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Habibi Funk is more than happy to announce our 31st release which happens to be our 3rd various artists compilation. The album is dedicated to the cassette tape scene in Libya from the late 80s to early 2000s, from disco to reggae to pop. All songs previously unreleased outside of Libya and not available on any DSP platforms.
Seminal album from cult Ghanaian musician Alhaji K. Frimpong, recorded in 1976 and considered to be one of the best highlife albums ever recorded. Features the masterpiece Kyenkyen Bi Adi M’awu (come back my love) - universally known in Ghana, covered and sampled by artists such as Chronnix, Gnarls Barkley and many more. Backed by Vis a Vis - one of the most influential bands to come out of the Ghana Highlife / Afro Rock movement. Unique avant garde sound that blends traditional highlife percussion and horns with synthesizers. Original copies of the album are extremely rare. The album was reissued in limited quantities in 2011 and has been unavailable since - even reissue copies sell for high prices on the second hand market. Record Store Day exclusive pressing comes on Blue vinyl with heavyweight sleeve.
Francis Bebey is the kind of artist whose legacy feels infinite.
Tresor Magnetique, this compilation of unreleased tracks, archival recordings, and neglected gems from Bebey's vault, feels like a grand reveal in an ongoing narrative - a story that spans continents and generations. The compilation's name (translated as "Magnetic Treasure") sets the stage perfectly. Not only does it reference the fragile tapes discovered in the home of Bebey's son, Patrick, but it also hints at the almost gravitational pull of Bebey's art. Meticulously digitized at Abbey Road Studios, these tracks radiate clarity and urgency that defy the decades separating them from contemporary ears. One listen to Tresor Magnetique, and it's as if you're opening a letter from another era, only to find that its contents speak to you more vividly than today's headlines.
Legendary yet ever-evolving, Zamrock pioneers WITCH continue to push boundaries with their bold new record, ‘SOGOLO’. After their remarkable resurgence and 2023’s critically acclaimed ‘Zango’ - their first album in nearly 40 years -‘SOGOLO’ proves that their innovative spirit remains as strong as ever.
Wah Wah 45s are proud to present the debut LP on the label from Ghanaian vocalist and djembe drummer Afla Sackey. With his band Afrik Bawantu, he has fulfilled thedreamof blending traditional Ghanaian music with sizzling Afrobeat grooves, topping it off with anirresistibly funky twist! Their unique blend of vibrant African rhythms with brisk, animatedhorn sections and heavy bass-lines bring a fresh perspective to the Afrobeat genre.
Restoring, reissuing and contextualising iconic tracks from Ousmane Kouyate & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystere Jazz de Tombouctou and many more, the second compilation in this series dives ever further into the richness of post- independence music emanating out of Mali. One in which traditional foundations and instrumentation, blended with modern musical advances and influence.
A defining recording of the era, Sikyi Highlife bridges tradition and innovation at a pivotal moment in Ghanaian music. Deeply rooted in the classic 1950s–’60s highlife sound, K. Gyasi drew inspiration from the ancient sikyi drum-dance of the Akan people of southern Ghana, shaping the album’s rhythms around its distinctive pulse.
The prestigious Ethiopiques series returns! Before "Swinging Addis" took over the world, there was Moussie Nerses Nalbandian - the Armenian-born composer who shaped modern Ethiopian music. Mentor, arranger, and pioneer, he laid the foundations of Ethio-jazz. This Ethiopiques volume revives his forgotten legacy, recorded live with the Either/Orchestra. First issue ever with new exclusive photos, 2LP set in a gatefold sleeve.
Ajomasé is the groundbreaking debut album by legendary Nigerian percussionist Gasper Lawal. Originally released in 1980. Lawal’s style was forged through decades of high-level percussion work with the likes of Stephen Stills, Barbra Streisand, George Clinton & Funkadelic, Manfred Mann, Alexis Korner, Vangelis and Ginger Baker’s Air Force band.
For the last few years, Acid Jazz have been the proud custodians of the Albarika Store legacy. Hailing from the small but culturally-significant state of Benin, the label was operational from the late-1960s until the early 1980s, and was home to some of the finest, deepest, rawest West African cuts ever. A fount of local and regional music, infused with contemporary Western influences, the beating heart of the Albarika sound were the mighty T.P. Orchestre Poly-Rythmo, who in various guises released dozens of recordings for the label, under the leadership of Mêlomé Clément.
Even the most dedicated crate-digger might go their whole life without stumbling across any of the three LPs Antoine Dougbe released in the late 1970s and early '80s. Yet he is remembered with a mixture of admiration and fear; for Antoine Dougbe was not merely one of the most inventive songwriters to emerge from the fertile music scene of Cotonou, but also a powerful Vodun initiate whose close connection to the spirit world allowed him to refer to himself as the Devil's prime minister.
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