{"title":"Coming Soon","description":"\u003cp\u003eHere is all the great new music due to be released and in-store in the coming weeks and months.  Whilst we are only taking pre-orders on a select few (they've got a bright orange Pre Order badge or can be viewed separately \u003ca href=\"https:\/\/capsulerecords.co.uk\/collections\/albums-available-to-pre-order\" rel=\"noopener\" target=\"_blank\"\u003ehere\u003c\/a\u003e), we want to share with you all the titles we have ordered and when they are scheduled to be released (albeit this sometimes changes without us being told!)\u003c\/p\u003e\n\u003cp\u003eEvery Thursday at 4pm we send out our Weekly Drop email (see the online version \u003ca href=\"https:\/\/capsulerecords.co.uk\/pages\/the-weekly-drop\"\u003ehere\u003c\/a\u003e) which details the records to be released and made available to buy that Friday.  Make sure you \u003ca rel=\"noopener\" href=\"https:\/\/capsulerecords.co.uk\/pages\/newsletter-sign-up\" target=\"_blank\"\u003esign up\u003c\/a\u003e for that if you're keen on a title!\u003cbr\u003e\u003cbr\u003eSeen a great album we haven't ordered? Use the form below to let us know and we will try and get it for you.\u003c\/p\u003e","products":[{"product_id":"spread-love","title":"Release Date: 06\/11\/26 - Spread Love (Indies Only Gold Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSpread Love radiates with a message that is as pertinent as ever - heartfelt lyrics and soaring melodies covering a spectrum of genres including modern and classic soul, gospel, early disco, and jazz-funk. Raised in Detroit before moving to rural West Virginia, Michael learned to play piano at a young age.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThose early influences of \u003c\/span\u003e\u003cstrong\u003eRay Charles, Stevie Wonder, Dionne Warwick\u003c\/strong\u003e\u003cspan\u003e and many more, led him to form a band who played local 'sock hops' as well as getting paid $5 a week at aged 14 to play piano for the church choir. Fast forward 10 years, and whilst working for the local county, Michael would travel back home every lunch to write songs on his baby grand in his basement. His dream was to be a songwriter, and his intention was never the limelight.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHe penned 'Feelings' with \u003c\/span\u003e\u003cstrong\u003eGladys Knight\u003c\/strong\u003e\u003cspan\u003e in mind and sent it to his childhood friend Carey Harris, who was the bassist in her band. Gladys liked it but didn't think it fit with where she was going at the time. That initial rejection sparked the idea of Carey and Michael recording it themselves. With the help of Michael's wife who sold some of her possessions to fund the studio time, they recorded the album at Agency Recording Studio in Cleveland alongside one of the \u003c\/span\u003e\u003cstrong\u003eO'Jays drummers Ricardo \"Ricky Speed\" Nixon, Adolph Burton and Bernardine Mitchell\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43697542201592,"sku":"MRBLP342","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/Spread_20Love_20frontcover.jpg?v=1677599000"},{"product_id":"disco-club","title":"Release Date: 27\/11\/26 - Disco Club","description":"\u003cp\u003eArmed with fictional personae 'Junior Claristidge' and 'Joachim Sherylee' respectively, their collaboration as Black Devil expressed a brazen contempt for the 'big shot American studio heads' who represented the myth that 'good music could only be made by Anglo-Saxons.' As such the EP and its appellation have been shrouded in mystery and the spirit of disobedience for decades. The Aphex Twin-backed Rephlex label notably revamped a handful of Disco Club tracks in 2004, however this is the first reappearance of the full, six track sequence.\u003c\/p\u003e\n\u003cp\u003eSo synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":43845116002552,"sku":"AK61","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/products\/image_b57f0064-8661-4d1e-8112-2baf83be4f70.jpg?v=1685539735"},{"product_id":"release-date-11-09-26-afro-disco-makossa","title":"Release Date: 06\/11\/26 - Afro-Disco Makossa","description":"\u003cp\u003eAfro-Disco Makossa is the first album on Linear Labs built strictly for the dance floor, and Younge is uniquely qualified to make it. He didn't arrive at Afrobeat as an outsider paying tribute. Through his sister label Jazz Is Dead, he already helped define what modern Afrobeat sounds like. His sessions with Tony Allen (co-creator of the genre itself) and Highlife pioneer Ebo Taylor didn't just inform his musical vocabulary; they produced two celebrated modern classics. \u003c\/p\u003e\n\n\u003cp\u003eAfro-Disco Makossa is what happens when that same artist asks a different question entirely: what would a Ghanaian producer in '76 have made if he set out to create an American disco record for his hometown? The result is a sonic patchwork of Afrobeat, funk, and disco built for the DJ of any era.\u003c\/p\u003e\n\n\u003cp\u003eTRACKLISTING \u003c\/p\u003e\n\n\u003cp\u003e01. Feel The High Life\n\u003cbr\u003e02. Shake Down\n\u003cbr\u003e03. Number One\n\u003cbr\u003e04. Every Body\n\u003cbr\u003e05. Fire In The Disco\n\u003cbr\u003e06. Afro-Disco Makossa\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58493234610557,"sku":"LL020LP","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/6a202248a36d3a9f1a16df60.jpg?v=1786004229"},{"product_id":"release-date-04-09-26-continuum","title":"Release Date: 13\/11\/26 - Continuum","description":"\u003cp\u003eA lowkey yet essential figure in the American music scene, African-American drummer Steve Reid (1944–2010) left his mark on the history of free jazz, funk, and rock. His collaborations included the Sun Ra Arkestra, Albert Ayler, and Miles Davis (on *Tutu*), as well as James Brown (on the classic “Pop-Corn”) and Martha \u0026amp; the Vandellas. The end of his career was highlighted by his collaboration with English musician Kieran Hebden—an iconic pioneer of electronic music known as Four Tet—with whom he recorded four hybrid, experimental, and spiritual albums between 2006 and 2010.\u003c\/p\u003e\n\n\u003cp\u003eOn this album, NOVA FELLOWSHIP covers three 1970s classics by Steve Reid \u0026amp; the Legendary Master Brotherhood, three tracks by Four Tet, and an original composition by the duo Kieran Hebden \u0026amp; Steve Reid, “Morning Prayer,” which appears on their first joint album. \u003c\/p\u003e\n\n\u003cp\u003eMissouri-born drummer Zach Morrow brings to the band the energy he has cultivated in recent years while touring with poet Aja Monet. Inheriting Steve Reid’s versatility, his playing exudes all the colors of Great Black Music. \u003c\/p\u003e\n\n\u003cp\u003eThe “all-around” pianists Tony Tixier—arranger of an explosive version of the tracks “Nova” and “Free Spirits” created by Steve Reid—and Rob Clearfield, known in particular for his work alongside Makaya McCraven, create hypnotic bass lines and captivating synthetic textures on their shared keyboards and synthesizers.\u003c\/p\u003e\n\n\u003cp\u003eEritrean-American trumpeter Hermon Mehari and Italian saxophonist Francesco Geminiani—both Paris-based musicians who are very active on the European scene—form a powerful horn section.\u003c\/p\u003e\n\n\u003cp\u003eOn “Morning Prayer,” Francesco uses for the first time a flute of his own design that resembles an ocarina, called the Nautilus. This instrument, carved by him from maple wood and depicted in a stylized form on the album cover, was designed in accordance with the Fibonacci sequence and the golden ratio. Its use celebrates the mystical and exploratory nature of the duo formed by Kieran Hebden and Steve Reid, whose musical chemistry has left a lasting impression on everyone who has had the chance to attend one of their concerts.\u003c\/p\u003e\n\n\u003cp\u003eZach Morrow : drums\n\u003cbr\u003eFrancesco Geminiani : tenor sax, flute, electronics\n\u003cbr\u003eHermon Mehari : trumpet\n\u003cbr\u003eTony Tixier : keyboards \u0026amp; percussion\n\u003cbr\u003eRob Clearfield : keyboards\u003c\/p\u003e\n\n\u003cp\u003eA\u0026amp;R : Antoine Rajon\n\u003cbr\u003eRecorded and mixed by Félix Rémy at Studio Pigalle, Paris, in May 2026\n\u003cbr\u003eMastered by Frank Merritt at The Carvery \/ London\u003c\/p\u003e\n\n\u003cp\u003eIN MEMORY OF STEVE REID\u003c\/p\u003e\n\n\u003cp\u003e. MORNING PRAYER is a new interpretation of a piece taken from Kieran Hebden and Steve Reid's first album The Exchange Session Volume 1\n\u003cbr\u003e. SXTH HOUSE - NOVA\/FREE SPIRITS and LIONS OF JUDAH are new interpretations of pieces from Steve Reid and the Legendary Master Brotherhood's album NOVA\n\u003cbr\u003e. LIQUEFACTION, AND THEY AL L LOOKED BROKEN HEARTED and PLASTIC PEOPLE are new interpretations of FOUR TET's compositions.\u003c\/p\u003e\n\n\u003cp\u003eTRACKLIST:\n\u003cbr\u003eA1. SIXTH HOUSE \n\u003cbr\u003eA2. LIQUEFACTION \n\u003cbr\u003eA3. NOVA\/FREE SPIRITS \n\u003cbr\u003eA4. AND THEY ALL LOOKED BROKEN HEARTED \u003c\/p\u003e\n\n\u003cp\u003eB1. LIONS OF JUDAH \n\u003cbr\u003eB2. MORNING PRAYER \n\u003cbr\u003eB3. PLASTIC PEOPLE\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58493236904317,"sku":"KOS48LP","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/a2623193666_10.jpg?v=1786004380"},{"product_id":"release-date-25-09-26-chaos","title":"Release Date: 31\/12\/26 - Chaos","description":"\u003cp\u003eA rare contemporary Afrobeat release created by a young 12-piece band based in Lagos, Nigeria, carrying forward the original revolutionary spirit and musical architecture of classic Afrobeat while bringing a fresh generation's perspective, hypnotic repetition, and immersive musical journeys, ideal for vinyl collectors and DJ audiences. \u003c\/p\u003e\n\n\u003cp\u003eIts historic role as a vehicle for activism and resistance offers an authentic African perspective within a rapidly expanding global market, blending jazz, dub, and West African rhythmic influences. \u003c\/p\u003e\n\n\u003cp\u003eThe band features Kiala Nzavotunga, further connecting the project to the Afrobeat lineage through ties to Egypt 80, television appearances, and international exposure through Sofar Sounds and documentary features. \u003c\/p\u003e\n\n\u003cp\u003eWith four extended tracks, deep grooves, and a classic Afrobeat album structure, Chaos delivers the kind of focused listening experience highly sought after by vinyl collectors, DJs, and world music enthusiasts. \u003c\/p\u003e\n\n\u003cp\u003eTRACKLISTING \u003c\/p\u003e\n\n\u003cp\u003eInnocent Blood \n\u003cbr\u003eWetin I See (feat. Kiala) \n\u003cbr\u003eKalakuta President \n\u003cbr\u003eNew Improved Elephants \n\u003cbr\u003eWetin I See (feat. Kiala) (Soul Jungle Remix)\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58555692286333,"sku":"L-MR1414","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/a1563440183_1x1_700.avif?v=1787126487"},{"product_id":"release-date-30-10-26-revival","title":"Release Date: 30\/10\/26 - Revival","description":"\u003cp\u003eRevival' documents Baghdad-born musician Basim Al-Hashimi's once in a lifetime trip to the U.S in 1978 where his concoction of Arabic styles with the Western '60s and '70s rock so beloved of his youth came together to produce a record almost impossible to categorize. Led by his melodic guitar playing, the band move from psychedelic excursions through to meditative ambient sections, jazz inflected grooves and joyful, progressive motifs. Licensed directly from Basim Al Hashimi himself, this reissue package includes an interview with the man himself, outlining his journey towards the creation of both his U.S experience and the masterpiece it produced, as well as photos sourced from his personal archive.\u003c\/p\u003e\n\n\u003cp\u003eDespite several attempts, 'Revival' has never been reissued before, so Different Strokes For Different Folks are delighted to release this milestone once again.\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58593307132285,"sku":"DSDF005C","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/image_1bbaf7d9-7a17-4a16-8cff-93976636b9c3.png?v=1787832569"},{"product_id":"release-date-25-09-26-primitive-arts-3lp-smoke-vinyl","title":"Release Date: 04\/12\/26 - Primitive Arts (3LP Smoke Vinyl)","description":"\u003cp\u003eTRACKLIST: \n\u003cbr\u003eA Love\u003c\/p\u003e\n\n\u003cp\u003eB Family\u003c\/p\u003e\n\n\u003cp\u003eC1 Sometimes I Feel Like\n\u003cbr\u003eC2 I Feel The Rhythm\u003c\/p\u003e\n\n\u003cp\u003eD Time\u003c\/p\u003e\n\n\u003cp\u003eE Woman\u003c\/p\u003e\n\n\u003cp\u003eF Morning Factory\"\u003c\/p\u003e\n\n\u003cp\u003eLP FORMAT DETAILS: Smoke coloured anniversary vinyl with OBI strip\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58593307623805,"sku":"PF92XXXV","price":43.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/1_3414aa83-bb65-4006-ae45-c4b892911390.jpg?v=1787832602"},{"product_id":"release-date-09-10-26-manifest-orange-marble-splatter-vinyl-printed-sleeve-obi","title":"Release Date: 31\/12\/26 - Manifest (Orange MarbleSplatter Vinyl + Printed Sleeve \u0026 OBI)","description":"\u003cp\u003eManifest is the fifth studio album from BALTHVS and the most expansive record the Colombian trio has made. Written and developed primarily in the studio following a retreat to a rural farm outside Bogotá, the eleven-track LP balances five road-tested singles with six new recordings that reach further than anything in the band's catalog. \u003c\/p\u003e\n\n\u003cp\u003eThe album marks a pivotal chapter, shaped in part by the return of bassist Johanna Mercuriana after the birth of her first child. Reuniting with guitarist and producer Balthazar Aguirre and drummer Santiago Lizcano in the Colombian countryside, she brought a fresh perspective the band describes as a creative renaissance. Where Transmutations documented BALTHVS on the road, Manifest turns inward: intentional creation over reinterpretation, eleven entirely new compositions that push past psychedelic rock into drum and bass, Ethio-jazz, disco, and trip hop, with a heavier rock drive underneath. \u003c\/p\u003e\n\n\u003cp\u003eBALTHVS has amassed more than 140 million streams, performed in over 26 countries, earned a Libera Awards nomination, and played Electric Forest, Austin City Limits, Outside Lands, Lollapalooza, Jam Cruise, and SXSW Sydney. The band supports the release with a US fall tour running October 8 through 25, including Cervantes Denver, The Regent Los Angeles, and The Independent San Francisco. \u003c\/p\u003e\n\n\u003cp\u003ePressed on orange splatter vinyl in a full-color gatefold jacket with hermetic text artwork and a printed obi strip. \u003c\/p\u003e\n\n\u003cp\u003eLimited to 2,000 units. \u003c\/p\u003e\n\n\u003cp\u003eTRACKLISTING \u003c\/p\u003e\n\n\u003cp\u003eIn-N-Out (Downtown) \n\u003cbr\u003eLiminal Stages \n\u003cbr\u003eMotion (For Ashra) \n\u003cbr\u003eRare Psalms \n\u003cbr\u003eEternal Flow \n\u003cbr\u003ePale Blue Dot \n\u003cbr\u003eFlesh and Soul \n\u003cbr\u003eYear of the Snake \n\u003cbr\u003eSunday Forecast \n\u003cbr\u003eWorld Is (More Than I Can Handle) \n\u003cbr\u003eKilig\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58593322238333,"sku":"L-MR1616","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/BALTHVS-Manifest-0784085107037.jpg?v=1787833207"},{"product_id":"release-date-02-10-26-mettasun","title":"Release Date: 06\/11\/26 - MettaSun","description":"\u003cp\u003eTo encounter Jimetta Rose’s new album is to step through a spiritual portal. One moment, you’re rooted in the familiar terrain of jazz lineage and soul tradition; the next, you’re somewhere else entirely — somewhere luminous and governed by possibility. That place, as Rose imagines it, is MettaSun, a sonic and philosophical plane inspired by the cosmic teachings of Sun Ra, but fully reimagined through her own lens.\u003c\/p\u003e\n\n\u003cp\u003eThe project began years ago with a seed planted by the late DJ and producer Ras G, who once told Rose that her artistic future resembled that of June Tyson, the singular voice of Sun Ra’s Arkestra.\u003c\/p\u003e\n\n\u003cp\u003eFor the past seven years, Rose has devoted herself to collective work through Jimetta Rose \u0026amp; The Voices of Creation, a choir-centered project rooted in healing, joy, and communal transformation. MettaSun, however, marks a return to herself as a solo artist and a reclamation of her own authorship. It’s the sound of someone stepping forward with renewed purpose — not only as a singer-songwriter, but as a producer, arranger, architect, and world-builder.\u003c\/p\u003e\n\n\u003cp\u003eThat distinction is central to understanding the album. Rose doesn’t merely revisit Sun Ra compositions; she dismantles and rebuilds them according to the frequencies she hears in her own spirit. She approaches the material the way a hip-hop producer approaches samples: uncovering hidden melodies, layering unexpected references, and drawing new emotional contours from familiar foundations.\u003c\/p\u003e\n\n\u003cp\u003eOn “Nuclear War,” she transforms Sun Ra’s urgent classic into a meditation on vulnerability and endurance, a reflection of a world inching toward collapse while still searching for grace. Elsewhere, “Spring Time Again” drifts through the album with the warmth of a late-April afternoon, balancing the complexity of Sun Ra’s arrangements with a melodic accessibility that welcomes listeners unfamiliar with his work. In totality, MettaSun becomes a treatise on rebirth and self-permission — conversations across time meant to heal Rose as much as the listener.\u003c\/p\u003e\n\n\u003cp\u003eRecorded live in the studio over several days, the project came together under moments of personal and logistical strain. Yet those pressures only sharpened the music’s honesty. Rather than chase perfection, Rose embraced the truth of her circumstances, allowing the imperfections to remain. What emerged is a body of work that feels immediate, intimate, and emotionally transparent.\u003c\/p\u003e\n\n\u003cp\u003eTRACKLIST: \n\u003cbr\u003eA side\n\u003cbr\u003e1. Somebody Else's Idea \n\u003cbr\u003e2. Life on Earth Phase 1\n\u003cbr\u003e3. Nuclear War\n\u003cbr\u003e4. Gotta Get Out Phase 2\u003c\/p\u003e\n\n\u003cp\u003eB side\n\u003cbr\u003e1. Sleeping Beauty\n\u003cbr\u003e2. Portal to a New World Phase 3\n\u003cbr\u003e3. Spring Time\n\u003cbr\u003e4. I'll Wait For You\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58613402894717,"sku":"DD23","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/58a72533-3f51-af55-40cb-d90686285790.jpg?v=1788176308"},{"product_id":"release-date-25-09-26-cenario-10th-anniversary-edition","title":"Release Date: 01\/12\/26 - Cenario (10th Anniversary Edition)","description":"\u003cp\u003e10th anniversary reissue of FloFilz’s breakthrough album ‘Cenario’ from 2016. The gatefold cover includes newly designed artwork and an extended 16-page photo booklet by Robert Winter.\u003c\/p\u003e\n\n\u003cp\u003e‘Cenario’ dropped at the height of the European beat scene and remains one of the defining albums of the genre. It’s a seminal work in FloFilz’s catalogue and hasn’t lost a bit of its magic. Or as musician and producer Tom Misch recounts: “Beautiful album, full of great flips. In particular I remember hearing ‘Dulce’ for the first time and being like damn I wish I’d made that!”\u003c\/p\u003e\n\n\u003cp\u003eThis album manifested FloFilz’s position as one of the most influential producers for jazz-driven hip-hop and soul of his generation. With ‘Dulce’ it also includes his commercially most successful track, which has been streamed more than 40 million times. Other highlights are ‘Taxi Bossa’ and the two songs with mystical jazz singer Olivia\n\u003cbr\u003eWendlandt (‘Intro Azul’ and ‘Nuvem’).\u003c\/p\u003e\n\n\u003cp\u003e‘Cenário’ is dedicated to the city of Lisbon and was the second release of FloFilz’s album series, which he started in 2012 with photographer Robert Winter and Melting Pot Music. They also visited Paris (‘Metronom’, 2014), London (‘Transit’, 2019) and Tokyo (‘Hagaki’, 2025).\u003c\/p\u003e\n\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\n\u003cp\u003eSide One\u003c\/p\u003e\n\n\u003cp\u003e1. Intro Azul feat. Olivia Wendlandt\n\u003cbr\u003e2. Sesta\n\u003cbr\u003e3. Twosome\n\u003cbr\u003e4. Cabaceira\n\u003cbr\u003e5. Escuro (Interlude)\n\u003cbr\u003e6. Dulce\n\u003cbr\u003e7. Tilezeit\n\u003cbr\u003e8. Passagem\u003c\/p\u003e\n\n\u003cp\u003eSide Two\u003c\/p\u003e\n\n\u003cp\u003e1. Jooly\n\u003cbr\u003e2. Taxi Bossa\n\u003cbr\u003e3. Brilhante (Interlude)\n\u003cbr\u003e4. Jazzchains\n\u003cbr\u003e5. 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Whether she’s dropping Cosmedelica remixes on her Love Dancin’ sound system at We Out Here festival, hosting listening sessions for her hugely influential Classic Album Sundays, or telling ‘Turntable Tales’ for BBC’s Radio 4, she has created new avenues for experiencing music and thinking deeply about how it affects us and our communities.\u003c\/p\u003e\n\n\u003cp\u003eSo here we are at Volume 5 of this series that once again captures Colleen’s unique take on Balearic. ‘Anger is Divisive’ runs the spoken word sample weaved into the pastoral ambience of ‘Quiet Storm’ from Sewell and The Gong’s Patron Saint Of Elsewhere on Chris Coco’s DSPPR label from 2025. It’s a fitting opening to a collection put together with and for love.\u003c\/p\u003e\n\n\u003cp\u003eBorn from the same lockdown isolation as Balearic Breakfast, ‘Fruits of Life’ from Sakura Murakami’s 2020 album Hot Liquor offers a Tiki flavoured cocktail of tropical psychedelia. Digging deeper into her crates, Colleen then uncovers Flayer’s ‘Wanna Get Back Your Love’, a slow and sleazy piece of cosmic soul from Italy in 1983.\u003c\/p\u003e\n\n\u003cp\u003eRichard Earnshaw’s ‘Rise’, featuring Roy Ayers and spoken word artist Ursula Rucker, was hidden away on his only album from 2019. This slow jazz infused groover proves to be the perfect segue record as the collection hits the dancefloor with the Spiritual Life style deepness of ‘Ore Yeye O’ by Moroccan house producer Cee ElAssaad and vocalist QVLN (Quetzal Guerrero).\u003c\/p\u003e\n\n\u003cp\u003eWe then return to spoken word with Joshua Idehen’s diasporic club anthem ‘Everything Everywhere All At Once’. You’re in it deep now, head down next to the speakers as The Seven Ups bring you ‘A Cosmic Scale’, a heavy slab of psych rock meets afrobeat by way of Melbourne. We then take a trip over to Sheffield where Richard Barratt under his Crooked Man alias reunites with his dance music subverters All Seeing I for a wonderfully skewed mutant disco classic.\u003c\/p\u003e\n\n\u003cp\u003eBringing things down gently with the sun kissed ‘80s soul of Lovetempo ft Wattison’s ‘Wanna Be With You’ (ft. Mattison) out of Brooklyn, Colleen eases into the perfect exit to her eclectic journey with Santana drummer Michael Shrieve joined by Kevin Shrieve and the great Klaus Schulze for the Berlin new age cosmic epic from 1984 ‘Transfer Station Blue’. \u003c\/p\u003e\n\n\u003cp\u003eMusic for the head and feet brought to you with love by one of our masters of sonics and selection.\u003c\/p\u003e\n\n\u003cp\u003eAs with each of the previous Balearic Breakfast albums, many of the tracks featured have never been available on vinyl before and the ones that have been usually go for eye watering sums of money on Discogs. 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The arrangements are further elevated by Simon Kintopp’s trombone solos and Fabian Supancic’s gritty, bluesy organ. Ultimately, aDUBta’s production brings every element into sharp focus. A devotee of analog aesthetics, his commitment to the \"golden era\" shapes the entire record from tracking to the final mix. \u003c\/p\u003e\n\n\u003cp\u003eEach of the six instrumental pieces is paired with a live dub version, mixed in real-time on a Tascam 388. 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Produced by Grammy nominated guitarist and psychedelic bolerista Adrian Quesada, it opens Norteño with \"Arboledas,\" featuring LA LOM bandleader Zac Sokolow, then detonates into the pop-punk-meets-oi of \"Sombra\" with Spike from Me First and the Gimme Gimmes on backing vocals. \u003c\/p\u003e\n\n\u003cp\u003e\"José Dolores\" is their first real move into salsa — a tribute to their father, carried by the horn section of Bogotá salsa-punks La Pambelé. Trish Toledo turns up on the bolero \"Me Olvidaste,\" and Quesada himself plays guitar on lead single \"Reptilio.\" \u003c\/p\u003e\n\n\u003cp\u003eFor the first time, the band says, the complete story gets told — through every genre they actually love, not just the one they invented. Fresh start for the faithful, front door for everyone else. Whether you're crowd surfing or dancing cumbia, you don't need the lyrics to get it. \u003c\/p\u003e\n\n\u003cp\u003eTRACKLISTING \u003c\/p\u003e\n\n\u003cp\u003eArboledas (feat. 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Fusing his signature blend of emotive electronica, immersive sound design and club-focused energy, the project captures Max’s ability to bridge the gap between cutting-edge technology and deeply human storytelling. Featuring exclusive material alongside carefully curated selections, the mix places him alongside previous fabric presents contributors including Daniel Avery, Overmono, Helena Hauff and Mount Kimbie, while pushing the series into new sonic territory. Leading the accompanying EP is Flecks, a collaboration with LSB that pairs fast drum \u0026amp; bass breaks with Max Cooper’s unmistakable immersive production. Referencing the iconic Hurt You So break, the track fuses old-school jungle influences with a modern, spatial mix, hypnotic synth lines and subtle vocal fragments draw the listener deeper into its expansive soundscape. Also featured is Bredren’s Hash (Max Cooper Remix), a tension-filled drum \u0026amp; bass track built around distorting basslines and constantly evolving movement. The EP's focus track, AO, sees Max Cooper reunite with Rival Consoles for a more introspective moment. Swapping high-tempo breaks for a slower electronica and house framework, the track unfolds through beautifully detailed percussion, organic rhythmic textures and sweeping synth melodies, culminating in a soaring central passage that showcases the pair's shared gift for emotionally resonant electronic composition. Released via fabric Records, fabric presents: Max Cooper represents another evolution of the long-running series, a release that is equally at home on immersive listening systems and the dancefloor.\u003c\/p\u003e\n\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\n\u003cp\u003eDisc: 1\u2028\n\u003cbr\u003e1. Hash (Max Cooper Remix)\u2028\n\u003cbr\u003e2. AO\u20283. Talisman \/\/ Drone - Zoo Feat. 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Named after the mathematical concept of the same name, it serves as the conceptual point of origin for the album. Written when Kilvington was just seventeen, the composition reflects the idea that even the most unpredictable lives are guided by hidden patterns that often only become visible with time. \u003c\/p\u003e\n\n\u003cp\u003eSecond single 'A Thousand Hands' features the unmistakable vocal tones of Brother Portrait, whose cerebral lyricism drifts over a low-slung, constantly shifting groove as woozy synth lines ebb and flow overhead. At its heart, the track celebrates the family, friends, mentors and collaborators whose often unseen influence shapes who we become, echoing the album's belief that every achievement is, in some way, a collective one. \u003c\/p\u003e\n\n\u003cp\u003eLP focus track 'BAME (Beyond All Marginalised Expectations)' is a lush, spiralling composition, brimming with both emotion and resolve. Reclaiming an acronym long imposed on racialised communities in the UK, the piece transforms it into a statement of possibility rather than limitation: a defiant rejection of stereotypes and a refusal to let identity be defined by other people's expectations. \u003c\/p\u003e\n\n\u003cp\u003eTRACKLIST:\n\u003cbr\u003e1 - Strange Attractor\n\u003cbr\u003e2 - Underneath The Same Sky (feat. Vanessa Rani)\n\u003cbr\u003e3 - Mek Do \u0026amp; Mend\n\u003cbr\u003e4 - Alchemical\n\u003cbr\u003e5 - Yellow Red\n\u003cbr\u003e6 - Man (feat. Nubiya Imani)\n\u003cbr\u003e7 - Naiyima-Rani\n\u003cbr\u003e8 - L29\n\u003cbr\u003e9 - B.A.M.E (Beyond All Marginalised Expectations)\n\u003cbr\u003e10 - A Thousand Hands (feat. 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The twilight grooves grow with tracks like 'Tide', a cinematic souljazz cut from Mikoudi and China Bowls, and Gentle Nature's rich, retro lean-back jam 'New Faces'.\u003c\/p\u003e\n\n\u003cp\u003eSignalling the final Release, the closing side is a perfect blend of dancefloor heat. Turkish city pop from Peki Momes marinates with Daniel Monaco's signature tropical disco and an infectious deep house cut from Australia's Alexander Flood. Finally, Reuben Vaun Smith's (Sons of Sevilla) new Landing Eagles project delivers an anthemic breakbeat street soul ender with 'Be On My Side'. The contemporary music scene is bursting with creative talent from all directions. Access to new music is easier than ever, but amazing artists still struggle to cut through the noise. Josh has constructed a collection to help counterbalance this, an expression and celebration of underground music in its many forms. In his own words, \"During these strange times where the floodgates have opened to AI music, I hope this compilation serves as a reminder of the vital role music plays in our lives and how much human-made music is worth fighting for\".\u003c\/p\u003e\n\n\u003cp\u003eTracklist\u003c\/p\u003e\n\n\u003cp\u003e1. Naissam Jalal - Bath of forgiveness in the moonlight (Duet Version)\n\u003cbr\u003e2. Blue Lake - Skyview\n\u003cbr\u003e3. Ines Loubet and Sofia Grant - Work of Art\n\u003cbr\u003e4. Tiago Caetano - Prisme Latin\n\u003cbr\u003e5. Verushka - Please Have Something to Say\n\u003cbr\u003e6. Gianni Brezzo - Nuova Magia\n\u003cbr\u003e7. Joao Selva - Futuro\n\u003cbr\u003e8. Fr1th \u0026amp; Simon Jefferis - High Tide\n\u003cbr\u003e9. Konkolo Orchestra - Divine Intervention\n\u003cbr\u003e10. Ireke - Got A\n\u003cbr\u003e11. Kennebec and Tristan de Liege - Willow (feat. Miguel Atwood-Ferguson)\n\u003cbr\u003e12. Rachel Kitchlew - A Path To You\n\u003cbr\u003e13. 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Landing Eagles - Be On My SideDan Gilbert - Sales Representative\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58726523765117,"sku":"MRBLP339P","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/39ba2243-175d-49ed-b41c-b9eef3a41366.jpg?v=1790156245"},{"product_id":"release-date-16-10-26-supernova","title":"Release Date: 16\/10\/26 - Supernova","description":"\u003cp\u003eOn 27 January 2026, Jakob Manz walked onto the stage of the Alte Oper Frankfurt as the youngest Artist-in- Residence the house has ever appointed, not yet 25, and delivered the main event of his season to a sold-out hall of 2,600. ‘Supernova’ is the document of that night.\u003c\/p\u003e\n\n\u003cp\u003eWhat it captures is not only a technical command that would be remarkable at any age, but a rarer thing - the ability to rise to the big occasion, and to do it with openness and gratitude rather than showmanship.\u003c\/p\u003e\n\n\u003cp\u003eThe programme was built for the evening and built around the people who shaped him. In duo with Michael Wollny, Manz shrinks the vast room to something almost private on Horace Silver’s ‘Peace’. With Kinga Głyk and with Nils Landgren, an artist he names as a formative influence, the collaborations are easy and unforced. And in two guest appearances with singers, he shows two entirely different faces, lifting the roof in Max Mutzke’s ‘Welt Hinter Glas’, and finding infinite tenderness in Sarah Connor’s ‘Ich wünsch dir’.\u003c\/p\u003e\n\n\u003cp\u003eThat gift for playing alongside a voice connects him to one of his heroes, David Sanborn, remembered here in the very first sound of the album - a quote from ‘Butterfat’ opening ‘Eyes of Crystals’. 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This fallibility - the hesitation before an entrance, the slight pull in the timing, the glance between musicians that signals a turn - is not a weakness but the substance itself. It cannot be synthesized, because it isn't a data point but a lived relationship: between the instruments, between the people, between their shared history and what emerges new in this one take.\u003c\/p\u003e\n\u003cp\u003eThe album is thus also a statement on the question of where, in the age of generative music, authorship and art can still be located: not in the result alone, but in the shared risk taken in creating it.\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58726526976381,"sku":"ESK221V","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/0047125246_10.jpg?v=1790156323"},{"product_id":"release-date-23-10-26-give-me-disco-vol-2-selected-by-dj-kobayashi","title":"Release Date: 06\/11\/26 - Give me Disco Vol. 2 (Selected by DJ Kobayashi)","description":"\u003cp\u003eRather than revisiting familiar disco classics, Give Me Disco Vol. 02 digs deeper, bringing together four dancefloor discoveries from across Europe and Asia, including two previously unreleased tracks available here for the first time.\u003c\/p\u003e\n\n\u003cp\u003eSpanning Portuguese jazz-funk, Norwegian cosmic oddities, Japanese-inspired psychedelic disco and cinematic groove, the EP reflects the breadth of Kobayashi's record bag - a carefully assembled selection of tracks that have soundtracked his DJ sets for years alongside exclusive material rescued from the vaults.\u003c\/p\u003e\n\n\u003cp\u003eOpening the record is The Bam Jam Band's brilliantly understated \"Theme\", a soaring slice of jazz-infused disco from Portuguese musicians Sérgio Alves and Pedro Tenreiro. Originally released only as a now long-sold-out 7 inch on Mad About Records, the track has become one of Kobayashi's trusted secret weapons, championed by discerning selectors including Darryn Jones and Red Greg. Built around Alves' dazzling synthesiser work, \"Theme\" finally gets the wider audience it deserves. The EP's first exclusive arrives courtesy of D. Apal, instrumentalist and member of Norway's Flammer Dance Band. His only solo release, issued on the band's Lysketrekk Records, has become a cult favourite among adventurous record collectors. Batov now unveils the previously unreleased \"60 Meter'n (Rytme)\", an extended instrumental dub that strips away the vocals to let the handclaps, cavernous bassline, dub effects and wonderfully eccentric synthesisers breathe, transforming an underground favourite into an irresistible dancefloor weapon.\u003c\/p\u003e\n\n\u003cp\u003eSide B opens with YĪN YĪN's \"Tokyo Disco\", taken from the band's acclaimed third album Mount Matsu on Glitterbeat Records. Long-time admirers of the Dutch quartet, Kobayashi has championed them since first hearing the breakthrough pairing of \"Dis ̄ kô Dis ̄ kô\" and \"Dion Ysiusk\" on Bongo Joe. Since then, he has hosted the band twice on Soho Radio and supported them live in London. \"Tokyo Disco\" perfectly captures YĪN YĪN's distinctive blend of Japanese-inspired psychedelia, Southeast Asian influences, post-punk funk and shimmering disco grooves, making it a natural fit for the Give Me Disco series.\u003c\/p\u003e\n\n\u003cp\u003eClosing the EP is another exclusive from Jiri Jiri, whose contribution helped launch the series on Vol. 01. Ahead of their forthcoming album later this year, the duo unveil the previously unreleased \"Spaghetti Western\", a wonderfully off-kilter fusion of Morricone-esque cinematic atmosphere, taut funk rhythms and the soulful modern groove of SAULT. Equal parts soundtrack and dancefloor curveball, it provides a fitting finale while offering another tantalising glimpse of what's still to come. With two exclusive cuts sitting alongside two carefully chosen modern classics, Give Me Disco Vol. 02 is another lovingly curated snapshot of DJ Kobayashi's musical universe: borderless, groove-driven and unapologetically built for adventurous DJs, discerning collectors and open minded dancefloors alike. \u003c\/p\u003e\n\n\u003cp\u003eTRACKLIST:\n\u003cbr\u003eA1. The Ban Jam Band - Theme\n\u003cbr\u003eA2. D Apal - 60 Meter´n (Rytme)\n\u003cbr\u003eB1. YĪN YĪN - Tokyo Disko\n\u003cbr\u003eB2. 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A year earlier, the Sussex label—home to Bill's first four landmark albums—ceased operations. Withers then signed with the mighty Columbia Records, which would remain his home until the end of his recording career. While Naked \u0026amp; Warm retains Bill's unique, earthy approach to soul that made him Sussex's biggest star, it's clear that musically too, he was in transition; the first half of the album is full of synthesized jazz-funk vamps, while \"City Of The Angels\" is an almost 11 minutes long cosmic funk excursion combining biting Rhodes chords with swirling synth pads and Dorothy Ashby's spiritual harp work. \u003c\/p\u003e\n\n\u003cp\u003eAll in all, Naked \u0026amp; Warm might be one of Bill's most underrated records, simply because his previous work for Sussex was just that impactful.\u003c\/p\u003e\n\n\u003cp\u003eSide A\n\u003cbr\u003e1. Close to Me \n\u003cbr\u003e2. Naked \u0026amp; Warm \n\u003cbr\u003e3. Where Are You? \n\u003cbr\u003e4. Dreams\n\u003cbr\u003eSide B\n\u003cbr\u003e1. If I Didn't Mean You Well \n\u003cbr\u003e2. I'll Be with You \n\u003cbr\u003e3. City of the Angels \n\u003cbr\u003e4. My Imagination\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58781042704765,"sku":"MOVLP1870","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/8719262041653.jpg?v=1790617426"},{"product_id":"release-date-30-10-26-borga-revolution-ghanaian-music-in-the-digital-age-1979-1988-volume-4","title":"Release Date: 06\/11\/26 - Borga Revolution! Ghanaian Music In The Digital Age, 1979 - 1988 (Volume 4)","description":"\u003cp\u003eKalita presents the fourth and final instalment of their groundbreaking ‘Borga Revolution!’ series, uncovering another selection of essential recordings from the rich and far-reaching world of Ghanaian highlife. Spanning deep, hypnotic highlife through to the vibrant electronic productions of 1980s Burger Highlife, Volume 4 captures a period of extraordinary musical change, as Ghanaian artists absorbed influences from funk, disco, boogie, and new synthesizer technology.\u003c\/p\u003e\n\n\u003cp\u003eWith previous volumes championed by tastemakers including Gilles Peterson, Antal, Tom Ravenscroft, and Hunee, this final chapter turns its attention once again to the music of the Ghanaian diaspora.\u003c\/p\u003e\n\n\u003cp\u003eVolume 4 brings together rare recordings from artists such as Rex Omar, Nat Fredua, and CST Amankwah, alongside the elusive, deeply hypnotic and beautiful sounds of the Abibifo Dance Band of Ghana (led by the legendary bassist Ralph Karikari) and Baffour Kyei. Unearthing recordings that have languished in obscurity for over forty years, the compilation moves between deep highlife, rhythmic dancefloor cuts, and pioneering digital productions, revealing yet more musical ingenuity of Ghanaian artists both home and abroad. The final instalment in the ‘Borga Revolution!’ series, it offers another vital collection of forgotten favourites and hidden treasures for DJs, collectors, and anyone drawn to the endlessly inventive sounds of Ghanaian music.\u003c\/p\u003e\n\n\u003cp\u003eThe 1970s and 80s saw Ghanaian musicians begin to incorporate Western sounds like funk and disco into their music, reflecting the changing global musical landscape. However, the country's political instability and economic hardships, marked by military regimes and curfews, forced many artists to leave Ghana in search of better opportunities abroad. In Europe and the U.S., these musicians fused their traditional highlife roots with emerging digital sounds, using cutting-edge technology like the DX7 synthesizer and drum machines to create the genre now known as Burger Highlife.\u003c\/p\u003e\n\n\u003cp\u003eWith ‘Borga Revolution!’ Kalita offers a vivid exposition of this musical transformation, using rare interviews, archival photos, and detailed liner notes to bring to life the pioneering spirit of both well-known icons and unsung innovators of Ghanaian Highlife, one of West Africa’s most exciting musical movements.\u003c\/p\u003e\n\n\u003cp\u003e2xLP in gatefold sleeve, with printed inner sleeves examining the stories of the artists featured on the volume.\u003c\/p\u003e\n\n\u003cp\u003eIncludes 10 highly sought-after and under-the-radar recordings, including those by the phenomenal Rex Omar, Nat Fredua, CST Amankwah, Baffour Kyei, Chief Kofi Sammy, and the Abibifo Dance Band of Ghana.\u003c\/p\u003e\n\n\u003cp\u003eTRACKLIST: \n\u003cbr\u003eA1. 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Abibifo Dance Band of Ghana - Saworoma \/ Asase Afanoo\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58781044474237,"sku":"KALITALP13","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/1-v-a-kalita-records-presents-borga-revolution-4-ghanaian-highlife-1979-88.webp?v=1790617448"},{"product_id":"release-date-13-11-26-carnaval-de-luz-powder-rose-pink-vinyl","title":"Release Date: 13\/11\/26 - Carnaval De Luz (Powder Rose Pink Vinyl)","description":"\u003cp\u003eAcknowledged as one of the best live acts in the world, U2 has sales of over 175m \u0026amp; won numerous awards, incl. 22 Grammys. Set for release in the year Bono, The Edge, Adam Clayton \u0026amp; Larry Mullen Jr. will mark 50 years together in U2, 'Carnaval De Luz' includes lead tracks 'Street of Dreams', 'Silencio' and the extraordinary 'Torn (ft. Dolly Parton)'.\u003c\/p\u003e\n\n\u003cp\u003eThe New 12-track studio album pressed on 1 x 12” 180g Heavyweight Exclusive Powder Rose Pink Vinyl\n\u003cbr\u003eGatefold outer-sleeve with Full-Colour Artwork and Gloss Finish\n\u003cbr\u003e16-Page booklet featuring Lyrics, Photography and Exclusive album imagery\n\u003cbr\u003ePrinted inner sleeve\n\u003cbr\u003eBespoke full-colour printed vinyl labels\u003c\/p\u003e\n\n\u003cp\u003eTracklist: \u003c\/p\u003e\n\n\u003cp\u003eGo (Carnaval De Luz) \n\u003cbr\u003eLa Reina \n\u003cbr\u003eStreet Of Dreams \n\u003cbr\u003eThe Mirror Maker (Rosalía) \n\u003cbr\u003eSuperficiality \n\u003cbr\u003eIf The World Is At War We Better Not Be \n\u003cbr\u003eSilencio \n\u003cbr\u003eThe Greatest Show On Earth \n\u003cbr\u003eGlorify \n\u003cbr\u003eMidnight Sunshine \n\u003cbr\u003eCan’t Stop Us Now \n\u003cbr\u003eTorn (Feat. 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Armed with a single nylon string guitar , a toy chest of rudimentary percussion, and the emotional microtones of the Spanish tongue, Alejandro Bravo’s lone LP blends bossanova, samba, and the Brill Building into a horny margarita for the tourist class. Recorded at home in Acapulco in 1971, Bravo’s self-released LP slaps and thrills with its taps and trills. Pair with a pregnancy test for best results. \u003c\/p\u003e\n\n\u003cp\u003eTRACKLISTING \u003c\/p\u003e\n\n\u003cp\u003eSide A \u003c\/p\u003e\n\n\u003cp\u003eA1. (There’s) Always Something To Remind Me \n\u003cbr\u003eA2. Chili Verde \n\u003cbr\u003eA3. Blue Eyes \n\u003cbr\u003eA4. Naranjita \n\u003cbr\u003eA5. La Llorona \u003c\/p\u003e\n\n\u003cp\u003eSide B \u003c\/p\u003e\n\n\u003cp\u003eB1. Samba De Mi Tiera \n\u003cbr\u003eB2. Superstar \n\u003cbr\u003eB3. So Danso Samba \n\u003cbr\u003eB4. Amor Secreto \n\u003cbr\u003eB5. Agua De Beber \n\u003cbr\u003eB6. El Cascabel\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58803143016829,"sku":"NUM658LP-C1","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/6a8efa26bb7c87eee29c2dc5.jpg?v=1790951581"},{"product_id":"release-date-06-11-26-sunrise","title":"Release Date: 06\/11\/26 - Sunrise","description":"\u003cp\u003eWewantsounds is proud to present the first official release of a legendary 1977 concert capturing Don Cherry, Collin Walcott, and Leon Thomas in their only documented performance together. Recorded live on March 5, 1977, at Pease Auditorium in Ypsilanti, Michigan, the performance featured the three musicians playing an immersive hypnotic set, joined for part of the evening by the rest of Oregon. Long circulating among a few Don Cherry fans, the full concert is now available as a deluxe, remastered 2-LP gatefold set featuring Moki Cherry artwork and new liner notes by Jason Weiss—licensed by the Don Cherry Estate and producer James Quinlan. Don Cherry’s huge influence has steadily grown over the years, as fans and new generations of listeners continue to uncover the vast breadth of his global musical vision. Sunrise captures Cherry during a particularly fertile late-1970s period, when the American jazz trumpeter blended global and Eastern spiritual concepts into his \"Organic Music\" philosophy, drawing deeply from Eastern and African traditions. Moving fluidly between trumpet, the West African doussn'gouni (a traditional hunter's harp from Mali), bamboo flutes, percussion, and vocals, Cherry creates a deeply resonant world music soundscape. \u003c\/p\u003e\n\n\u003cp\u003eRecorded live on March 5, 1977, at Pease Auditorium in Ypsilanti, Michigan, the show took place just a month after Don Cherry participated in the recording of Collin Walcott's ECM album Grazing Dreams. With Walcott playing alongside Cherry and vocalist Leon Thomas, bringing his unmistakable yodel-style vocal approach—and joined for part of the night by the rest of Oregon (Ralph Towner, Paul McCandless and Glen Moore)—the performance stands as a stunning, hypnotic forerunner to the formation of CODONA. The newly remastered audio is so vivid and intimate that it feels as though you are sitting directly in the room with the musicians. The release also serves as a vibrant homage to Don and Moki Cherry’s creative partnership, featuring a reproduction of Moki’s striking 1975 Mandala tapestry on the front cover. The concert was produced by James Quinlan, a central pillar of the U.S. Jazz and World Music scene who worked as a sound engineer for Carla Bley, booked Fela Kuti’s major U.S. tour in the 1980s, and went on to direct the Creative Music Studio and found Miami’s Rhythm Foundation. In the album's liner notes, Quinlan reflects in conversation with writer Jason Weiss on the surprise magic of that night: \u003c\/p\u003e\n\n\u003cp\u003e\"Don brought Leon Thomas with him... as a guest, unannounced. It was not part of the advertisement or contract... I don't know of any other time that they recorded or performed together. So, that was completely unique... The audience had no idea what was coming... It was a sound that was just mesmerizing, almost like a mantra.\" Licensed by the Don Cherry Estate and James Quinlan, Sunrise is available as a deluxe 2-LP gatefold set featuring new liner notes by Jason Weiss—an essential document in the rich, ever-evolving Don Cherry musical journey. \u003c\/p\u003e\n\n\u003cp\u003eTRACKLISTING \u003c\/p\u003e\n\n\u003cp\u003eSIDE 1 \n\u003cbr\u003eSunrise (23.11) \u003c\/p\u003e\n\n\u003cp\u003eSIDE 2 \u003c\/p\u003e\n\n\u003cp\u003e2. Doussn’ Gouni Fly pt. 1 (16.38) \u003c\/p\u003e\n\n\u003cp\u003eSIDE 3 \u003c\/p\u003e\n\n\u003cp\u003e3. Doussn’ Gouni Fly pt. 2 (12.19) \n\u003cbr\u003e4. Eastern Flute Song (6.14) \u003c\/p\u003e\n\n\u003cp\u003eSIDE 4 \u003c\/p\u003e\n\n\u003cp\u003e5. 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Remastered from the original tapes, it features artwork by renowned illustrator Ichibun Sugimoto, OBI strip and a 4 page insert with a new introduction by Anton Spice. \u003c\/p\u003e\n\n\u003cp\u003eWriter Seishi Yokomizo is an institution in Japan. He could be compared to Agatha Christie with his series of novels based on the adventures of detective Kosuke Kindaichi. The fictional character was born in 1946 with Yokomizo's first novel in the series and solved mysteries until the late 70s under Yokomizo's pen before the death of the writer in 1981. Kindaichi is a peculiar character. He is a sort of goofy, yet scrupulous detective,not dissimilar to Columbo, and has become legendary in Japan over the decades. Yokomizo's novels have been a prime source for film and TV scenarios, so when, in 1977, Japanese label King Records decided to record a concept album based on the Kindaichi novels, it made complete sense. The writer was slightly surprised though. As he wrote on the back of the LP sleeve \"When I first heard an album was being made based on my novels, I felt very strange. I could understand if my novels were turned into films and then soundtracks were recorded based on these films.But this time, the music created was directly inspired by my novels. I felt very intrigued, yet very excited. \"The concept album was arranged by pianist Kentaro Haneda, a key TV and film composer who has worked on many anime films and is also famous outside of Japan for composing the music for the video game 'Wizardry'. For \"The Adventures Of Kindaichi Kosuke\"album, he assembled a supergroup of some of the best Tokyo funk and City Pop musicians. The long list includes jazz pianist Hideo Ichikawa who played on the 1971 'Joe Henderson In Japan' album, Jun Moriya (ds), who is on Joe Hisaichi's cult 'Wonder City Orchestra' album,Tadaomi Anai (perc) who played with Disco singer Eri Ohno, Koji Hadori (tpt) who's featured on Haruomi Hosono's \"Pacific\"album. Also present on the album are Takeru Muraoka (sax) who plays on many Tatsuro Yamashita cult albums including \"For You\" and \"Spacy\", Kimiko Yamauchi (koto) who's on Akiko Yano's landmark \"Japanese Girl\" and, last but not least,Koji Yamaguchi (fr horn) who plays on Yazuaki Shimizu's \"Kakashi\" album Together they lay the funk on ten instrumentals filled with pur disco and funk breakbeats, making the album one of the highly-coveted Japanese LPs on international crate digger scene. \u003c\/p\u003e\n\n\u003cp\u003eThis reissue which Wewantsounds is delighted to officially put back on the market, features OBI strip and a four page insert faithfully reproduces the original artwork plus audio remastered from the original tapes. \u003c\/p\u003e\n\n\u003cp\u003eTRACKLISTING \u003c\/p\u003e\n\n\u003cp\u003eSide A \u003c\/p\u003e\n\n\u003cp\u003e1. Kindaichi Kosuke No Theme \n\u003cbr\u003e2. Yatsuhakamura \n\u003cbr\u003e3. Kamen Butoukai \n\u003cbr\u003e4. 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Built upon rare MPC canvases unearthed from Dilla’s legendary vault, the album captures both masters in a state of absolute, unchained ascension. Every track hits like a heavyweight knockout—blending off-grid snares, filthy basslines, and soaring soul chops with Busta’s apocalyptic precision. He treats every lost Detroit tape like a battleground, unleashing a larger-than-life energy that turns unreleased boom-bap into a stadium-sized manifesto.\n\u003cbr\u003eForget the cheap nostalgia cash-ins and posthumous butcher jobs. DILLAGENCE II hits with the weight of two master craftsmen operating at the absolute peak of their powers. By locking Detroit’s deepest low-end grooves directly into New York’s loudest, most relentless vocal engine, this record doesn't just honor Dilla's legacy—it kicks the door off its hinges and demands you listen.\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58803145539965,"sku":"CGLM0002","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/6aba5b140f4a0b5559b71e78_c9977f99-8aeb-41e3-aac9-7984de88810c.jpg?v=1790951619"},{"product_id":"release-date-23-10-26-life-is-beautiful-again","title":"Release Date: 23\/10\/26 - Life Is Beautiful Again","description":"\u003cp\u003eLife is beautiful again’ is the debut album of Nadine El Roubi, a Sudanese-born, New York-based singer, rapper, songwriter and multidisciplinary artist.\u003c\/p\u003e\n\n\u003cp\u003eThe album is the culmination of music created over the last three to four years. While the album can be categorized as primarily neo-soul, its true genre remains fluid - shaped by influences in hip-hop, neo-soul and indie music.\u003c\/p\u003e\n\n\u003cp\u003eBoth melancholic and powerful, introspective and self-assured, ‘Life is beautiful again’ explores personal and external chaos, womanhood, belonging and the determination to maintain faith through struggle.\u003c\/p\u003e\n\n\u003cp\u003eThematically, it marks a shift from her previous work. Where earlier releases were overtly political, defiant and outward-facing, this album turns inward. 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While previous albums have shone a spotlight quite specifically on jazz and soul, the latest iteration takes a more panoramic approach, taking in those loves, but adding in some British Mod stomp, Neo-Library music and some Ye-Ye, as Martin says in his note.\u003c\/p\u003e\n\n\u003cp\u003eMartin is of course the multi-award-winning actor famed for ‘The Office’, ‘The Hobbit’, ‘Sherlock’ and ‘The Responder’, but also for his deep love of music, which brought him to Acid Jazz with these compilations. On this volume he has chosen well, with obscure cuts from Santana, Neo-Soul from Kadhja Bonet and Indo-Funk from Ashal Puthli. These sit alongside jazz from Gary Burton and Buddy Rich, as well as favourite Soul 45s, all topped with the wonderful stew of Traffic’s ‘Medicated Goo’.\u003c\/p\u003e\n\n\u003cp\u003eEddie founded Acid Jazz in 1988 and even before then was a well-known and successful DJ. His sides show the excitement that he still finds in discovering and playing music. Opening with the synth-led ‘Main Title Theme’ from UK cult film ‘The Long Good Friday’, he selects beautiful soul and jazzy disco, before entering the world of Brit-Funk with cuts by Hi-Tension and Light Of The World. He brings it home via Ace’s ‘How Long’ and some Brian Auger, which sets us up for the Ye-Ye beat of Jacquelin Taieb and Jacques Dutronc.\u003c\/p\u003e\n\n\u003cp\u003eShowing the label’s modernist roots, the album comes sharply dressed in its Dean Chalkley-photographed Unknown Partnership sleeve on CD and double LP, with notes by both Ed and Martin. The perfect end-of-year present to yourself or the one you love.\u003c\/p\u003e\n\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\n\u003cp\u003e1. Big Time Operator – Zoot Money’s Big Roll Band\n\u003cbr\u003e2. Needle In A Haystack – The Whispers\n\u003cbr\u003e3. Light Of Life – Santana\n\u003cbr\u003e4. Vibrafinger – Gary Burton\n\u003cbr\u003e5. Space Shuttle – Buddy Rich\n\u003cbr\u003e6. Please Open The Door – Little Charles \u0026amp; The Sidewinders\n\u003cbr\u003e7. Higher Ground – Doug Carn\n\u003cbr\u003e8. Procession - Kadhja Bonet\n\u003cbr\u003e9. Funky Mule – Ike Turner\n\u003cbr\u003e10. Right Down Here – Asha Puthli\n\u003cbr\u003e11. Top Brass – Matt Berry*\n\u003cbr\u003e12. Medicated Goo – Traffic\n\u003cbr\u003e13. Main Title Theme From The Long Good Friday – Francis Monkman\n\u003cbr\u003e14. I Can’t Keep From Crying Baby Sometimes – The Deidre Wilson Tabac\n\u003cbr\u003e15. Too Late – Mandrill\n\u003cbr\u003e16. Wounded woman – Sandra Wright\n\u003cbr\u003e17. I’ve Got To Come In – Jean Battle\n\u003cbr\u003e18. Don’t You Worry Baby, The Best Is Yet To Come – Bessie Banks\n\u003cbr\u003e19. Don’t Walk Away - General Johnson\n\u003cbr\u003e20. Hi Tension – Hi Tension\n\u003cbr\u003e21. Time – The Light Of The World\n\u003cbr\u003e22. How Long – Ace\n\u003cbr\u003e23. Rope Ladder To The Moon – Julie Tippets and Brian Auger\n\u003cbr\u003e24. 7th Du Matin – Jacquelin Taieb\n\u003cbr\u003e25. Le Responsible – Jacques Dutronc\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58803146129789,"sku":"AJX2LP943","price":34.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/Freeman-Martin-and-Eddie-Piller-Present-On-The-Corner-pac.png?v=1790951637"},{"product_id":"release-date-06-11-26-the-venezuelan-zinga-son-vol-1-2lp","title":"Release Date: 06\/11\/26 - The Venezuelan Zinga Son Vol 1 (2LP)","description":"\u003cp\u003ePacked with raunchy songs (of course) that fuse every American genre under the sun — from salsa to acid jazz to disco to funk — this record tore up dance floors twenty years ago.\u003c\/p\u003e\n\n\u003cp\u003eTRACKLIST: \n\u003cbr\u003eSIDE A\n\u003cbr\u003eA1. Rico Pa’ Gozá\n\u003cbr\u003eA2. Comodón Johnson\n\u003cbr\u003eA3. 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From Mulatu Astatke \u0026amp; Hoodna Orchestra, to Sababa 5, Şatellites, Boom Pam, Bolbec and MOMO., every act featured has released an album on Batov, creating a collection that moves effortlessly between hypnotic Ethio-jazz, Anatolian psych, Mediterranean disco, cosmic grooves, contemporary jazz and border-crossing sounds from across the globe.\u003c\/p\u003e\n\n\u003cp\u003eAcross 23 tracks, Around The Sun charts the evolution of a label that began in the world of psychedelic grooves and Middle Eastern-inspired sounds before expanding into contemporary jazz, Brazilian influences and exploratory instrumental music. While the artists originate from different countries, traditions and \n\u003cbr\u003escenes, the collection reveals the thread that has connected Batov releases from the beginning: adventurous musicianship, powerful grooves and records built equally for dedicated listening and adventurous dancefloors.\u003c\/p\u003e\n\n\u003cp\u003eFounded by DJ Kobayashi and Herbert Newbert, Batov gradually grew from a small digital imprint into an internationally respected independent label. Before launching the label, the pair had already spent years working together in Gypsy Hill, the genre-bending London collective they co-founded and produced. What began with occasional releases from Down and Left, a studio on Denmark Street in Soho, London, evolved into a full-time operation, with new projects already planned through 2027.\u003c\/p\u003e\n\n\u003cp\u003eThe anniversary compilation captures both the label's foundations and its continued expansion. Longstanding Batov artists including Sababa 5, Şatellites, Boom Pam, Chavo, Wax Machine and Bolbec appear alongside newer voices such as MOMO., Kolonel Djafaar and SHIRAN, while legendary figures including Mulatu Astatke \u0026amp; Hoodna Orchestra and Mamman Sani reflect the breadth of a catalogue that continues to grow in unexpected directions\u003c\/p\u003e\n\n\u003cp\u003e'I'm always looking for something different', says Kobayashi. 'People might associate Batov with Balkan sounds, or Middle Eastern funk and psych, but the common thread has never been geography. It's the groove, the melody and the feeling'. Asked to define the Batov sound after ten years, Kobayashi's answer remains refreshingly straightforward: 'It's just something that feels right'.\u003c\/p\u003e\n\n\u003cp\u003eTRACKLIST:\n\u003cbr\u003eA1. Mulatu Astatke \u0026amp; Hoodna Orchestra – Tension\n\u003cbr\u003eA2. Bolbec – À L'instar Du Flair\n\u003cbr\u003eA3. Eje Eje – Black Sea Majic (Autumn)\n\u003cbr\u003eA4. 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Hallouminati – Taximi Strut (prelude)\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58862495596925,"sku":"BTR140LP","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/6aa2940cc723a01883e59bb2.jpg?v=1791458122"},{"product_id":"release-date-13-11-26-proud-of-me","title":"Release Date: 13\/11\/26 - Proud of Me","description":"\u003cp\u003eProud Of Me is a deeply personal new album nearly a decade in the making from ALA.NI, the enigmatic British singer, songwriter and musician whose voice seems to exist outside of time, and composer Adrian Younge. The record captures a diaristic snapshot of ALA.Ni's life across several years, tracing love, longing, grief and self-discovery against the backdrop of Los Angeles. Across Proud of Me, ALA.NI writes plainly about desire, grief, intimacy and self-possession, often leaving the emotional edges exposed. From the hushed intimacy of \"Face in the Evening\" to the hazy romance of \"Middle of Nowhere\", the album traces the story of a woman learning to trust her own voice and experience. \u003c\/p\u003e\n\n\u003cp\u003eTRACKLISTING \u003c\/p\u003e\n\n\u003cp\u003eSIDE A \u003c\/p\u003e\n\n\u003cp\u003e01. PROUD OF ME \n\u003cbr\u003e02. GET OVER IT \n\u003cbr\u003e03. MIDDLE OF NOWHERE \n\u003cbr\u003e04. RUN \n\u003cbr\u003e05. DUSTY ROAD \u003c\/p\u003e\n\n\u003cp\u003eSIDE B \u003c\/p\u003e\n\n\u003cp\u003e06. LAMENT FOR EMMETT TILL \n\u003cbr\u003e07. ZERO \n\u003cbr\u003e08. FACE IN THE EVENING \n\u003cbr\u003e09. CELESTE \n\u003cbr\u003e10. 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Drawing from Black American history, revolutionary thought, and the enduring spirit of resistance, the music weaves in echoes of the figures, movements, and ideas that have shaped generations. It honors the past while carrying its spirit into the present. \u003c\/p\u003e\n\n\u003cp\u003eTRACKLISTING \u003c\/p\u003e\n\n\u003cp\u003eSide A: \u003c\/p\u003e\n\n\u003cp\u003eThe Remembering \n\u003cbr\u003eHeaded On to Freedom \n\u003cbr\u003eLet it Go \n\u003cbr\u003eThe Laughin’ Joint \n\u003cbr\u003eGod is Change (Seeds of the Earth) \u003c\/p\u003e\n\n\u003cp\u003eSide B: \u003c\/p\u003e\n\n\u003cp\u003e6. The Invocation of George Washington Carver \n\u003cbr\u003e7. Frederick Douglass and the Root \n\u003cbr\u003e8. Madam’s Jam \n\u003cbr\u003e9. Power to the People!\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58862505132413,"sku":"BPAG01LP","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/a3736605549_1x1_700.avif?v=1791458150"},{"product_id":"release-date-13-11-26-let-your-hair-down","title":"Release Date: 13\/11\/26 - Let Your Hair Down","description":"\u003cp\u003eCollege of Knowledge Records proudly announces the self-titled second album by Let Your Hair Down. Let Your Hair Down is the Melbourne \/ Naarm based seven-piece boogaloo soul crew consisting of Hudson Whitlock (Karate Boogaloo, The Pro-Teens), Lachlan Stuckey (Surprise Chef), Tom Pettit (Temporary Blessings), Nic Ryan-Glenie (Owelu Dreamhouse), Will Morrissey (Saskwatch), Olaf Scott (The Teskey Brothers) and Luigi Portararo. \u003c\/p\u003e\n\n\u003cp\u003eShortly after the release of Let Your Hair Down's now much-beloved cult classic debut 'Waiting Room', the band stepped back into the now defunct attic studio where their first album was recorded to commit a second album to tape. With celebrated engineer\/producer Henry Jenkins (aka Jnbo) at helm once more, a fruitful and joyful weekend session produced 11 brand new original recordings, and the easy part was done. \u003c\/p\u003e\n\n\u003cp\u003eWith an album cover designed by Let Your Hair Down drummer Hudson Whitlock, Let Your Hair Down's self-titled second album was complete; 11 killer instrumentals documenting the bent minor key funk, percussive psychedelia and horn-heavy boogaloo from the most underground group from the Melbourne soul underground. \u003c\/p\u003e\n\n\u003cp\u003e'Let Your Hair Down' captures the group in full flight: spontaneous, energetic arrangements delivered by a top-shelf group of musicians who simply love to play music together. The 'good clean fun' factor combines with razor-sharp musicality and informed sensibilities to crystalise into a truly high grade original album. \u003c\/p\u003e\n\n\u003cp\u003eTRACKLISTING \n\u003cbr\u003eSin Bin \n\u003cbr\u003eLove In The Time Of \n\u003cbr\u003eTil’ The Wheels Fall Off \n\u003cbr\u003eStylish \u0026amp; Durable \n\u003cbr\u003eThornbury Special \n\u003cbr\u003ePaddlin’ Pool \n\u003cbr\u003ePingu’s Anthem \n\u003cbr\u003eAlbemarle Maybe \n\u003cbr\u003eSilk \n\u003cbr\u003eBottleneck \n\u003cbr\u003eGronk\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58862506606973,"sku":"COK017LP-C1","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/a2390406003_16.jpg?v=1791458159"},{"product_id":"release-date-13-11-26-apuama","title":"Release Date: 13\/11\/26 - Apuama","description":"\u003cp\u003eMatu Miranda has grown up in a state of constant movement. Changing homes, cities, schools, and horizons has shaped his worldview and fueled a body of work deeply informed by themes of displacement, transformation, and belonging. With APUAMA, his second album, the Brazilian singer, songwriter, and guitarist delivers his most personal work to date: a collection of songs exploring how we each construct our own sense of home through the encounters, departures, and returns that mark our lives. Driven by sensitive songwriting and organic production, APUAMA navigates a landscape of contemporary MPB, tropical folk, popular poetry, and Brazilian acoustic influences. From one song to the next, Matu charts an intimate journey where saudade is never synonymous with stagnation; instead, it becomes a driving force that compels him to move forward, discover, and forge connections. From the radiant landscapes of \"É Bom Voltar\" to the existential inquiries of \"O Que Será de Nós\"—and the poetic manifesto of the title track, \"Apuama\"—the album tells the story of an artist learning to turn every place he visits into a form of home. The album also features notable collaborations with two of the most distinctive voices on the new Brazilian music scene. Singer-songwriter Josyara lends her sensitivity to \"Céu Azulzin,\" while Chico Chico joins Matu on \"Estética da Fome,\" a track inspired by major Brazilian cultural and social reflections. These collaborations extend the` collective spirit that runs through the entire record and highlight Matu Miranda’s ongoing dialogue with his artistic generation. The sound production was helmed by Leo Marques—a producer, sound engineer, and musician recognized as a key figure in Brazil’s independent music scene. Marques notably won a Latin Grammy Award for his work on the album Sim Sim Sim by the group Bala Desejo, one of the most significant Brazilian records of recent years. This approach gives APUAMA a warm, vibrant, and timeless sound, allowing the songs to breathe and highlighting the richness of the acoustic arrangements. More than just a collection of songs, APUAMA is a journal of an inner journey. It is an album that speaks of movement, memory, nature, and the passing on of things—reminding us that, beyond borders, distances, and absences, there is always a place where one can feel at home. \u003c\/p\u003e\n\n\u003cp\u003eTRACKLISTING \u003c\/p\u003e\n\n\u003cp\u003eOração ao sol de amanhã \n\u003cbr\u003eReza braba \n\u003cbr\u003eÉ bom voltar\n\u003cbr\u003eCantarei até o fim \n\u003cbr\u003eCéu azulzin (Feat. 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Before the funk, soul, disco (and much more) of his musical alter-ego took hold, Gibbons aspired to be a film composer, growing up on the scores of John Barry, John Williams, Thomas Newman and, more recently, David Holmes, Daniel Pemberton and Ludwig Göransson. \u003c\/p\u003e\n\n\u003cp\u003e“The material I put out under my own name is designed to scratch the itch I’ve always had of writing music to picture,” says Gibbons. “A film composer was what I wanted to be – I was obsessed with it for a number of years. I actually thought the Lack of Afro material would be a side project or even a distraction. It ended up being the other way around.” \u003c\/p\u003e\n\n\u003cp\u003eWhere ‘The Last Bastion’ scored a film that has never existed, ‘Music For Motion Pictures’ takes a different route. 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A tribute grounded in Coltrane’s spiritual legacy. 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Where previous albums nodded to the lineage of Azymuth, Antonio Adolfo, Cesar Camargo Mariano and Marcos Resende, Ultracooked walks ! ! straight up to the greats and shakes their hands.\u003c\/p\u003e\n\n\u003cp\u003eGilberto Gil and Caetano Veloso are here, with fresh versions of Espresso 2222 and Odara respectively. Garoto - the great choro guitarist and composer whose harmonic imagination quietly laid the ground for bossa nova - is here too, and honoured with a deconstructed reading of \"Jorge do Fusa\".\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58899718603133,"sku":"FARO262LP","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/6ac62690c0dfbec6e73d9286.jpg?v=1792051585"},{"product_id":"release-date-06-11-26-sugar-on-top","title":"Release Date: 06\/11\/26 - Sugar On Top","description":"\u003cp\u003eSoundwise this new album recalls the timeless sound of their much loved 2020 'Hard Up' album, incorporating a modern songwriting approach with classic soul arrangements,appealing to both purist fans of the genre as much as casual music fans.\u003c\/p\u003e\n\n\u003cp\u003eNow into their 26th year, The Bamboos have maintained their worldwide reputation as trailblazers of Funk \u0026amp; Soul. 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Rockin Lo Vintage (Remix)\u003c\/p\u003e","brand":"Capsule Records","offers":[{"title":"Default Title","offer_id":58900955365757,"sku":"HIE20267","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/3826\/8152\/files\/a3738180512_1x1_700.avif?v=1792067648"},{"product_id":"release-date-30-10-26-shape-the-future","title":"Release Date: 06\/11\/26 - Shape The Future","description":"\u003cp\u003eNew York based Japanese jazz and electronic music polymath Takuya Nakamura presents his debut album Shape The Future - almost 35 years into his storied musical journey. \u003c\/p\u003e\n\n\u003cp\u003eAn expansive double album, the album’s first LP documents a spellbinding live performance by Nakamura recorded at fabric. 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It is a mouthwatering collaboration between legendary jazz vocalist and disco pioneer Asha Puthli and NYC’s punk-chic, discodelic stars Say She She. \u003c\/p\u003e\n\n\u003cp\u003eA fortuitous and fleeting window between touring schedules allowed Puthli and Say She She’s Nya Gazelle Brown, Sabrina Cunningham, and Piya Malik to write and record 'Pawa!' with members of the cult funk band Orgone in the English countryside at Mike Oldfield’s (Tubular Bells) studio. \u003c\/p\u003e\n\n\u003cp\u003e'Pawa!' is a tribute to female fortitude and an anthemic call to action for unity and collective action. Asha’s spoken word bursts into a soaring falsetto while Say She She’s celestial three-part harmonies make for a sublime call and response between the fabled mentor and her gifted disciples. Throw in a stellar bassline and one of tightest rhythm sections around, and you have an instant classic. And if that wasn’t enough, four remixes bring Pawa to the dancefloor! The UK’s legendary Crazy P deliver not one, but three future classics – an epic deep house take with a stomping bassline, a stripped-down vocal dub, and a sunshine-ready disco dub. Not to be outdone, Greece’s favourite dance duo Boys’ Shorts add magical disco touches and reimagine the original as an eight-minute balearic opus. \u003c\/p\u003e\n\n\u003cp\u003eFeaturing beautiful artwork and a premium poly-lined inner sleeve, the 12\" has been cut to vinyl for the discerning DJ and listener by Grammy-nominated Frank Merritt from The Carvery, London.\u003c\/p\u003e\n\n\u003cp\u003eTRACKLISTING \u003c\/p\u003e\n\n\u003cp\u003eSide 1 \u003c\/p\u003e\n\n\u003cp\u003ePawa! \n\u003cbr\u003ePawa! (Crazy P vocal dub) \n\u003cbr\u003ePawa! (Crazy P Disco dub) \u003c\/p\u003e\n\n\u003cp\u003eSide 2 \u003c\/p\u003e\n\n\u003cp\u003ePawa! (Boys' Shorts remix) \n\u003cbr\u003ePawa! 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Given that Miles was sharing the bill with Lionel Hampton and Duke Ellington as part of George Wein’s Newport Jazz Festival in Europe tour, it is perhaps not surprising that a large part of the audience walked out during the first ten minutes. But those who remained went on to witness a shining Wayne Shorter quoting from Super Nova throughout on Agitation; a slow-burning, fifteenminute version of Miles Runs The Voodoo Down, and a classic set-closer I Fall in Love Too Easily\/Sanctuary. In Erwin’s view “the bandleader knew that a dose of serenity was the only resolution to a set as batty as this one.” The ‘never-recorded Lost Quintet’ that toured Europe in October\/November 1969 had spent the preceding August rehearsing and recording a new double LP set Bitches Brew, within a kind of rock big band lineup. But here there was no John McLaughlin on guitar; Wayne Shorter was on saxophones, Chick Corea on Fender Rhodes, Dave Holland on bass and Jack DeJohnette on drums. 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