 and 1981, representing the nascent stages of his recording and production career, when the idea of establishing a studio and the Ariwa label were just beginning to take shape. He set up all his gear, including his first homemade four-track mixing desk, in the front room of his house in South London. With no prior studio experience, he positioned microphones where he thought they should fit and invited local musicians to collaborate. Errol Sly, Ranking Ann, Sergeant Pepper, Deborah Glasgow, Victor Cross, Sister Audrey, his backing band the Sane Inmates and a host of other talented local artists, some of whom would go on to become stalwarts in their respective genres, all contributed to this album, capturing the raw essence of Mad Professor and Ariwa's early sound.
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Mercury Prize-nominated Portico Quartet has always been an impossible band to pin down. Sending out echoes of jazz, electronica, ambient music and minimalism, the group created their own singular, cinematic sound over the course of three studio albums, from their 2007 breakthrough Knee-Deep in the North Sea and 2010 John Leckie produced Isla, to the self titled record Portico Quartet in 2012.
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Relocating from Australia to Zambia during the pandemic, award-winning hip-hop star Sampa The Great wrote her second studio album. ‘As Above, So Below’ thematically presents the listener with a duality within Sampa’s spirit - the outward-facing public persona and her private self - in this literate, heartfelt recounting of her experiences growing up in Africa.
Originally conceived as a dual EP cycle, the project unfolds across two contrasting sonic worlds. ‘as night falls’ explores nocturnal electro-jazz, midnight funk and introspective, groove-led textures, while ‘as day breaks’ shifts toward warmth, clarity and forward motion, capturing the quiet optimism of first light.
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