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"“A brilliant new compilation. This is a must listen if you like spacey ethereally produced ambient electronic music. It is a beautiful mix including some of my favourite artists like Major Force, Palm Skin Production and Pye Corner Audio. Howie B has excelled himself this time. This album has been on repeat for me this week.””
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In anticipation of Kerri Chandler’s forthcoming album Spaces and Places, his first in 14 years, sees the New Jersey legend celebrating club and soundsystem culture by recording, writing and performing a track in twenty-two of the worlds most distinguished nightclubs, Kaoz Theory drop the second in a series of vinyl album samplers.
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With a refined, contemporary flair, Spectrum celebrates early '80s cinema and its unmistakable aesthetics, steering clear of any trace of nostalgia. It weaves together elements of synth-pop, jazz-prog, electric fusion, and chill-funk across its seven compelling tracks, reimagining the past through a contemporary lens.
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Sounds Beyond Barriers
One of the most politically charged terms of the 20th century, the Iron Curtain was a metaphor for political and cultural division. In a post-war telegram Winston Churchill referred to the fault line that ran through Europe between East and West as "an Iron Curtain is drawn down upon their front. We do not know what is going on behind".
Sounds Beyond Barriers
One of the most politically charged terms of the 20th century, the Iron Curtain was a metaphor for political and cultural division. In a post-war telegram Winston Churchill referred to the fault line that ran through Europe between East and West as "an Iron Curtain is drawn down upon their front. We do not know what is going on behind".
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Many remember the `70s as the platinum age of R&B. Stevie Wonder, Earth, Wind and Fire, The Spinners, Curtis Mayfield and Norman Connors were among a myriad of musicians at peak power. Indeed, it was a great time for beautiful African-American music. Michael Orr and his “Spread Love” album probably should have been part of that party too, but it wasn’t meant to be…at least not then.
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Spring Revisited’ is an incredible project from Acid Jazz in collaboration with Ace Records. It explores the musical legacy of storied New York label Spring Records, with a series of new mixes from dance music producers, using the original master recordings. After a series of sell-out vinyl singles, several of which topped the vinyl chart, comes this essential compilation.
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In rock-music mythos, the self-titled album is a line in the sand—typically signifying a reinvention, a reunion, or a return to roots. St. Paul & The Broken Bones, the sixth LP from Birmingham’s ever-evolving Southern-soul giants, is somehow all of these things at once—carrying forward the experimental spirit of their back-to-back heavyweights The Alien Coast and (2022) Angels in Science Fiction (2023), but with a warmer, more accessible vibe that recalls the fun, exuberance, and buoyancy of their breakout debut,
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In 1965 in the face of social unrest, legendary Memphis label Stax Records put on two pulsating shows at the 5-4 Ballroom in Los Angeles, featuring Rufus Thomas, Booker T. and the M.G.’s, William Bell, Carla Thomas, Wilson Picket and more. 60 years later the recordings, newly mastered by Joe Tarantino, with lacquers cut by Jeff Powell at Take Out Vinyl, have been collected with a bonus set of performances recorded at Club Paradise, Memphis to form Stax Revue – Live In ’65!.
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Gregory Porter’s new release Still Rising, due out November 5, is an exquisite collection of musical delights. The first disc includes four brand-new tracks, two new arrangements, three new covers, and nine of Porter’s most loved Blue Note tracks. The second disc features notable duets including songs with Moby, Jamie Cullum, Jeff Goldblum, Renée Fleming, Dianne Reeves, Lalah Hathaway, Laura Mvula, Lizz Wright, and others. The new song and first single from the album “Dry Bones,” written and produced by Troy Miller (Diana Ross, Rag’n’Bone Man, Emeli Sandé), is available to stream or download today.
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Back in the 80s when the rules of hip hop came crashing into our teenage heads, some of us took to the microphone, others choose a can of spray of paint, others bought a rolls of lino to practice breakdancing on. For me however, it was DJing. Before I became interested in production or beatmaking, or even directing other musical artists, turntables were my first true love. Hours spent practising, scratching and cutting my first two records together. Those two records are now two of many in my collection. A collection that holds an integral (and imposing) part of my life.
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A few years after recording Straight, No Chaser, Thelonious Monk disappeared from the public eye. But as the years passed, more people became aware of the seminal role he played in the development in jazz as both pianist and composer, creating a standard of excellence that many musicians after him aspire to.
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Named after the theoretical breakdown of the basic elements of conscious experience, Alfa Mist's latest album 'Structuralism' is based around a conversation between Mist and his sister, discussing themes of debate culture and personal growth and is an intricate and profound glimpse into the East London artist's battles with self and the societal pressures that inform our own conscious experience.