Africa Seven

The sessions lasted just two days, and we can only imagine the atmosphere in that room as the hip hop godfathers exchanged the conga drums of Harlem for the explosive sounds of authentic Afrobeat.

After what seemed like ages we finally tracked Eko down in Cameroun and persuaded him that a re-issue was most definitely needed.

Francis Bebey is the kind of artist whose legacy feels infinite. Tresor Magnetique, this compilation of unreleased tracks, archival recordings, and neglected gems from Bebey's vault, feels like a grand reveal in an ongoing narrative - a story that spans continents and generations. The compilation's name (translated as "Magnetic Treasure") sets the stage perfectly. Not only does it reference the fragile tapes discovered in the home of Bebey's son, Patrick, but it also hints at the almost gravitational pull of Bebey's art. Meticulously digitized at Abbey Road Studios, these tracks radiate clarity and urgency that defy the decades separating them from contemporary ears. One listen to Tresor Magnetique, and it's as if you're opening a letter from another era, only to find that its contents speak to you more vividly than today's headlines.

Following on from our extremely well received re-press of Pasteur Lappe's second album "Na Man Pass Man" here at Africa Seven we are really pleased to be heading back to the beginning with Pasteur. It is a another fine repress. The debut album "We, The People".

After “Afro Exotique – Adventures In The Leftfield, Africa 1972-88” was enthusiastically embraced by heads, collectors and core Africa Seven enthusiasts alike, we dived back down into the vaults, and hope we’ve come up with another volume of listenable esoterica from roughly the same period.