Ambient and Modern Classical

Brian's pioneering Ambient album from 1978.

Max Richter presents his 9th studio album: 'In A Landscape' - a record about “reconciling polarities"; bringing together the electronic & the acoustic, the human and the natural world, the big questions of life and the quiet pleasures of living.

This album is about memories. About a feeling of nostalgia and longing, both beautifully comforting and devastating.

Kosmos is the third full-length record for Luaka Bop from the uncategorizable Danish band of Jonathan Bremer (on acoustic bass) and Morten McCoy (on keys and tape delay). It is, as its name would suggest, a vibe.

Tokyo architect Hiroki Takahashi is a world-builder both in matter and sound. His latest collection of serene micro-miniatures was inspired by “the dissatisfaction with reality that I feel on a daily basis.”

Brian's ambient album from 1982. Unlike most of Brian Eno's conceptually unified ambient projects, Ambient 4: On Land is something of a patchwork.

Recorded at the Philharmonie de Paris and one and a half years after releasing his magnum opus "Music For Animals"—described by PopMatters as “a musical waterfall of monumental proportions”—Nils Frahm shares a new live album via his LEITER label.

Daniel Elms’ new album reveals the composer at his most vulnerable, presenting deeply personal compositions that reflect moments from childhood to revelations in adulthood.

Artist and multi-instrumentalist Flaer looks to the landscape to explore pastoral melancholy on debut release, Preludes.

Spiritual keyboard improvisations performed by Laraaji and recorded in a Brooklyn Church by Jeff Zeigler (Kurt Vile, The War On Drugs, Mary Lattimore).​

Whatever he touches - whether that be composing for Sir David Attenborough's Green Planet, creating immersive sound installations at Kew Gardens or vocally recreating birdsong and natural environments - sound artist and composer Jason Singh brings sensitivity, nuance and soul

Apollo: Atmospheres and Soundtracks was written, produced and performed by Brian Eno together with his brother Roger and Daniel Lanois.

Home recorded on a minimal setup of keyboard and Fender Rhodes, Music for Nine Post Cards was Yoshimura’s first concrete collection of music, initially a demo recording given to the Hara Museum of Contemporary Art to be played within the building’s architecture.

Completing the essential quartet of Eno's early vocal albums is 1977's Before and After Science.

Glimpses Of Infinity is a peek into the very start of Laraaji’s remarkable catalogue – this album forms part of the bigger 4LP Segue To Infinity which was previously released on the label.

"At the beginning of February 2021, I was invited by the Berlinale Film Festival to record a live set as a part of the EFM sessions which became the motivation to document this live performance.

I go outside with my amp and looping pedal and spin out hours and hours of improvisation." - Andrew Bird

First ever reissue of this groundbreaking ambient work. 

It was here that Eno first began to experiment with abstract soundscapes, to employ a greater spatial element and the ethereal synthesizer effects that presaged an entire movement of ambient music.