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The album�۪s biggest song, ���Can�۪t Do Without You,�۝ featured few lyrics save its titular refrain, repeated over and over, turning its ambiguous double negative into a mantra-like affirmation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSuddenly\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e��\u003c\/span\u003eis more stylistically varied than\u003cspan data-mce-fragment=\"1\"\u003e��\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eOur Love\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e��\u003c\/span\u003eor\u003cspan data-mce-fragment=\"1\"\u003e��\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSwim\u003c\/em\u003e, but it�۪s also the most direct that Snaith has sounded. Many of its standout songs are just two or three minutes long, perfect models of pop economy. The anthems are punchier: The dusty boom-bap of ���Home�۝ is the platonic ideal of a rare-groove edit, ���Never Come Back�۝ the epitome of a piano-house barnstormer. There�۪s nothing generic about even his most exacting genre studies: A Caribou song will always sound first and foremost like a Caribou song, thanks in part to Snaith�۪s distinctive falsetto, which graces every song here. There are no bum notes, no wasted motions, no corners of the audio spectrum left untouched.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCredit: Philip Sherburneat Pitchfork\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43672911675640,"sku":"SLANG50247LP","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/Caribou.jpg?v=1676468214"},{"product_id":"homework","title":"Homework","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"sc-JkixQ eUDWmX\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gKclnd sc-gGPzkF bgmYbB kWEeha\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHomework\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003estill stands head and shoulders above every other dance album ever. You could say they just updated the sound of Chicago but they added their own touch and Parisian flare and delivered a stunning yet simple masterpiece. 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Funny band name, funny sound, funny masks, and a funny (and incredibly fun) hit called “Da Funk,” found on their debut album, Homework. They’ve come a long way since, but the playfulness remains, and so does their ability to surprise. Every new step in their career, whether positive (the landmark Discovery, their life-altering pyramid live shows), negative (the inert Human After All, their forgettable score for Tron), or somewhere in between (the film Electroma) has been met initially with a collective sense of puzzlement: “Now what’s this all about?”\u003c\/p\u003e\n\u003cp\u003eRandom Access Memories, the fourth proper studio album from Thomas Bangalter and Guy-Manuel de Homem-Christo, continues the trend. But the differences between their first three albums and this one are vast. RAM finds them leaving behind the highly influential, riff-heavy EDM they originated to luxuriate in the sounds, styles, and production techniques of the 1970s and early ’80s. So we get a mix of disco, soft rock, and prog-pop, along with some Broadway-style pop bombast and even a few pinches of their squelching stadium-dance aesthetic. It’s all rendered with an amazing level of detail, with no expense spared. For RAM, Daft Punk recorded in the best studios, they used the best musicians, they added choirs and orchestras when they felt like it, and they almost completely avoided samples, which had been central to most of their biggest songs. Most of all, they wanted to create an album-album, a series of songs that could take the listener on a trip, the way LPs were supposedly experienced in another time.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCredit: Pitchfork\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43688870445304,"sku":"0888837168618","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/daft_b0c764b5-690e-4425-8af7-28ebb07b61fb.webp?v=1677162824"},{"product_id":"late-night-tales-bonobo","title":"Late Night Tales: Bonobo","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"juno-section\" data-mce-fragment=\"1\" itemprop=\"review\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Review\"\u003e\n\u003cp data-mce-fragment=\"1\" itemprop=\"reviewBody\"\u003eGiven his impeccable downtempo credentials, you'd expect Bonobo's Late Night Tales mix to be one of the finer installments in the series (and that's saying something). Predictably, it is. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" itemprop=\"reviewBody\"\u003eThis vinyl edition features 17 of the tracks unmixed (naturally) and lifts out many highlights. His own cover of Donovan's \"Get Thy Bearings\" is particularly revelatory - string drenched, hazy, atmospheric and, of course, immaculately produced - but there are many other gems. Check Darondo's classic heart breaker \"Didn't I,\" the smoky reggae-soul of Nina Simone's \"Baltimore\", and the enveloping intimacy of Shlohmo's \"Places\". 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