Multiple

One of the most talented tenor saxophonists of his era, Joe Henderson (1937–2001) was a prolific leader and a sought-after sideman who played alongside the biggest names in jazz, including Herbie Hancock, Kenny Dorham, Chick Corea, and Alice Coltrane. The virtuosic Ohio-born musician launched his four-decade-long career in Detroit while attending college, before relocating to New York. There, he quickly built a name for himself performing on dozens of sessions for Blue Note Records, including those for Hancock, Horace Silver, Andrew Hill, and Lee Morgan.

As a band leader, Henderson stood out from his peers, thanks to an eclectic sound that frequently incorporated elements of avant-garde, Latin, and R&B. That versatile and adventurous spirit caught the attention of Orrin Keepnews, who signed the saxophonist to Milestone Records. Under the fledgling jazz label, Henderson took his career—and his sound—to the next level through innovative albums like The Kicker (1968), Power to the People (1969), and Black Is the Color (1972).

By the time he recorded Multiple, Henderson was experimenting with a variety of electronic instrumentation, studio effects, and overdubs—all while weaving a socially conscious thread into his music. Much like Henderson himself, the 1973 album can’t be pigeonholed, as it finds the saxophonist operating in an enthralling sonic space, landing somewhere between fusion and free jazz. Helping Henderson envision that magic is a tightly-knit roster of talent, including bassist Dave Holland and drummer Jack DeJohnette (known for their work together with Miles Davis), plus such esteemed players as keyboardist Larry Willis, guitarist James “Blood” Ulmer, and legendary studio musician/arranger Arthur Jenkins (John Lennon, Chaka Kahn, Harry Belafonte) on percussion.